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Rod Thompson

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About Rod Thompson

  • Rank
    Chatty concertinist
  • Birthday 02/14/1950

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  • Interests
    Live theatre, sailing, concertina (naturally), sea music, bush music, maritime history.
  • Location
    Kangaroo Point, Qld, Australia

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  1. I think this is self-explanatory 🙃 Thanks to Steve Wilson and Pete for the hard work in putting it together, and looking forward to the next 5 episodes. https://www.youtube.com/watch?v=QVeE6O8FDC8&feature=youtu.be
  2. Re-posted from Concertina Convergence (Australia): Richard Evans survived the fire okay, but he lost his electricity box, and the pole to which it was attached, and also a large plastic water tank, which melted. The fires were within fifty metres all around, and he was saved buy a couple of tankers standing by. Les Love at Clarence was not so lucky. He and his wife had left only the clothes they wore, plus a mobile phone. Gone the car, his English Concertinas, guitars, paintings and his house. They are now renting in Blackheath. Arthur Heckendorf (You may remember Richard as the maker of Kookaburra Concertinas - concertina reeded beauties - of which I have one - a G/D anglo).
  3. But there are 256 ways to play the scale on the English C on the draw or C on the push, D on the draw or D on the push etc - 2 x 2 x 2 x 2 x 2 x 2 x 2 x 2 = 256 As for the Duet - in the crossover octave 4 x 4 x 4 x 4 x 4 x 4 x etc So the Anglo is really quite simple!
  4. I didn't see this production, but a friend reviewed it (not this review). Did anyone see it? and did she play the 'tina? https://monstagigz.com/2018/01/13/theatre-review-lady-windermeres-fan-starring-samantha-spiro-jennifer-saunders/
  5. I don't know the Edgley, but can say that when I moved from a Lachenal to a Suttner, I found it easier to play fast. The other thing I found was it was easier to play LOUD - what needed some work was to play fast and quiet at the same time - I still have trouble there. Fast bellows reversals tend to lead to higher pressure on the bellows in my experience. The Suttner has a big dynamic range - the reeds can speak very softly, but they can also shout.
  6. This is clearly a challenge. I have begun to commence an textural analytical study of the rules, and of all the known and unknown modifications both in this forum and in all other games played anywhere else in the world. I am using a neural network, and a rule generator that feeds the results to an ontological processor and an fairly standard inference engine. The processing has begin, and early results can be expected on 25th Jul 2097 at 11:15am Brisbane time. Be aware, this game is doomed to computerisation!! Meantime, I will be at LEYTONSTONE .
  7. Not such a good description IMHO: From "Australia Felix”, the first book in the trilogy “The Fortunes of Richard Mahony” by Henry Handel Richardson (Edith Richardson). Set in Ballarat, during the gold rush of the 1850’s, but written in 1917. “The only sound was that of a man’s voice singing Oft in the Stilly Night, to the yetching accompaniment of a concertina.”
  8. Yes - I'll be in that - I am willing to beat Geoff's record at £7.50.
  9. 1. Only in one case - the Staten Island hornpipe (in D). In the second part there are two C naturals (supposed to sound like steam boat whistles). I play them down to the lowest C natural. It brings an interesting reaction in the session, because no-one knows where the sound is coming from. (But as to whether it is worthwhile keeping the note for just this gimmick - probably not). 2. Not often really.
  10. I have directed a musical version of James Joyce's "The Dead" for our community theatre group, and we needed chordal accompaniment for some of the songs to back up flute, fiddle and piano. (http://villanovaplayers.com/index.php) Because it is set in Dublin in 1904, the concertina seemed appropriate, but I couldn't play it myself (as director - I just had too much to do). So, I passed my old Lachenal Crane duet on to one of the actors, with some very brief instructions on how to play basic chords, and he taught himself. He is now accompanying several of the songs, and sounding very good. I suspect that what he is doing is what so many of the Sally Army concertina players were doing a hundred or so years ago.
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