Geoff Wooff

It is not impossible to play the trombone in D or G and people have used such instruments in English Country Dance bands... but the question that begs is 'how do the other people in your band keep their instruments dry ?' What do Morris dance musicians use to protect their instruments ? Perhaps they wait for better weather... in a convenient Pub. The idea of playing a concertina in a plastic bag, or under a water proof poncho brings to mind the possibility of condensation... any squeezebox will process quite a lot of air during use. Perhaps it would be just as effective to employ an umbrella holding person and avoid windy situations?

Most musical instruments are not designed for playing in the rain. Simplest solution is to change key, Bb or Eb, and play the trumpet or trombone. Advantages , such as far more volume and very waterproof should not be overlooked as well as the huge repertoire of sheet music arrangements available from sources like the Salvation Army in plastified, all weather versions too.

Indeed Dee746, the experiment worked well but in the end I decided to modify the way I played and found a better balanced instrument. I think one problem for me was that coming from the English I was so used to a volume /tone balance equality. Well it was some years ago and I do not recall exactly why a gave up on the baffling BUT if you go to www.concertina.com and put 'baffles' into the search box at the top right... it will take you to Robert Gaskins' "Baffles for Maccann Duet Concertinas". This is a comprehensive guide to the subject. For my part if you wish to hear how I got on without baffles you could go to www.soundcloud.com and search 'Geoff Wooff'. There you'll find three recordings made for the Tune of the Month forum: Josephins Dopvals and ITMduet3 are played on a 46 key Hayden with wooden ends and La Luna dins L'aiga on a 57 key metal ended Maccann. A function of making these recordings with the microphone positioned off centre to favour the right hand end is to give a better balance. Good luck.

For session playing in ITM it is good to have a concertina with plenty of volume available, when one needs it of course and not neccessarily all the time. I agree with Wolf that a Wheatstone model 22 or 24 will usually provide enough power whilst retaining a decent tone quality. A metal ended Lachenal 'New Model' will also have good carrying power but I find the tone can be a wee bit thin ( cutting) and sometimes annoying. Wooden ended New Models are a little quieter but have a so much sweeter sound. I play an early model 22 in a noisy dance band, it holds its own very well and my current spare concertina is also a 22, for those just in case, rare, moments when the main squeeze breaks a spring or drops a pad during a gig. Keep the Anglo too.

At a quick glance it looks like a Meantone temperament. As a rule of thumb for this, and similar temperaments, all the sharp keys are flat and all the flat keys are sharp, of some some central point. It is not unusual to come across EC's from the 19th century which were originally tuned this way.

Hi Wolf, no I already had the Baritone Treble. The New Model baritone was an instrument I found here in France a few years ago. It needed a little maintenance work but played very well and the low notes had really nice tone and spoke quickly. I should have kept it but I sold it to Nils Meyn in Hambourg, so you might meet it sometime. Good luck with yours, Geoff.

Wolf , that is one number later than the New Model Baritone I used to own.

Phew!! Bravo Thomas😃

The Geordie Baritone is surely not a really loud instrument so perhaps your first port of call should be your hearing. I sometimes have difficulties with blocked sinuses which cause pressure regulation problems in my ears during air travel and even when going down a steep decline on a road ! It is usually higher notes and very loud instruments which cause ear pains for me. I sometimes use ear plugs, or just cotton wool , when playing my LOUD Wheatstone in the house. Perhaps your ear pains started to occur following a heavy Cold or flu ?

Restorers would probably bend the lever arm a little but you may find putting a leather or cardboard spacer between the lever end and the pad is less invasive. I would not normally expect that a warped end would cause the keys to lift out of their location holes but on an 81 key McCann I can imagine it. Good luck.

No, undo those medium screws on the inside face of the pallet board that go through into the hand rails . There will be another one or two screws that secure the hand rails to the end plates so the rails should stay in place when you lift off the metal ends .

Don't forget that Lachenals have seperate serial numbers for English, Duet and Anglos . The Englishes started first as that is what Lachenal made when he departed from his employment at Wheatstones. Later, when the craze for Anglos began Lachenals started a new numbering system for these... and again further on they did the same when Duet production started. Unlike Wheatstones who used only one numbering list thoughout the various models they produced. Dowright is the person to ask for a more accurate dating .

Well Frank, you have answered your own question ... a Lachenal for sure.

Best to give a link to the ebay advert and people can see what you are looking at.

Indeed Peter the latest generation has some fantastic players... well, you know my current policy is to support the youth by concentrating my instrument making efforts in their direction.