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wunks

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  1. I should let this go but I can't. I'm proposing a tough but flexible plug ( leather has a thickness after all ) with the slightest feathering before cure atop and beneath. Not a patch, ( although perhaps in conjunction with one ). Tried and true works but there's more than one way to skin a cat.
  2. True, certainly but if the alternative is to toss 'em and buy a new set a bit of experimentation wouldn't hurt. That's why I made the disclaimer in the first place. The concertina world isn't divided sharply into Experts and Dolts. Cheers
  3. My friend Joel (passed ) had a very small bandoneon I always envied. It was about the size of a standard 'tina, all the beautiful workmanship, pearl button tops and such and yes, a bandoneon.
  4. I've posted about this a couple of times but I'd like to mention that a slice of refrigerator magnet about one third of the reed length will lower the pitch a whole step. easy to do, easy to reverse, easy to experiment. Stays put.
  5. Perhaps not but the flex/fill/adhesive properties should allow for a plug contiguous with the leather edges with little or no overlap at least externally and maybe a brief thin film on the inside to anchor. A future leather patch needn't reverse anything. At any rate:
  6. Not a fettler but these corner breaches appear to be caused by wear rather than flex. I would be tempted to apply a flexible adhesive such as Goop Marine Sealant/Adhesive or shoe goo very sparingly from the inside and pressed out to be just barely proud of the corner then hand dressed with a small tool such as a flux brush inside and out. The patch could be easily color matched with a dry powder. The above appear to be silicone based. There is a latex based alternative specifically for fabrics and leather. The product I have is called Tear Mender. I'd try this before springing for a new bellows....
  7. I may help if you "engineer" your play so that you're starting each phrase with the bellows completely closed or open. Assuming you have an air button you can play with a "controlled leak" to achieve this.
  8. One thing you can do to smooth out your playing is learn how to switch fingers on a note without interrupting the reed thereby re-positioning your hand and avoiding a "hop" to reach a subsequent note or harmony shape. It doesn't involve a bellows change but smoothing out in general may make those more tolerable.
  9. It sounds to me like you're trying too hard to impose your will on the instrument. As a duet player, I've yet to encounter a "phrase" that wouldn't be improved by or at least tolerate a bellows change here and there. Limitations are the source of creativity.
  10. Hopefully all this is of use to the OP ( Perhaps in the future? ). From observation, I would figure it this way to start then adjust: If one third of the reed length for a given card thickness yields 2 semitones, adding a half piece ( at the tip? ) should be close to 3 semi's. Zero it in by clipping the small piece or perhaps sliding it up or down. I'd be interested to know if anyone tries this. Cheers
  11. Yes. That's why I said 1/2 not more but I'm an intuitive tinkerer. One could use thicker card stock instead or piggyback. if I recall, some cards seemed too thin. It's easy enough to experiment. I'm sure some here could do the calculations but for me, if it sounds right it is right......😊
  12. There is an easy way to do this that I posted awhile back. It was met with some skepticism but I can say now after several months of play that it works very well. I cut a piece of magnetic card stock ( 'fridge magnet ) about 1/3 the length of the reed and just slightly narrower. This was to lower one low cello F reed of the pair to Eb. No buzz or other problems to date. Totally reversible. For three semitones I would start with half the reed length and clip to adjust. I was lucky with my first guess.
  13. Although the Jeffries Duet is even rarer than the others and is generally priced above your budget it's worth mentioning Gary Coover's Tutor with arrangements for this instrument.
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