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About rlgph

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    Chatty concertinist

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    American folk music
  • Location
    Western North Carolina

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  1. The Eb rather than D# would make it awkward to play in E, a very common key for the American folk/blues players that i jam with.
  2. You have apparently misread my post. I did not state a premise. I stated some results about my own playing that gave me insight into learning transference from one hand to the other in the case of a mirrored left side, and asked for information from others about whether similar transference occurred for a non-mirrored left side. I have many other interests beyond playing concertina, although i do occasionally seek to utilize my concertina playing to give me insight into those other interests. With regard to left hand accompaniment in actually playing tunes, however, i find it su
  3. Thank you JimLucas and W3DW for replying with answers to my curiosity about transference of skills from one hand to the other.
  4. I find human learning very interesting, so i'm curious about learning of other players of duets. Those of you with standard non-mirrored duets (essentially all duet players i gather), if you learn to play (e.g, by ear) a simple tune on the right side, does that learning transfer directly to playing it on the left side, or do you (or would you) have to undergo a corresponding learning period to play it an octave lower (or, if it's a Hayden layout, some other key shift) with your left hand? I understand this is not a task that you would normally do in learning a new melody with acco
  5. "I relate to the note position, not the finger." So do i, but i don't have a conscious image in my mind of the layout or of my finger positions relative to it. However, i don't agree that "humans learn complicated things very easily". There are far too many who have tried to learn to play an instrument (e.g., guitar) but have given up without significant progress.
  6. Your point about selling is true, but i didn't buy my instrument with any thought of selling. Your point about chord visualization is not true, at least, not true for all people. For me, mirror image visualizations are no more difficult than non-mirrored ones, and mirrored notes/chords are easier to play without conscious thought. To use your analogy with a guitar, when first learning i think most people do visualize chord shapes to know where to put one's fingers. But as we get more proficient, we see (e.g.) the symbol C and automatically know where our fingers go wi
  7. I only just discovered your thread. I wish you luck with it, but i'm not up to trying it out because of too many other things on my plate.
  8. As indicated by my previous threads, i am a strong advocate of the uni-directional layout. I had it on my CC Peacock and have one on my current Wakker W1. I think that it would be especially useful on beginners' instruments because it allows one to quickly learn a non-trivial form of left hand accompaniment -- playing in octaves or other fixed relationships (e.g., 4ths) -- without (so far as i can see) making it any more difficult to learn other forms of accompaniment. As you say, it also makes sense to have the same functional use of fingers between left and right hands. The ap
  9. This will work quite well in playing American folk and acoustic rock with my Saturday jam group. I for one will be saving up to get one of these -- unidirectional, of course ;-) Can you explain the advantages of the Wakker bellows, please?
  10. I think i like squeeze best, especially with the past tense of squoze. Twiddle is also kind of appealing, as is noodling, which pretty much describes my playing on all my instruments.
  11. I've been wondering about a verb to use when i'm playing my concertina. For guitar (and some other stringed instruments, at least in the US) we use "picking". What about concertina?
  12. Over in the "Buy and Sell" forum there is a thread titled "wtb Wakker W-2" which has drifted far from its original intent. Since i want to make a comment that would take it even further afield, i decided to start a new topic here. This question about whether a slant is optimum for a Hayden duet or not has ignored the fact that on a usual Hayden (in which the sides are not mirrored) the functionality of the individual fingers on the two hands differs. So far as i can see, the "fact" that a given configuration works better for the right hand does not mean that it will also work bet
  13. I agree. And from this point of view drawing analogy to different stringed instruments doesn't work because the experience of listening to guitar music is different for the audience than that of a banjo or mandolin, for example.
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