Tony Elphick

I had the pleasure and privelege of sharing a few tunes with Packie on my first visit to Ireland back in 1976. We made our way to Doolin and found the pub, which was very crowded when we arrived. Packie was sitting there, together with his brother Miko. Packie saw my concertina and beckoned me over to sit with him. The reason the pub was so crowded was that there were a lot of students from Dublin camping nearby, and I think every one of them had a bodhran. So every time we started into a tune, 20 or so bodhrans joined in and it was very heard to hear what was being played. It seemed like the annual wildebeest migration was going through Doolin that evening. After 3 or 4 times of this, Packie lent over to me and said quietly "if there's a single bodhran in heaven, then I'm glad I'm going to hell." A lovely man and a terrific musician. And apologies to all you bodhran players out there!

My Jeffries with metal hand rests has the same arrangement i.e. a double screw plate on the ends of the rests and a knurled button screwing into the action box end. I've had it for over 40 years and was like it when I acquired it so I have no doubt it is original. Tony Elphick

I visited a preserved country mansion called Uppark which is here in West Sussex just before Christmas. In the basement in the servants kitchen was an exhibition about H G Wells as his mother was a servant there so he was a regular visitor. In an account of the servants' life there was a statement that said that the servants had regular dances "accompanied by fiddle and concertina." I've tried various ways to find out if there is anything more available about this but all to no avail. Who played it? What system? What sort of music did they play? Intriguing! Perhaps that is where he got the idea of the trousers looking like bellows on a concertina!

For a while now a bunch of friends and I have been trying to create a website encompassing all matters traditional from this part of Southern England. At long last it has now gone live and quite a lot of material has been posted on it and much more is in the process of being added. What might be of particular interest to people here is that there are over 100 records in the database relating to Scan Tester including pictures and recordings of his playing. So please visit the website and hopefully you may find something of interest by browsing the database. www.sussextraditions.org

Excellent night at Chichester last night too!

Yes Dave Elliot's book is a must for learning your way round. As for building, take a look at Bob Tedrow's wonderful photo essay here:- http://hmi.homewood.net/twitterzephyr/

It looks identical to a 26 key I have. The only maker name on mine is Ball Beavon & Co London stamped on the RH end side. Mine certainly sounds like my other Jeffries in terms of reed power etc. I think Crabb/Jeffries/Ball Beavon were all linked at the time.

Bought by me I'm afraid. It is a lovely box.

I've PM'd you

My one is only 6mm across the flats, measures 17mm end-to-end (but 6 fold bellows are slightly open) and is 30 keys plus air button!

Think this may do it? It's different from your one, and he's got quite a bit of end detail on it too.

Sorry but my picture file size seems too large. Can anyone tell m how to get a picture on here?

Hi Alan. Was it one like this? Jim Pitts, the great Crawley musician and sculptor made a few of these. He played with us in the Bonabrill Band for 30 odd years up to his death, and did several concertna things which he copiedfrom my Jeffries.

When I first went to Ireland in 1976 I sought out Packy Russell in the pub at Doolin. He saw my concertina and we started playing a tune together, but the pub was packed out with about 30 or 40 students from Dublin, every one of which had a bodhran. Whenever we started playing all the bodhrans started up too and it sounded like the annual wildebeest migration was going through the pub. After this had happened about 3 or 4 times Packie lent across to me at the end of our tunes and said "If there's a single bodhran in heaven, then I'm glad I'm going to Hell!"

Did he say where the pubs were that he used to hear them at?

Certainly looks like Kimber, and the playing at the start sure sounds like him too. I wonder when that sound recording at the beginning was made? The Youtube clip says 1931, but the earliest recording on the EFDSS Absolutely Classic is 1935.

Is it an anglo - or a duet?

No-one has yet mentioned the greatest anglo player of them all, namely John Kirkpatrick. Songs like Old Man Jones, Jim Jones, A Shropshire Lad and so many more.

Sadly I can now no longer be there, but do listen to Dan Dewdney playing anglo for Broadwood Morris. A really fine young player.

I'll be playing my anglo for Broadwood Morris during the day, and of course the excellent John Watcham is likely to be there with Brighton Morris.

It was Vic Gammon.

Will Duke is a wonderful player in the style of Scan Tester, which is described as "octave playing" but is actually much more decorative than just straight octave playing. Will is doing a presentation about ScanTester and his playing in Lewes this Saturday and it is well worth coming along to hear about this style, and also to hear Will's wonderful playing. http://www.lewessaturdayfolkclub.org/i

If you're going to County Mayo, make sure you go to Matt Molloys pub. Matt is of course the flute player in the Chieftains, but there's always music at the pub. Website here:- http://www.mattmolloy.com/index.html

Yes the Black Horse was the start of the slippery slope for us both! I think it's going to be very crowded at the Curch but music and song after in the Village Hall, so bring your box(es). Would be great to see you again and perhaps share some tunes.

I'm very sad to have to announce the death of Harry Mousdell. He had been unwell for some time and died in a hospice in Crawley. Harry was a major figure on the folk scene in Sussex for many many years, and a founder of Horsham Folk Club as well as Chanctonbury and Broadwood Morris Men and also a popular and rumbustuous dance caller. He was a friend of the late Scan Tester and regularly drove Scan round to various sessions. Harry himself was no mean performer on the anglo, and played in the same "octave" style as Scan. He will be deeply missed by all on the Sussex folk scene.