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inventor

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About inventor

  • Rank
    Chatty concertinist

Profile Information

  • Gender
    Male
  • Interests
    Folk Music, and Baroque Music. Developing keyboards for Concertinas and Melodeons that enable ordinary folk, who (like myself) are not virtuosos; to play easily in a multitude of different keys on the same instrument.
  • Location
    South-west of England

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  1. This is what Steve Dickinson told me about Wheatstone Long Scale Reeds. The Wheatstone Factory had press tools for making Reed-Frames (Shoes). There are four different sizes of Reed-Frame for each octave. Each size was used for 3 consecutive semitones. Long Scale Reeds used the next larger size of Reed Frame for a particular pitch than the Standard Size Reed-Frame for that pitch. Inventor.
  2. Several years ago Colin Dipper made a couple of Bass English Concertinas for the "West Country Concertina Players"; using the best quality "Binci" Italian accordion reeds. I can't remember if these were single or double action instruments; but I expect that one of the several "WCCP" English Concertina playing members, who regularly use this website, might be able to give you more information. Inventor.
  3. I am so sorry to hear that news of John Holman; he would have been the perfect person to have made the film. Perhaps - John Dipper, you might consider filming the archive of the Dipper Workshops ? You will never come to the end of the list of concertinas on your order book. However consider this: If you were offered a concertina or fiddle teaching weekend (or a week at Sidmouth say) would you take it? (There probably won't be any of those this year!) I think you probably would, even if it lost you quite a number of concertina making workshop hours. My offer of being part of
  4. Hello Julie, welcome to concertina.net. That sounds a very large number of buttons (studs) for an Anglo-concertina. Does each button play the same note when you push in or out or a different note? Inventor.
  5. If John Holman is still around; you should get him to come to your workshop and make a proper in depth archive video for prosperity; while all four of you are still working together. (For those more recent to the Concertina World: John Holman was an extremely good concertina bellows maker, who worked at the Dipper workshop in the early days. He left to become a Wedding Video maker; which regretfully he found more profitable than bellows making. He was a great loss to the concertina making world.) I am willing to stick my neck out and say I would be very happy to be part of a "Crowd F
  6. I have seen the insides of many melodeons and accordions over the years, and have noticed that the reed plates for the very highest notes, have three factors that differ from the lower reed plates. 1) They are valveless; like yours. 2) The reed plates are are reversed, so that the tongue tip is closer to the opening. 3) The tone chamber has a wedge shaped insert in it to reduce it's volume. On the prototype Russian Hayden System Concertina, where all the reeds of each side were on a single plate; one pair of reeds on the left hand side was accidentally put on the wr
  7. Congratulations John; I am so pleased to hear this good news. Brian Hayden.
  8. I fully endorse the recommendation of Rosalie Dipper's Bellows. Any size, any shape - Hexagonal, extended Hexagonal, Octagonal, Decagonal, or Duo-decagonal. She specializes in bellows making, and is the most experienced concertina bellows maker in the world. I am lucky to live only about a 20 minute drive from the Dipper workshops. On one occasion when I had to have a small repair to my concertina; I went there for it to be done. We went to the top floor in the mansard loft of a good sized Georgian house where Colin examined my concertina and disappeared with it to another worksho
  9. Reminds me of the "Bellamoid clip" that Peter Bellamy used to have on his Anglo concertina to hold down a unisonoric drone note. Inventor.
  10. I have nothing to add to everything that I wrote 18 years ago, (see link above). The advantages of Hayden specification over the "parallel" arrangement becomes more apparent, when playing more complex music, on the larger instruments. I must say that I have never seen any reason why makers could not make the fretting of the ends in such a way that the handles could be fixed in several different ways. Wheatstone made Duet Concertinas with the uncut part of the fretting below the handles in an "infinity" pattern. This would allow the handles to be attached in an infinite number of d
  11. I see that there's one in the Akkordeon Museum https://akkordeon-museum.ch/ Opening page shows one center stage in the first photograph. I can't find more details about it , but my German is not very good, so maybe I have missed the full details. Inventor
  12. There is one in the Horniman Museum, Forest Hill, London. It is now fully restored. However when I first visited the Horniman in the 1950s, many of the musical instruments were in a very sorry state, owing to neglect during the war. The Melophone was was totally fallen apart in it's case, and you could see all the internal mechanism with wires connecting from the buttons to little trap doors. This was much more interesting to me, as I have always been fascinated by how musical instruments work. Inventor.
  13. Thank-you David. It's always nice to hear from someone who enjoys my little idea. Best wishes, Brian.
  14. This is not a Jeffries instrument, but a modern Hayden Duet instrument made specially for myself by a modern maker. Inventor.
  15. Regarding bisonoric buttons I had confused myself into thinking that you also intended to add "Midi" to the concertina. However I see that Midi was only required in the thread that Don Taylor referred back to. I still would not advise them on a Duet concertina. I have a couple at the top end of my large (69 button) concertina, and often play them in the wrong direction ! Inventor.
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