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Paul_Hardy

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About Paul_Hardy

  • Rank
    Chatty concertinist
  • Birthday 08/20/1953

Contact Methods

  • MSN
    pghardy@hotmail.com
  • Website URL
    http://www.paulhardy.net/paul/
  • ICQ
    0

Profile Information

  • Gender
    Male
  • Interests
    English concertina. Computers. Walking/rambling/hiking.
  • Location
    Cambridge, UK

Recent Profile Visitors

414 profile views
  1. Paul_Hardy

    What our concertinas look like?

    I will check the temperament and report back, but it won’t be for a while as I’m travelling at present. I’ve got the brass reeded GC with me, but I previously retuned that to concert pitch and equal temperament from the mess it was in before - someone had retuned just the notes needed to play in the keys of G and D) to concert pitch, and left the rest in old pitch! The steel reeded GC at home is still in old pitch, but I’m not sure of the temperament. I’ll check and report later.
  2. Paul_Hardy

    What our concertinas look like?

    Simon's rather than Simons's, but the construct of "passing through xxx's hands" is a good English idiom. Yes, it is noticeably heavier than a standard treble, but still lighter than the 56 key EC that I sold as being too heavy. Not previously, but I'll give it a try! Regards,
  3. Paul_Hardy

    What our concertinas look like?

    My brass reeded George Case treble (http://www.pghardy.net/concertina/case_2760/case_2760.html) is currently my favourite instrument to play at home. It’s in modern pitch and equal temperament, but my other GC treble (http://www.pghardy.net/concertina/case_3087/case_3087.html) which is steel reeded, is still in old pitch and sounds very sweet. I need to check its temperament, as I’ve not done so. I was intending to retune it to concert pitch from old philharmonic, but I’m holding off as it sounds so nice as it is (as long as I don’t play it with others who are in A=440)! i know that GC soon gave up doing the double reedpan with chambers on both sides, presumably because of manufacturing costs, but I wonder to what extent they are responsible for the sweetness of tone of these instruments.
  4. I'll be visiting between Malaga and Marbella on the south coast of Spain. Any concertina players there? Any trad music sessions?
  5. Paul_Hardy

    Desert island concertinas

    Interesting - My current favourite that lives out of its case by my desk (ready to be grabbed before being shipwrecked) is also a brass-reeded George Case treble (http://www.pghardy.net/concertina/case_2760/case_2760.html).
  6. Paul_Hardy

    Concertina for Cows

    It's an unfortunate still image, as it shows the cows all running away from the concertina! In the video they were more attentive. Can you choose a better still from the video?
  7. Paul_Hardy

    What type of music do you play?

    I play mainly British Isles traditional music on English Concertina - There are example recordings, and my Session Tunebook to indicate the range. I play every other Monday evening at Greenshoots with other folk musicians, though not generally for an audience, and also join in at a couple of local pub sessions round Cambridge most months. I try and get to Chiltinas monthly, and a couple of times a year to the WCCP residential weekend events in Somerset, and a few other concertina events as time permits. Other than that, I play at home by myself for pleasure, and to entertain my wife Margaret - including a tradition of playing to her when she is in the bath, as the acoustics in the bathroom are the best in the house!
  8. Paul_Hardy

    Highs and Lows of concertina playing

    Unfortunately, I didn't do any meaningful recordings at the high altitudes, so I've no upper bound to compare. Thinking about it, I was recorded up at Green Valley Lake playing some contributions to a CD by a local group (Childgrove comes to mind), but we never did the same think down the hill, so no direct comparisons. Regarding pitch, I used to be the instrument playing the introductory A for people such as fiddles to tune to, so any conflicts might have been hidden. Mind you, there were some instruments there like hammer dulcimers that I think were tuned to digital tuners, so given that the ensemble was reasonably harmonious, it couldn't have been too far off.
  9. I've finally got round to writing up a short illustrated memoir of my experiences of the highs and lows of concertina playing. It's available at http://www.pghardy.net/concertina/highs_and_lows/. It's a somewhat frivolous story, not a serious scientific study!
  10. Paul_Hardy

    my first Anglo recording :)

    I like them both, and i'm impressed with your delicate ornamentation on the English. The EC version is more legato, without the 'snatches' that punctuate the Anglo version. I'm sure you could make them more similar by including more bellows reversals on the English - Rob Harbron had us practising tunes reversing on every bar, then again every strong beat, then finally reversing every beat.It felt strange (I'm used to using bellows like a bow on longer phrases), but gave us different tune textures to choose from. Regards,
  11. Paul_Hardy

    New British £50 note.

    Google for "Natural Units", or see https://en.wikipedia.org/wiki/Natural_units.
  12. Paul_Hardy

    Hornpipe and polka rhythms?

    I don't disagree with what is said in the trail above. Just to clarify my position about tunes in my tunebook: I use the rhythm designation Hornpipe for tunes in 4/4 time, that I feel should be swung - lengthening the first and shortening the second of each pair of quavers (eight notes) to sound like Thursday. . Often these have 'Hornpipe' in their title, but by no means all. Many I first encountered, written out as 'dotted quaver, semi-quaver' pairs, but that makes the first note three times as long as the second in each pair, which I feel is too much. When playing I go for about a 60/40 or 70/30 split. It's one of the weaknesses of classical music notation that there isn't a simple way to express that. Most reels can be played as hornpipes, and vice-versa. The other tunes which are in 3/2, and often with Hornpipe in their title, I annotate the rhythm as 'Triple Hornpipe', and these are not swung (much). Instead, the tunes often use the ambiguity of having six crotchets in the bar, to shift between three strong beats, to having two triplets. Many of these tunes went out of fashion but have regained interest recently. Remember, Hornpipe originally meant any tune played on an instrument made of horn!
  13. I was there for the first time. An enjoyable afternoon. There were I think 17 concertinists, and at least 30 concertinas! Format was round the room, twice, with coffee break in between. We finished by all playing a set of WW1 marching songs that I’d brought. Thanks for welcoming new attendees.
  14. Paul_Hardy

    For Armistice Day

    It works OK for me at 9:55 GMT. Download size is 2.8MB. Opening resultant PDF shows a white on black shaded drawing.
  15. (modestly) Thanks for the thanks. We enjoyed having you and Lori to visit. The English concertina fraternity is small enough that meeting distant cousins is welcome and refreshing.
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