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Wheatstone 64 Key


KeithB

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Less than 24 hours to go.... please have a look .... we really want our 'tina to go to a good home...

 

£4,141.00

 

Congratulations Keith.

 

Seems like a very good price for a quality instrument.

 

I trust you are satisfied with the highest bid?

Just spoken to the gentleman who's bought it - seems like a really lovely fella - who's massively into his 'tinas - been building a collection for nearly 40 years .....

 

Lucky Man!

 

Hmmmmmmmm I know it now belongs to him & I suppose he can do what he wants with it, but I certainly hope he is going to play it & not just stick it in a glass case? ;)

 

Cheers

Dick

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Those big jumps are because when you bid on eBay the system only puts in the minimum amount necessary to beat the existing bids. If a bidder has a limit that's a lot higher than is currently showing, when a new bidder comes in with a higher bid the system jumps to whatever's necessary. In this auction - as in many - the significant action happened in the last five minutes.

 

I owned a concertina of the same specification but with ebony ends - that's the one I had stolen in 1984. I don't know how many were made but I assume it's more than two.

 

wg

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Less than 24 hours to go.... please have a look .... we really want our 'tina to go to a good home...

 

£4,141.00

 

Congratulations Keith.

 

Seems like a very good price for a quality instrument.

 

I trust you are satisfied with the highest bid?

Just spoken to the gentleman who's bought it - seems like a really lovely fella - who's massively into his 'tinas - been building a collection for nearly 40 years .....

 

Lucky Man!

 

Hmmmmmmmm I know it now belongs to him & I suppose he can do what he wants with it, but I certainly hope he is going to play it & not just stick it in a glass case? ;)

 

Cheers

Dick

 

You'll be reassured to know he's a player first - collector second

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You'll be reassured to know he's a player first - collector second

 

Excellent Keith!

 

After all, it surely is an insult to the maker, for a good instrument not to be played. :(

 

I reckon, collectors who don't bother playing their instruments, should sell them on to genuine players & start collecting some inanimate objects instead, ........like stamps!

 

After all, you can't get much music out of a stamp! :lol:

 

Cheers

Dick

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...collectors who don't bother playing their instruments, should sell them on to genuine players...

 

I can understand why people think that. But I don't agree with it.

I think of collectors as preserving the instruments for the next generation of players who come along.

The instruments aren't being buried- just saved from being lost, stolen, destroyed, or worn out.

They'll come back into circulation eventually and meanwhile they're being kept safe and sound.

 

And what is a genuine player? Is it better for the priceless Linota to be bought for a careless eight year old

by her nouveau-riche parents? Or better for a collector to keep it safe (for you or me) in a glass case?

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Is it better for the priceless Linota to be bought for a careless eight year old

by her nouveau-riche parents?

 

Hey Dave, you must be living in a very select area, with neighbours like that. ;)

 

Personally, I'd far rather see good Jeffries being played by the sort of 8, 9 & 10 year old enthusiasts you see at the Fleadhs & Miltown every year, than just gathering dust in some glass case or bank vault, being kept simply as an investment for some rich fat cat.

 

I know to us, many of these beautiful instruments really are works of art, but I have a sneaky suspician, that if instrument makers really did just want their instruments to be looked at, they'd have become painters instead. ;)

 

Cheers

Dick

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I would love to hear the sound of that instrument, but that's not my call.

 

You can hear one almost exactly like it - ebony ends instead of wood - in this cut, recorded in 1980. (Sorry for the self-promotion.)

 

Sir Patrick Spens - http://www.compulink.co.uk/~wendyg/rosevil...trick_Spens.mp3

 

wg

 

Hey Wendy, if you've got it .... FLAUNT IT! B)

 

Wonderful Music!

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... and mikes the wooden thing that he stands on.....

 

We call that turning a liability into an asset. We had to do something like that on one cut of my record - we couldn't get the foot out so we made it louder so it sounded intentional.

 

wg

Back in the days when I was in a little band we actually put a cushion under the guitarists foot. Looked odd but it worked!

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Just in case you haven't heard these Bass Concertina tracks before?

 

You don't know what love is" by G. de Paul, arr. W. Wakker.

played on a (single action) bass concertina.

 

http://www.concertinaconnection.com/youdon'tknow.mp3

 

It's from this page:

 

http://www.concertinaconnection.com/bass.htm

 

This one is interesting too:

 

http://ia300103.us.archive.org/2/items/The...LibertyBell.MP3

 

Cheers

Dick

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Just in case you haven't heard these Bass Concertina tracks before?

 

 

http://ia300103.us.archive.org/2/items/The...LibertyBell.MP3

 

That one sounds familiar to me - I'm thinking it might be Lea Nicholson off a record he made in the late 1970s of absolutely amazing concertinz music.

 

wg

I posted that, and then checked by backing up a directory on that Web page - yes, it's definitely Lea Nicholson's record. If you can possibly get a copy, you should - or listen to the MP3s there of the Brandenburgs and other stuff. I was given a copy in 1981 by a musician who said he thought it was the best concertina playing anywhere, and I agree with him.

Edited by Wendy M. Grossman
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  • 2 months later...
Lea has his own website and downloads are available- as is the CD of the Concertina Record, from Jamring.com

 

Could I have seen him in about 1977 at the Cambridge Folk Club in the Portman Arms? I certainly saw A concertina wizard there and he looked like Lea, as best I can remember. (I went to his website and immediately thought it might well be him)

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Preliminary results show that between May of 1923 and July of 1943 approximately 123 Baritone-Trebles were produced, but only 33 were made of the model 16 (64 keys) with ebony ends. I don't know if any BTs were made prior to 1923. Although they are listed on a Wheatstone price list from 1920, the first citation I found in the production ledgers is 29678.

 

Greetings.

 

I have in my possession a 64-Key with ebony ends serial no. 23926, but it is probably a Contrabass - the lowest note is the C 2 octaves below middle C, and the keys are arranged so that the normal fingering is in the tenor range. In the baritone/bass range everything is the wrong way up, if that makes sense. After a while you begin to understand why it was necessary to invent the Duet system.

 

23926 seems to be between the period of the Wayne and Dickinson ledgers. Steve D said he hadn't seen another one like it the last time that I took it to him.

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