Alex West
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Came late to the concertina having started with tuba. Now playing in regular Scottish and English dance music sessions. Occasionally still playing tuba with Flowers & Frolics.
Also devoting a lot of time to restoring concertinas -
Location
North Ayrshire, Scotland
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I had a concertina with bad smells. I "soaked" the bellows in a UV light for 36 hours and fixed a small piece of charcoal filter material inside the bellows where it wouldn't interfere with playing. The owner (very sensitive to mould and odours) declared herself fully satisfied with the result and could play the instrument once more without bursting into coughing fits Alex West
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Beginner Questions Regarding "Ergonomics" (Hayden)
Alex West replied to Stasia's topic in General Concertina Discussion
Stasia It really doesn't matter which side you rest the instrument on. Whatever feels comfortable for you. Some really good players of both Anglo and English rest the bellows on their knee as they feel it gives them greater freedom of movement and accepting some wear - on the basis that bellows are relatively easy to replace albeit at a cost. Some people put a cloth over their knee to minimise the abrasion and hence wear. Personally, I don't subscribe to either of these views but that's just my preference Hand straps should be a bit looser than you think. If they're too tight, you won't be able to move your fingers freely enough to reach all the notes fluently (or at all). A Hayden or duet player may have a different view, but as an anglo player, The heel of my hand, the non-playing finger(s) and the back of my hand for a 3-point support giving stability and a strong basis for pushing, pulling and control as necessary I hope that helps Alex West -
https://www.ebay.co.uk/itm/276301783355?hash=item4054dea13b%3Ag%3ATuQAAOSwy9BkwUp-&amdata=enc%3AAQAIAAAA4IKKvW%2FiFnFMi8xl7LqpYGZLwJN13izJsmxNElCToD4TQ1b9xdOR0oImZFh3cP%2BhxEzsbWNG2GOxwt%2Bp8CaVgLnKOZ8PtrSz2QLM7atOC5cFAJKun8Awc0wH87CHk2T7YSIAnAc7jLIDJinIUImIuiDfufAzv7DEROjLyD%2B2eDoLkCHo0MUPSQZr5WMWuXhxsX8L9kD7Gy2waLKBj844nIkzaCGy9jI434XC1EUlYy4Oki1C4k%2B6Gv%2BnlNodroJPqwENy8BNf22wDLHkgqGuhE2UOSy3DwD7qUxAJbS1o0OB|tkp%3ABk9SR6KPtoSoYw&LH_Auction=1 Looks suspicious to me with the Buy It Now price hidden in the description? What do others think? Alex West
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Just a small correction to Wim's article. I've made a couple of wooden ended raised ends, copying another maker's methods. The ends aren't carved out of a solid piece of wood, they're made by glueing several plies of veneer together and pressing in a mould. I can't comment on the acoustic effect but I find it hard to believe it's significant. Alex West
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The raising or doming of the ends has nothing to do with button height above the end when the button is pressed. Buttons can be made shorter and felt washers can be removed (or added) to adjust the depressed height to suit the player. I believe that the Jeffries and Lachenal New Model raised ends were both made based on a circular mould (but I only have a limited sample). In both cases the surface around the buttons is flat. There is a slight weight reduction in having raised ends but I doubt this is significant. They do look cool though 😎 Alex West
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Many thanks Geoff - interesting details! Amazing that the bellows have survived relatively unscathed for 145 years! Alex West
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Thanks Stephen For future reference - is Geoff's data here at cnet or do you have a personal copy? Alex West
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This nice little 26 key concertina has come my way recently. In most respects, it's identical to 26 key wooden ended Jeffries that I've seen before but: It's not stamped C Jeffries Maker on the sides of the action frame The levers are steel, not brass The bellows papers are the dot & cross Lachenal type papers It has a number 8115 stamped on the left and right action boards and reed pans The seller thought it was a G Jones, but my working assumption is that it's a Crabb, dating from the 1880s. The reeds are stamped as for a C/G but it sounds as though it's a Bb/F. The left hand lever layout as pictured is peculiar - I've not seen one quite like that before Any thoughts? Geoff? Alex West
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I've a decent 30 key C/G Jeffries which I've recently restored and which might be suitable for you. (I have a 30 key Lachenal as well but I doubt that's much of a step up from your Phoenix). I'm away from home at the moment but can send you more details and maybe FaceTime (or similar) to show you "live" in a few days Alex West
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Interpretation of Concertina Descriptions
Alex West replied to cupkat's topic in General Concertina Discussion
SR = Steel Reeds, 6F = 6 fold bellows, CP = Concert Pitch Depending on what you're looking for, I have a couple that you might be interested in Alex West -
I have a couple if you're still looking Steve. PM me for details Alex West
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A hide glue should do it, but rather than holding the strips of fabric (or leather?) in place, you can either use butterfly type document clips to clamp the strips or make up a couple of hexagonal blocks to fit just the inside of the bellows and bolt them through to clamp all the folds at one go. If you want to be refined about it, you can put paper in between each fold to stop the folds sticking to each other. If the glue has failed on the external "peaks" and corners, then it's a different ball game. You could strip off the external binding, glue some fabric over and replace the binding but by the time you've done that, you're well on the way to making a new set of bellows Alex West
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Need advice. Arm lever not staying in Crabb
Alex West replied to seanc's topic in Instrument Construction & Repair
A couple of other suggestions, depending on how far you want to go, similar to and expanding on Shayfogs' suggestions. It doesn't have to be sycamore to fill (or partially fill) the lever pivot hole. A matchstick will do, glued in with woodworking glue. You can recreate the serrations on the side of the brass lever post by gently (but firmly) squeezing the corners of the post in a pair of pliers - not so hard as to cut the post in two, just enough to crimp the edges a little. This should deform them enough that there's some "teeth" to grip into the wood in the hole Alex West -
Pittards of Yeovil now closed
Alex West replied to Rod Pearce's topic in Instrument Construction & Repair
Have you tried C A Cornish? https://www.cacornish.co.uk/musical-instruments/ Alex West -
I've a 38 key Shakespeare in Bb/F which might be of interest? Obviously not a Jeffries but I use it as a regular player and it's got speed and volume. Zoom or FaceTime is of course possible, as is a trip over to Belfast ... Alex West