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david robertson

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About david robertson

  • Birthday 06/08/1948

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  • Website URL
    http://www.concertina-restoration.co.uk

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  • Gender
    Male
  • Interests
    Full-time restorer and tuner of concertinas, part-time abuser of a 38k Jeffries Anglo. I also arrange for and sing with a 3-part harmony group called Poacher.
  • Location
    Norwich, England

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  1. This is a bit of a long shot, but I wonder if anyone out there in the concertina community knows Richard Bird and/or his wife Chris? He plays a 45k Jeffries, which is currently sitting on my shelf, with restoration almost complete. Here's the problem: I stupidly omitted to take his phone number, and I'm getting no reply to copious emails. So if anyone has his contact details, I'd be very grateful if you'd share them with me, or give him a nudge to contact me.
  2. Many thanks for that, Paul. It's obvious from the reedpan layout that there wouldn't be room for another chamber. Still, I'd have thought the path of least resistance might have been simply to leave out the thumb button completely!
  3. On my bench at the moment is a 46k Jeffries Anglo. While mapping the layout, I noticed that on the left hand, the 4th button on the innermost row and the single outlier button both play F4/C4. And when I opened it up, I discovered why: both buttons operate on the same pair of reeds! This is not an arrangement I've come across before, and I'm having trouble imagining a reason for it. Any ideas?
  4. Hammer price £2200 - that's about £2750 with buyer's premium (don't get me started!) It's a beautiful instrument, but isn't that a bit lofty for an unrestored Jeffries Duet?
  5. Both instruments are now sold, one via my own website and one via concertina.net (donation made).
  6. A regular customer of mine is about to emigrate to Australia, so he has asked me to help him find a good home for two superb Jeffries. The first is a 30-key (bone buttons) in C/G, restored by me about 3 years ago, with new pads, valves, bushes and straps. The woodwork was stripped and refinished in French polish, and I made and fitted new 7-fold bellows, which are now beautifully played-in. This is a cracking player - rapid, responsive, well-balanced and incredibly loud, with that unique Jeffries sound. The second is a 38-key (metal buttons) in the rare keys of Ab/Eb. This one was restored by Colin Dipper about 4 years ago, with new 7-fold bellows by Rosalie. It could be a long, long time before you find another Jeffries in these lovely growly keys, let alone one in such exceptional condition. The seller is looking for £4900 for the 30k, and £5400 for the 38k. I should add that both instruments come in an expensive (and virtually bomb-proof) Peli Storm hard case. You'll find details and pictures of both concertinas on my website, and as always, if you're within striking distance of Norwich, you're more than welcome to come and have a squeeze.
  7. Yes, still in Norwich and plying for hire. And thanks largely to Brexit, the waiting list isn't what it used to be! You can find out more about me and what I do at concertina-restoration.co.uk. And if you'd like to talk about your instrument, feel free to call me on 01603 702644 or 07840 838899.
  8. Whatever the truth of its history, its appeal to the beetles makes it rather less appealing to me. Big flight-holes too! Reminds me of one I once bought from Peru, whose frames consisted of veneer on the outside, a wafer-thin sliver of timber on the inside, and nothing much in between. One particularly industrious grub had chewed an impressively straight line through every fold of the bellows. If anyone else is brave enough to take this one on, it's in Gorringes sale in Lewes on the 18th of this month.
  9. OK, we have a serial number stamped in the reed pan, and inked on the back of the action box... looks like 2013 (or possibly 6). It has a pair of squeakers fitted close to the centre of the left-hand reed pan, so I guess it may also have a whistle on the other end. It also has significant damage by wood-boring insects, which makes me wonder if it started life as a wooden-ended instrument, converted to metal ends when the fretwork began to wriggle under the player's hands?
  10. The plot thickens! The auctioneer describes the pivots as looking like the staples he uses for attaching wire to fence-posts! Did Lachenal ever use staples rather than slotted plates? Tomorrow he's going to bring a screwdriver to work, and we'll play hunt the serial number!
  11. Thank you all for your suggestions. I do realise that a serial number and a view of the internals would be helpful, but the instrument currently resides with an auction house in Lewes. I'll call them and see if they'll send me some more pictures.
  12. True, the edges are suspiciously un-stepped, but it's far from being a home-made horror. I'd be a happy man if I could muster this kind of skill and fluency with a scrollsaw!
  13. Leaving aside the engraving round the edges, which I guess could have been added at any time, would anyone care to hazard a guess at the maker of this concertina? It's a 36-button Anglo, with Lachenal-style green white and gold papers, and gold-tooled bellows ends... but I don't recognise the fretwork as Lachenal. It has some distinctive little features (circled) that I'm sure I've seen somewhere before, but I'm damned if I remember where!
  14. Sorry Julia - this one has now found a new home in Ireland.
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