arti

£1400-ish to buy it now. More info needed but on the face of it.. Shame we're out of Europe .

Breath-taking in every way!

'Ottone' - Thanks for the update - I had wondered for ages but not enough to find the truth.

Marc Serafini has a diatonic 'modele ottone ( = brass ) on YT. He used to offer brass reeds ( anches ottone ) as an extra so I guess they were seen as better? Maybe you could ask him.

Its worth depends partly on where you are and is probably more than you think. 1948-50 is not the most valued period but maybe not the least. In UK, Barleycorn Concertinas site may give you an idea - a search will turn up other dealers/repairers. Hobgoblin is a loose chain of shops in UK that does concertinas. IN USA there is Concertina Connection among others. It is an Anglo instrument and 30 key is probably the most popular - especially in Ireland. Good luck!

I've resisted temptation until now but: Quote: 'The asking price on ebay is just speculative and I'm sure it wont sell for that.'

I agree with all the encouraging views re playing both. Caution on the PA: I have never heard of a former PA player who regretted the switch to a CBA. Any prior learning advantage from piano would not last not least because the PA and piano are so different. Compact layout and regularity of fingering of a CBA is likely to be much more positive over time. If buying new a Weltmeister is generally considered a better buy than a Hohner. If buying old then the opposite is more likely. If not cash sensitive, why not get another Saltarelle: (11) "Empreinte" - Florence Glorion - YouTube

My son told me some time ago that John was no longer with us. He also did tuning work - at the time the 'workshop' (together with Sue) was their kitchen table. I'm sure John would also want to be remembered for his music- making and his work archiving early film in the SW thro' Trilith. eg (2) Working the Woods - YouTube

Perhaps a compromise would be an 'I did that' section on the ICA site. I rejoined a while ago after a 40 year absence. I attended once (AGM?) - travelling up from W Dorset with a brilliant Anglo player - and don't recall it being competitive. Could be my memory. It was a (then) rare chance to hear concertinas. I believe performances were commented on and helpful suggestions made. I still have fond memories of the day's music. PDF is a great idea in my opinion.

For those who like obscure factoids, in Somerset (England) these creatures are called 'Hunky Punks.'

The Accordionists Forum: www.accordionistsinfo

Thank you - I enjoyed that. Can I add that in a shanty the verse is there to give the singers time off between choruses but in a (whaling) song the chorus allows the audience to be part of the story as it unfolds. If anything I believe the chorus helps the audience concentrate on the story. Also with a short instrumental ending - about a line - the rapturous applause is immediate.

Upside: Modern, compact, competitively priced, around three octaves either side and make your own chords: https://www.musik-center.de/en/zerosette-pinocchio-leader-b10c-freebass-uberholt-gebraucht.html/ Downside: It isn't a concertina!

Thanks for the straight answer.

Getting on for 50 years ago, when I picked up my Anglo from Crabb's, he recommended Neatsfoot Oil annually. Have ideas moved on since? I'd be grateful for any feedback as I'm not long back with concertinas and bought a pint of the oil just to be prepared. Thanks