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Squeezebox Of Delights

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Everything posted by Squeezebox Of Delights

  1. There's this one on eBay: https://www.ebay.co.uk/itm/303981363253?hash=item46c6b38035:g:2uYAAOSwlWRgbxsm
  2. Maybe you could have two 'rows' of buttons on each side, to stop it from being so wide? Kind of like the rows on a 20 button Anglo, but in the same key, chromatically and unisonorically tuned, and one octave apart. That might be an interesting prospect... Oskar
  3. Hello all, So I was just trawling through old melodeon.net articles, and I came across a post about a Swiss company that makes several sorts of free reed instruments. As well as doing ready-made instruments, they also sell a range of DIY kits; such as a couple of accordions, a harmonium, and most importantly, three Anglo concertinas - a 10 button, a 6 button and what appears to be a 2 button. The most complete of these - the 10 button model - has one row of 5 buttons on each side, and is in the key of C. The kit costs 300 Swiss Francs, which is currently equivalent to £235.94 or $3
  4. I was just checking The Saleroom for fun, and I came across this. I was quite intrigued, and decided to put it here in case anyone else was interested or knew anything about it. It appears to be a homemade anglo concertina, but it is very unusual in the construction, strap design and number of buttons, sides and bellows folds. There is only one photo, and the auctioneer's estimate is very low, suggesting they don't have much experience in concertinas. Any ideas as to what it is? https://www.the-saleroom.com/en-gb/auction-catalogues/peter-francis/catalogue-id-peter-10231/lot-ea107157-3
  5. Well, technically speaking, if you can play the piano then you can play half a PA. Then you just need to get familiar with the left hand, which is fairly simple once you get the hang of it. While buying second hand is much more economically friendly than buying new, what I wouldn't advise is getting a PA cheap on eBay. Generally (from my experience) these are instruments that have been kept in an aged relative's cupboard, cellar or attic for upwards of thirty years and have been rediscovered while clearing out the house. They are often leaky and/or out of tune, and would cost an aw
  6. I’ve played PA for about 7 years now, and began learning the AC two years ago, and I don’t have any bother with bellows direction etc. etc. I think it may be something to do with how different they are to hold and play. It might seem confusing at first, but as Pentaprism and JimmyG have said, your brain should be able to adapt to different instruments. The only thing you should be worried about is being ravaged by hardcore concertinists for turning to the dark side!
  7. From what I've seen on Wish and Banggood, these instruments have traditional riveted action and flat mounted reeds, which is surprising for a low end instrument, although do correct me if I'm wrong. It'd be interesting to know where it sits in terms of playability and quality on the scale between cheapo beginner hybrid and high end professional hybrid, as it seems to be a mix of the two...
  8. Just to say, I wasn't talking about the grommeted holes, I was referencing the holes underneath the handle. It just looks rather like bare metal on the inside edges of the holes, and on the insides of the button holes too
  9. It might even be painted/celluloid covered aluminium. I seem to remember seeing a similar but different concertina on eBay a while back that had green aluminium ends, and the exposed material around the sound holes does look a little metallic...
  10. That's very interesting! Who'd have thought that a free reed instrument company would branch off into nose flutes... There's an incredibly informative set of articles about the history of the swan brand nose flute here, if you wanted to have a look: http://nose-flute.blogspot.com/2012/07/about-swan-logo-part-i.html
  11. Looks Stagi or Bastari to me, unless it’s a later Chinese model. Do you have any idea of its age?
  12. I've emailed him twice, once last January and once last August from a different email address, and never got any response. I was wondering if my emails were somehow sent straight to his spam folder or something. I'm still in need of certain parts though, so I'll probably try again sometime soon. Maybe you have to be ordering something from his website?
  13. I always wondered if they were talking about Chemnitzer concertinas, which do seem to just be referred to as ‘concertinas’ in certain parts of America where Anglos, Englishes and Duets are less common.
