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About CrP

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    Advanced Member

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  • Interests
    Anglo player of Scandinavian, French, Klezmer, E. European music. Also for past few decades a player of traditional acoustic E. European music on bagpipes, flutes, tamburica, amongst others--music of Yugoslavia, Romania, Hungary, Macedonia.
  • Location
    Kensington MD

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  1. Lovely music-making; certainly made me want to dance because it moved well and had a good energy. Thanks a lot.
  2. Truly a splendid case worth treasuring! If it were mine, I'd feel torn beteween fixxing it for continued use as a protector and cleaning it up so as to render it as beautiful as before, possibly at a sacrifice of its more protective aspects. An alternative might be to find a case maker here in the USA who would duplicate it (or come very close) to achieve a brand-new protective AND beautiful item. I'd consider seeking a good leather-worker who might do custom work (I have suggestion). Also a fine cabinet maker, which reminds me that my cousin's husband is such a cabinet maker, who lives in upstate NY. May I ask him about this kind of thing, without mentioning your name or anything? Then, if it looks like a possibility, you could contact him to pursue it?
  3. CrP

    Nadiejda - 2ManyButtons

    Jim & Randy: In addition to your playing having a very clear sense of the proper "feel" (or maybe emotion?) to the melody, a nice sense of mood, it was almost perfectly danceable. That was a fine, melancholy waltz, if ever i heard one. More, more, please.
  4. CrP

    Secondary Key: Ab/Eb vs Bb/F

    A major consideration for me is the type of music I play, so ask yourself that question, namely, what type of music do you play (or want to play)?. Much of the klezmer music, which I'm playing a lot these days, involves D minor and G minor, so my Jeffries Bflat/F is my favored instrument. That said, I find D minor is also an easy key for my (male, low tenor, high baritone) voice, so C/G can easily cope with D minor and its associated chords -- F, Bflat, C(7) when it comes to accompanying singing. These chords + keys fall easily on a C/G; they fall more even more easily on a Bflat/F. instrument So one consideration I would offer is to consider what role you and your concertina want to play -- in a band, where you'll need an instrument that has tonal & volume power enough to compete with other instruments? Or one that works with your voice and its range when there's little or no other (additional) instrumentation. Is there/are there common keys that you keep thinking you can't easily play on your C/G? Hope this helps.
  5. CrP

    Christmas songs... in Yiddish

    Pretty good song salesmanship, altho' I daresay it's the piano accompaniment that really makes this one work. Can we say "only in America....?
  6. CrP

    George Jones 26 button

    My preferred instruments are by Jones -- I have several concertinas from the house of Jones. They vary in responsiveness and it's difficult to generalise about, let's say, Jones reeds in contrast to reeds in Lachenals or Crabbs or Jeffries. My 26-button G/D Jones is one of the best concertinas I've ever played-- fast, strong, loud, even tone from bottom notes to the top -- it's a joy to play. I also have a 44b Jeffries --a really fine B♭/F, and a very good 36b Lachenal. So, my point is that over the course of years of manufacturing, who knows how many reed makers, reed tuners, parts suppliers might contribute to the instruments of any given maker. Generalisation based on a limited sample, from particular instances is a fraught activity. Manbe all your Jones needs is a visit to a good repair person.
  7. CrP

    34 button anglo - Maker and date

    Thanks for the photos of reed pans and action. The longer I look and the more I compare those photos with the inner workings and other evidence of my Jones instruments, the more similarities I see. For instance, the posts on which the levers operate look identical to those on my Jones instruments. Similarly, the lettering/numbering styles of the numbers stamped into the wood look awfully similar. I grant that the makers and stampers of concertina parts may have obtained their tools from a very small number of manufacturers and nobody particularly cared what typeface was used for those stamps. However, my eye sees similarities between the shapes of the numbers and their placement on the outer edge(s) of the reed pans. So, circumstancial evidence like this tends to make me think the instrument was from G. Jones. My wooden-ended, 34-button anglo that is most like it bears the serial No. 17021. So, that's my small contribution to the mystery.
  8. CrP

    34 button anglo - Maker and date

    As an owner of a couple of Jones instruments, I thought that the bellows papers in the photo were the same as those on one of my instruments. Beyond that particular clue, tho', I can't say I notice anything that looks especially "Jones-y."
  9. Several more by the same group -- "Naches" -- the note indicates the performance occurred in March 2008 "Doina & Skočna" : https://www.youtube.com/watch?v=TbZoETZrhp4 "Obodivker dance & Chasidic happy tune [meaning, most likely, a 'freylakh']" : https://www.youtube.com/watch?v=IdKmM58FR-EThe video for this one has problems but the sound is OK and "Fun der chupe" with a nice melody intro on English concertina before the band picks up the tempo. The bess player does a really nice solo shortly into the piece : https://www.youtube.com/watch?v=c9oR97KIu04
  10. Nice little quartet, called "Naches, "with a lively rendering of a Bulgar on clarinet, bass, violin & English concertina (playing chords on the off-beats). I think the group is either Czech or Slovak. https://www.youtube.com/watch?v=-jCw7djJJbE
  11. Thanks for the reply. I hadn't considered the possibility that the red "block" item would allow me to block someone; Rather I was thinking somone had blocked receipt of my messages to him. Anyway, end of problem; we have regained communication.
  12. I think there may be a problem with my participating in the messaging section. For one of the participants in C.net, the red "Block" entry appears. Does that mean I've accidentally Blocked receiving messages from him (unintentional) or has he blocked my messages?
  13. CrP

    31 Button 5 3/4 Inch C/g

    In reviewing all the photos of your various creations, I caught myself saying, "I like your sense of style and invention" Are there any soundclips available anywhere to get a sense for how these sound? I guess your comment about sound sums it up nicely: judging "an instrument by its sound and playing characteristics if they are great, I give the wood some credit. If they are bad, the maker gets the blame." Good for you!
  14. Perhaps pther sellers, repairmen, and so forth can add commentary/ experience to this subject. As for me, I've recently had a late-19th-century Jones, rosewood-ended anglo sent here from the UK.. I don't recall there was any customs or other governmental hassle resulting. Who knows? Maybe the officials on duty were feeling generous that day?
  15. Looks like a lot of careful work. Hope it turns out airtight and handsome for many more years of playing.