SteveS Posted July 13, 2015 Share Posted July 13, 2015 This item contained a reference to palm rests on a baritone concertina. I've seen holes in more or less the positions shown in the accompanying pictures before. Does the forum have any comments as to - the design of palm rests - the efficacy of palm rests in use - mounting methods (preferably without drilling holes in the ends of concertinas) - likely historic suppliers (I've never seen them advertised, so maybe players made up their own) Link to comment Share on other sites More sharing options...
Dana Johnson Posted July 13, 2015 Share Posted July 13, 2015 (edited) On looking closer, the rest holes look to be in a good location. I wonder if they are supported from below by posts. They seem like they would be useful on the press, but unless they had a strap as well, not very helpful on the draw. The holes appear quite well done, as though the were drilled at the time of the fretwork.and polished along with it as though the rests were original equipment. I've seen some baritones with leather straps going from one side of the frame to the other, but never someone using rests. It is hard to think of mounting methods that wouldn't cause as much damage to the instrument as holes in the ends. Ergonomically, ordinary straight rests are a bit restrictive on something with that long a button layout. Ordinarily, you are pressing with the meaty arc of your palm from the base of the little finger down across the bottom to your thumb. This leaves a lot of freedom for your fingers. Anglo players who have tight straps and solid contact with their hand rests often have trouble reaching some buttons if their finger length isn't within a relatively narrow range. And they are only usually three rows deep. Goran had other changes he proposed that may have made them more appropriate. Edited July 13, 2015 by Dana Johnson Link to comment Share on other sites More sharing options...
Wolf Molkentin Posted July 13, 2015 Share Posted July 13, 2015 Göran Rahm is commending handrests on an English concertina if memory serves me rightly... Link to comment Share on other sites More sharing options...
Stephen Chambers Posted July 19, 2015 Share Posted July 19, 2015 (edited) Göran Rahm is commending handrests on an English concertina if memory serves me rightly... Hand rests were tried long before Göran recommended them. I have a Wheatstone 1844 Patent "double" concertina (similar in appearance/ergonomics to "English" models - having four horizontal rows of buttons and thumb straps*) which appears to formerly have had them fitted to it, and they are illustrated on the English concertina in William Wheatstone's 1861 Patent, but both of those designs also dispensed with the finger rests, whilst William Wheatstone's one effectively altered the centre of gravity of the instrument (by moving the buttons and thumb straps forwards) so that it balanced better in the player's hands. But hand rests never caught on generally. Footnote: * Indeed the "doubles" are externally so similar to "English" models that another example in my collection (originally sold to Miss Elphinstone as a "double") was converted, later in the 19th century, into an English-system tenor. Edited to be more explicit Edited July 29, 2015 by Stephen Chambers Link to comment Share on other sites More sharing options...
Peter Laban Posted July 26, 2015 Share Posted July 26, 2015 (edited) In the echo chamber of a paralel universe this thread is continuing. Edited July 26, 2015 by Peter Laban Link to comment Share on other sites More sharing options...
Stephen Selby Posted July 27, 2015 Share Posted July 27, 2015 Early on, I got a Stagi G/D concertina, which is a bit big and heavy. I found that it was hard to play standing. So I looked for some way of supporting it against my pals palms. After experimentation, I found that two boxes for blues harmonicas were about the right size. So I got a piece of wood of the right dimensions and cut off two pieces 3" x 1.5" x 0.75". I glued on chamois leather covering them completely (rough side out), like wrapping a gift. As they are loose, I use them on all my concertinas. The chamois has just enough purchase to stop them shifting, and won't shed dust into the mechanism. The weight of the instrument is enough to hold them in place. Of course, this assumes a wrist strap. No use on an English concertina. Link to comment Share on other sites More sharing options...
JimLucas Posted July 27, 2015 Share Posted July 27, 2015 Of course, this assumes a wrist strap. No use on an English concertina. A "hand" strap, perhaps, but I doubt that it ever touches your wrist. It fits across the back of your hand. Some larger English concertinas are fitted with actual wrist straps, in addition to the thumb loops and finger plates, but they don't serve the same function and there's no associated "rail" for support. Link to comment Share on other sites More sharing options...
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