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David Hornett

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About David Hornett

  • Birthday 10/15/1950

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  • Gender
    Male
  • Interests
    Varied music genre, playing and listening.
  • Location
    Hobart

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Chatty concertinist

Chatty concertinist (4/6)

  1. Chris, I will be at your lecture in a few weeks, and will bring my 30 button C/G parallel reeded Jones, solid wooden ends. It is loud, heavy, 17 cm across the flats, has bushed 7mm bone buttons and riveted action. It does not sound as sweet as a Lachenal, which I have put down to the parallel reeds, rather than Lachenal's tapered reeds: but I think there is room for debate here. I would not say it is much better than a Lachenal. I will also be at Numeralla. All the best David Hornett. David
  2. A line concertina, been wanting to do this for years. BUT: Not as easy to make as I thought. Some of the Bass reeds had to be tuned 75 cents sharp of A 440 to be A 440 when assembled in the cover, (they were spot on when the comb with reeds inserted was out of the instrument's cover.) All I can put it down to is a tunnelling effect when blowing the instrument. I checked this theory out by reducing the mouth piece height, and thereby the venting holes' length, by 5 mm, this had the effect of reducing the bass reeds required sharpening about 25 - 30 cents depending on the reed (for instance, sharpening fell from 105 cents to 75 in some cases.) The middle reeds were effected by between 20 -30 cents, and the top reeds by about 15 - 30 cents. And talking about blowing, a very good set of lungs is required to supply the air through the reeds compared to a normal Hohner chromatic with their much smaller reeds. Reeds are stainless steel: my files will never be the same again! It sounds much more like a saxophone than a harmonica.
  3. There are up to 1 million kangaroos culled on the small island of Tasmania, pop.250,000 people each tear. (I have read this number, but cannot personally confirm it) One company. Lenah Meats in Tasmania prepares the meat of 60,000 of these each year for human consumption. Until recently all 60,000 pelts were thrown down the tip because there is a limited market, and overseas fashion industry, and international consumers began to refuse to purchase the skins. (Now they are trying to sell the pelts as ugg boots, which they call wugg boots because they are made of wallaby skins. There are a number of companies in Australia which now process Kangaroo skins, some of which still go into toys, aeroplane seat covers, high quality gloves, pipe organ leather, etc. But there are millions of skins that find their way to land fill / are left in the bush because of a restricted market. Millions of roos are killed across mainland Australia each year. Much of the roo meat goes into pet food. Farming communities have no alternative.
  4. Yes I do agree, poor kangaroo. But, there is a bit of a bind, roos are extremely numerous, especially now that cattle and inland sheep stations have installed hundreds of thousands of tanks and dams for their animals, and this benefits roos too. Here in Tasmania we have mainly Bennetts Wallaby, a slightly small roo type animal, and because the apex predator, the thylacine, was wiped out in the 1930's all marsupial numbers have increased, often to plague proportions, in a boom and bust cycle. Starving roos are not a pretty sight, and and neither is roadkill, often caused by large populations of animals eating the greener grass on the verge. Last year my daughter did a research project on road kill in southern Tasmania. In a 6 week period on a 30 km length of low traffic country road (Geeveston to Dover looped through Police Point, have a look on google) we counted 183 fresh marsupial road kill that had remained on the road, many more, possibly double that number, would have crawled off to die. Absolutely awful. So I think it better to cull the animals, and put the carcass to good use. I also eat wallaby, it is a nice, low fat meat that is lovely in stew, I think it better than eating cattle and beef which causes enormous environmental destruction. And the skin is much stronger than bovine skin by a significant magnitude, waterproof and highly wear resistant and pliable, and totally sustainable.
  5. Below is my latest effort, a 5 inch (126 mm) 31 button G/D with full scale reeds. Literally fits into the palm of one's hand. A bit rough for the rustic look, well that is what i tell myself, but it was only a prototype, which is also what i tell myself. (Unfortunately the wood was a little soft as you can see around the bolt holes, I will need to make a few repairs in that area.) I have kept the same button spacings as a full size Jeffries so it is really not any harder to play. Kangaroo skin bellows (skin is .30mm thick on the bindings and frame, shows up every bump and dent under it -- if I was to make another it would be textured skin, much more pleasant to the eye.)
