RogerT Posted November 18, 2021 Share Posted November 18, 2021 I have a screwdriver with the end filed, both with a pointing slot, as in the photo above, and a crochet hook slot in the side. I then push the spring into its hole, and use the same tool to hook the spring to the lever. For me though the game changer was a set of tiny drills incrementing in small steps, plus a miniature spiral drill. I then measure the spring diameter with a digital vernier gauge and pick a drill of a suitable diameter, and quite often make a new hole if the spring doesn’t want to stay put in the old hole. The spring should push fit nicely and not want to come out. I tried various other solutions but this is the one that seems to work. I nicked the idea from this video. You see him using one of these drills at 3:35. It took me a while to find the right tools…but good ole eBay came to the rescue…. Quote Link to comment Share on other sites More sharing options...
Theo Posted November 18, 2021 Share Posted November 18, 2021 Phosphor bronze has a much longer working life than brass, and is also much less prone to corrosion. 1 Quote Link to comment Share on other sites More sharing options...
RAc Posted November 18, 2021 Share Posted November 18, 2021 As for the material: Any unwound (even used) steel string (guitar, banjo, dulcimer...) will do nicely, costs very little and comes in a wide choice of strengths to choose from. I use between 0,5 and 0,7 mm diamter type. A nice side benefit of them is that they normally come with a ball end that helps jamming them to build up the tension mentioned by Tiposx. Quote Link to comment Share on other sites More sharing options...
Don Taylor Posted November 18, 2021 Share Posted November 18, 2021 (edited) 2 hours ago, Don Taylor said: Does phosphor-bronze have the same aging problem as brass? See: https://www.fortepiano.com/index.php/products-menu-item/wire-menu-item/copper-alloy-menu-item/phosphor-bronze-menu-item I have bought P-B wire from these guys and made springs using something like AP James system below. The only problem I had was that any sharp bends needed to be made slowly otherwise the wire would fracture at the bend. Edited November 18, 2021 by Don Taylor Quote Link to comment Share on other sites More sharing options...
d.elliott Posted November 18, 2021 Share Posted November 18, 2021 Firstly, If s spring breaks off in it's anchor hole, then simply move a mm or two to one side and make a new hole rather than damaging the action or action plate getting the old stub out. Secondly: I use half-hard phosphor bronze wire 0.6mm (0.025 ins) diameter. It is ready to use and beautifully consistent. Thirdly: here are two 'hands' of spring, left and right make sure you buy or wind the correct hand, good springs have the direction of wind of the 'pig-tail' matching the hand of the spring. I found steel springs too hard to blend in with other brass springs. Backing up the comment above relating to the question of brass spring durability; most concertinas have all, or a good majority of their original springs still fitted. If the average age is over 100 yrs old, and most springs are brass and are still going strong why change to a steel? I opted for phos-bonze because it was more readily available as a consistently heat treated product. Having bought a small weight of wire there is enough to stretch to the US & back. I shall be leaving yards of the stuff in my will. Any phos-bronze springs I make will see my life time out, and that of the customer too. Finally, to add to Alan Day's comment about conditioning brass by cold hammering it, stretching the wire a bit also works. 1 Quote Link to comment Share on other sites More sharing options...
Chris Ghent Posted November 18, 2021 Share Posted November 18, 2021 Apart from its great technical properties (5 times the fatigue resistance of brass, very slow to corrode) phosphor bronze is lovely stuff to work with; easily ducted, beautiful to look at. Stainless is ruthlessly practical and cold. Quote Link to comment Share on other sites More sharing options...
Chris Ghent Posted November 18, 2021 Share Posted November 18, 2021 (edited) There is no absolute reason springs have to be jammed immovably into the hole in the action board. They can’t go anywhere if they are a sliding fit and are then easily removed to adjust the preload. Edited November 18, 2021 by Chris Ghent Quote Link to comment Share on other sites More sharing options...
Alan Day Posted November 18, 2021 Share Posted November 18, 2021 A cut down safety pin is a good first aid repair kit if in case of emergency and sticking plaster( for cuts) trimmed to size can stick a pad back on again in an emergency. Al 1 Quote Link to comment Share on other sites More sharing options...
