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robert stewart

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  1. Out of curiosity I messaged the seller, and he responded that he saw similar concertinas for sale online for between $4,000 and $7,000 (yes that is thousands). I wonder on what planet? RJ
  2. https://www.ebay.com/itm/354531095961?hash=item528bb33599:g:S6cAAOSwk5Jjyi4b&amdata=enc%3AAQAHAAAAsGitZqxeYFeOdujEM%2FaxjikfMMzoNM9i6hDG%2BSQpg%2FKc2LHzRWx3n9e9Le9daY5%2B4EFFn%2FlUDO8YnbgZ54p2la6ebVo7b%2FGlatVgZOGxjj1Ncr19kXwshZOEJOtoEiczJbgNHiYGNT8kaaIsd2ArACd7f7N6Ih2TFq3LDrbUBiFlLW1MZwspIO4GiZ8Bicl30srwTOuI8Ezy2xkWe2bMm%2FkSoYFzUxQ%2F%2Bo%2B6eYTm05CV|tkp%3ABk9SR5rtkaC7YQ
  3. Richard is 100% right. It is strange, but so well established now, that concertinas are associated with sea shanties. I knew the late Stan Hugill slightly, in Britain. When he sang he was really LOUD. He learned some of his shanties before the mast, as an old time sailor. If the shanty is a work song, at sea, on deck, the sailors have to be able to hear it above the howling winds, flapping sales, roaring seas. The shanty is a work-song, not a relaxing entertainment. So our beloved concertina does not suffice (!). And no one would be playing a concertina while others worked. But the romantic association of concertina and sailing ships is very satisfying for song accompaniment on shore, so why not? Providing we do not confuse history with artistry . Robert
  4. The traditional way to learn tunes in Ireland, Scotland, the Appalachians, was to learn to sing the tune first. In other words it was in the memory before you worked on the fingering. An older musician would sing the phrases to the younger, who would sing them back until they were correct. The instrument was not touched until the tune was learned.Then the fingering learning. Then the decorations... I would be fairly certain that many people on this list will be able to sing some tunes that they have not (yet) learned to play...so we still benefit from memory for music today. Memory before playing, before reading. Gradually this method, which is classic for an oral tradition, seems to have diminished. Robert
  5. Some years ago I had a full set of uilleann pipes (in C) made of lignum vitae by Alan Ginsburg. When the set was new there were some shrinkage movements and very fine hairline cracks. Over a few weeks of playing every day, the entire instrument settled down. The hairline cracks disappeared before there were any discussions about repair or replacement, and they never reappeared. This was in a classic wet English climate in Wiltshire, and the pipes were made in a wetter climate in North Wales. The chanter and regulators sounded magnificent, and the whole set had a warm expressive sound. And a distinctive "piney" odor. Lignum Vitae...the Tree of Life. Robert
  6. Regondi was a virtuoso guitarist. So was Paganini...though he did not play concertina. RJ
  7. On English Concertina (56 button Edeophone) I always enjoy playing in Bb. I like the sound and the feel of Bb. I am thinking of having my concertina "dropped" a tone, so that the C scale sounds Bb, the D scale sounds C, and so forth. It would be interesting to hear input from the concertina makers, tuners, and experts on this idea (please?). Robert Stewart
  8. At this time, Wim Wakker is definitely making concertinas. He is currently making a baritone for me, his Parnassus model, which should be ready by January, possibly February. I believe that the workshop there makes sets of instruments on a schedule. I have not had any email problems, and have always received prompt and helpful responses. best wishes, Robert
  9. yes it is still available. Several people have shown interest, but no one has committed yet. Do please send me a Private Message if you want to proceed: if you buy, I can make a donation to Concertina.net rather than throw money at Ebay where the Edeophone Duet is currently listed. Where are you located? Best Wishes, Robert.
  10. Greetings Steve. What is your experience/opinion with your Parnassus concertina? You can send me a PM if you prefer (if in forum should this be a separate thread?) best wishes, Robert
  11. oOOPs!!! Highest note on the RHS is, of course, the high G as shown in the chart.
  12. KEYBOARD LAYOUT: I started with the Maccann layout as shown on concertina.com, found where it matched, and added all the lower rows. Note that the F#, uppermost right RHS is not present, but a low F#, lower right RHS is present. This instrument has a loud voice overall, and yet a good dynamic range. The highest note is the top RHS C. the lowest note of all is a (RHS) B which sounds like the horn of the gods. The air button is on the RHS, plus a whistle and a duck quack (helpful for Vivaldi's Four Seasons in vaudeville interpretation). Those three are in a small row additional on the far left, right by the thumb. Not shown in these diagrams n
  13. Key board layout coming later today! (10.30 am currently in West Virginia) Robert
  14. Lachenal Edeophone, Circa 1909 A large 60 button, plus air button, Lachenal Edeophone, MacCann Duet system.The "Rolls Royce" of concertinas. Serial number dates it to circa 1909. Nickel plated raised ends, 9-fold (!) bellows. Old leather case, needs work, has the name of Harry Edson, a vaudeville entertainer. Completely and beautifully restored and tuned to concert pitch by maestro Greg Jowaisas, last year. Steel reeds in brass shoes. Offers over $1950 plus shipping.
  15. Here is a lovely pic of Barbara Bartle, the famous Music Hall concertiniste, that someone might like ....I just spotted it on Ebay https://www.ebay.com/itm/154455788671?hash=item23f6484c7f:g:NTIAAOSwKZxgoSdQ Robert
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