  6. Hello, I'm David Hornett's wife (Tasmania) and I am offering this concertina for sale for a reasonable offer. Fully original condition with excellent bellows - not a single leak, all buttons working on push and pull.
  7. Thank you for the suggestion re. SoundCloud, after which I suddenly remembered I had done this in the past . So here it is, on the computer mic, no modifications, warts and all, the first recording on a desktop computer, the second on the laptop, hence the tonal differences. Thank you for your interest. David https://soundcloud.com/wasplike/sets/5-inch-cg-tassey-tiger-concertina?si=d0409aea7c5d4dbe96e5b124c5417b66&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
  8. Some time ago there was discussion here concerning a Jeffries 5 inch concertina, and someone provided a picture of one. It was a challenge too good to refuse, so below is the 5 inch 32 (including breather) button Tassey Tiger in C/G. The sound is more flute like than the 61/4 and 51/2 inch instruments i have built, and it did require some creative thinking re. the reed pan, especially on the left (No, there are no short solder weighted reeds.). My greatest mistake was staying with 6.80 mm buttons, caused a lot of headaches re. spring placement, and necessitated a different reed pan layout. The finger spacing is exactly the same as a Jeffries, but the buttons are a little closer to the hand rest because of reduced instrument size. The instrument comes in at 1.15 kg. In the picture of the 4 instruments: on the far right an left are standard sized 61/4 inch instruments, the 2nd from the left is a 51/2 instrument, and the third from the left is the 5 inch. I find the five inch instrument much nicer to play than than the larger ones, but I am an English style player, rarely cross rows, the inside row may be a bit close to the handiest for a row crosser to manage at speed. If I could work out how to attach a sound byte I would do so, but they exceed the allowed 2MB -- any suggestions? A great Christmas to all David
  9. Well, "lockdown " does strange things to a man. Despite what I posted last year about not making any more 'tines, there I was at the shack, where I'd hidden away for the 6 weeks of Tasmania's lockdown from late March onward, filing reeds for 6 new 'tines, I know, madness. Madness in isolation can be quiet pleasant, the world was mad not I! I got six sets of reeds filed, the gardens nicely civilised, lots of fishing and solitary long walks along deserted beaches and silent forests paths and hours of classical radio; then it finished -- I could go home and reacquaint myself with kitchen duties. Just so happened reed making creates much less mess than violin plate gouging, I could sit at the table for 4 hours each day and admire the view while scraping: see below So now I have three new completed instruments, and three just two weeks off completion. The 'Lockdown model." Two each of A/E; G/D, and C/G, one each of wood and metal ends. My son wags his head in despair, then downright disbelief when telling him about the 31 button 5 inch model I have on the back burner. David
  10. Very sure, I just made both of them. I have made quite a lot of 'tines, but they are c/g and g/d, not a/e David
  11. I would be very interested. All I need is the top row, left and right hand, the 'tinas I make are the common Jeffries tuning. My problem is I am an ear player but have not a clue re. music theory, but I do know what sounds wrong, and the way I have tuned the two A/Es 3rd row is certainly not right. Thank you so much for your offer. David
  12. Hi, Has anyone a A/E three row fingering chart, or a suggestion. I have just completed a couple of A/E concertinas and thought I could work out the third row, but it has proved beyond me, the notes I have there are I suspect not the ones that should be there. All the best David
  13. Hi All, I know I said I was not making any more 'tines, well I almost controlled the urge, so after two violins and a viola, (not as much fun as making concertinas I hasten to add) these seemed to fashion themselves in the workshop. Some roo skin, some and bovine hide. They keep the instrument nicely compressed and sitting on the side, hopefully the valves won't hang down. May you all have a great year, David PS: I did make just one more 'tina: a christmas present. My wife suggests i read a tome about obsession ... . I've no idea what she means.
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