David Barnert Posted November 19, 2021 Share Posted November 19, 2021 17 hours ago, David Barnert said: My Wheatstone Hayden was built in the 1980s. Why would Steve Dickinson have used brass springs at such a late date? Should I replace them all with stainless steel? 13 hours ago, Don Taylor said: Does phosphor-bronze have the same aging problem as brass? And are folks (David?) sure that they have brass springs and not phosphor-bronze? 11 hours ago, Theo said: Phosphor bronze has a much longer working life than brass, and is also much less prone to corrosion. So, then, is it likely that Dickinson was using phosphor-bronze and not brass? Quote Link to comment Share on other sites More sharing options...
alex_holden Posted November 19, 2021 Share Posted November 19, 2021 3 hours ago, David Barnert said: So, then, is it likely that Dickinson was using phosphor-bronze and not brass? The easiest way to tell is if the levers and springs are a different colour. Brass is yellow and phosphor bronze has a more coppery pinkish hue. Even if they are brass they probably still have decades of life left in them. Quote Link to comment Share on other sites More sharing options...
Theo Posted November 19, 2021 Share Posted November 19, 2021 I’m working on an 1850s concertina at the moment with original brass springs. One spring has failed. There is no sign of any others being replaced. One out of 48 in 170 years isn’t bad. 1 Quote Link to comment Share on other sites More sharing options...
Dana Johnson Posted December 6, 2021 Share Posted December 6, 2021 Whatever you use, make your coil size a little larger in diameter to the old originals. That alone will dramatically increase the spring lifespan. At a certain point, fatigue drops to near zero. My springs are still fine after 4 million cycles, up from 10,000 of the same wire at the coil size of trad concertina springs. While music wire steel can make fine springs, it does rust compared to that ruthless SS. I like to keep carbon steel out of concertinas, since the wood it touches absorbs moisture from the air and is never truly “dry”. Often the steel screws that attach hand rests on old instruments and the like are badly rusted. Brass screws poor shear strength still leave steel as better if not great because you generally can still unscrew them. Quote Link to comment Share on other sites More sharing options...
Jake Middleton-Metcalfe Posted January 2, 2022 Share Posted January 2, 2022 On 11/19/2021 at 3:09 AM, David Barnert said: So, then, is it likely that Dickinson was using phosphor-bronze and not brass? He always has used brass as far as I know. Quote Link to comment Share on other sites More sharing options...
Robin Harrison Posted January 6, 2022 Share Posted January 6, 2022 Quote phosphor bronze is lovely stuff to work with Chris...as Don pointed out....I find it has tendency to fracture if bent too tightly or too quickly. Should I simply be bending much more slowly ? Tx Quote Link to comment Share on other sites More sharing options...
Stephen Chambers Posted January 6, 2022 Share Posted January 6, 2022 On 11/18/2021 at 10:03 AM, David Barnert said: My Wheatstone Hayden was built in the 1980s. Why would Steve Dickinson have used brass springs at such a late date? Should I replace them all with stainless steel? Steve Dickinson would have used brass because it's the best material for concertina springs. I find there's too much resistance in steel or phosphor-bronze. Quote Link to comment Share on other sites More sharing options...
d.elliott Posted January 6, 2022 Share Posted January 6, 2022 I am surprised that p-bronze should break as Don suggests, perhaps his stock was in a fully hardened state, I don't think I have ever had one break. I don't think that p-bronze gives too much resistance by making a too stronger spring, I am using 0.63mm (0.025") dia wire at half hard starting condition. Quote Link to comment Share on other sites More sharing options...
Chris Ghent Posted January 6, 2022 Share Posted January 6, 2022 3 hours ago, Robin Harrison said: Chris...as Don pointed out....I find it has tendency to fracture if bent too tightly or too quickly. Should I simply be bending much more slowly ? Tx Robin, I have had a coil which broke when forming the foot no matter what, very disappointing, as it was expensive. I had bought two at the same time and the other was fine. Quote Link to comment Share on other sites More sharing options...
Richard Mellish Posted January 7, 2022 Share Posted January 7, 2022 13 hours ago, Stephen Chambers said: Steve Dickinson would have used brass because it's the best material for concertina springs. I find there's too much resistance in steel or phosphor-bronze. Can you clarify, please? By resistance, do you mean stiffness or non-elastic losses? If stiffness, why not just use thinner wire? Quote Link to comment Share on other sites More sharing options...
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