  14. Yeah, I have seen a good few pretty little Anglos like this, but no miniature ones. I wonder why? It’s kind of a shame it is so expensive, because no-one in their right mind is going to pay that much for an old German concertina.
  15. Just saw this on eBay, and decided to post it here because it looks quite interesting. It appears to be a very convincing German imitation of an English-built miniature Anglo, of which I have never seen the like. If it wasn’t out of my price range I’d consider getting it just to have a look! Has anyone experienced one of these instruments before? Is it as unusual as it seems, or am I just not very experienced in imitation Anglos? https://www.ebay.co.uk/itm/RARE-SMALL-ANTIQUE-SOPRANO-20-KEY-ANGLO-SYSTEM-CONCERTINA-IN-CASE-GERMAN-MADE/373338999692?_trkparms=aid%3D111001%26algo%3DREC.SEED%26ao%
  16. The Wren is pretty poor in construction; it is basically everything you’d expect from a cheap Chinese-made instrument. I’ve never had a look inside a Phoenix, but I’d expect that it is much better. The Wren has accordion-type reed blocks, which makes it quite long, while the Phoenix seems more traditional in dimensions, making me think it has flat-mounted reeds. The Wren also has nasty fabric/paper/plastic bellows with shallow folds and sharp corners, and they have a habit of collapsing in on themselves when you pull them out too hard. The Phoenix however looks to have more traditional
  17. Out of interest, do you think you could post photos?
  18. It'll definitely be a Lachenal, quite a basic model but nice all the same! I'm not an expert on the value of these things, but concertinas seem to be on a scale of Expensive to Incredibly Expensive, and, depending on the condition, it'll probably be on the cheaper end. It doesn't look in that bad condition, but it's hard to tell with the bellows closed.
  19. I know it’s not exactly a concertina, but I’m currently practicing my restoration skills by consolidating a very old, very broken, very basic Lachenal case. I’m literally just glueing it back together, plugging the holes, painting in the old horrible white glue marks, putting a new lining in, making new straps etc. etc., but it’s quite fun. I think I will also modify it a bit, as it is of the standing-up sort, which I know isn’t ideal for concertinas.
  20. So I have a couple of old Lachenal concertinas I am working on, one with steel reeds and the other with brass reeds. One steel reed and one brass reed have a sheared bolt, and one brass reed shoe is entirely missing its tongue. Does anyone know how to get hold of replacement reeds/tongues/bolts? I have tried Mark Lloyd-Adey twice (once in January, once in June) but he hasn’t responded, so I have pretty much given up on that. Thanks!
  21. I am no big fan of Ed Sheeran and Adele myself, so I don’t have that much experience with that sort of music, but a three row C/G anglo has every note in a chromatic octave at least once, meaning you can play almost anything on it. Traditionally it would be used for jigs, reels, etc. etc. but I find it no more difficult to play ‘Summer Nights’ or ‘Wake Me Up’ than ‘Garryowen’ or ‘English Country Garden’. In short, as long as the tune is not ridiculously complicated, it should be possible.
  22. Fascinating! Kind of like a free-reed hurdy gurdy...
  23. If it’s anything like a normal 60 bass, it should have two rows of single notes, one row of Corresponding major chords, one row of corresponding minor chords, and one row of corresponding dominant sevenths, going along diagonally. The diagonal chord columns go up in a circle of fifths, and if there is a button with a dimple in it, it is C. That way, you get the I, IV and V chords all next to each other, so you can play accompaniments with your left hand quite easily. as the right hand, it looks like a melodeon, but that’s all I can say. I’m a piano accordionist myself (don’t k
  24. Oh, and that correlates quite nicely with the writing inside 142125, saying it was tuned on 4th September 1897 by an S. Wooding of Liverpool Road, Newcastle under Lyme, and another mostly illegible address dated as 10th December 1896. I don’t think it has been tuned since!
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