Halifax

I"m hesitant to use my D drone in a session, as I'm still learning my way around it and I don't want to annoy my pals. But last night, the banjo player started in on Julia Delaney's and the accordion player yelled out across the table "heavy breathing!" so she and I droned a fun bass line to the solo banjo. Good times!

Yay! What a great post. I'm so glad we've become friends! It'll be fun to play together some day. xo

Amen to that, Mike. And not as bad as beer in the bellows, but I put my concertina down and turned my back on it for a minute at a recent session, and while I was distracted, another player picked it up and started playing it. Without asking. This annoyed me greatly. Now it never leaves my hands or goes into the case.

Also, if you're impatient and have a smart phone, you could download a tuner app. Then you could map the notes by playing them and writing them down. It might get you hooked, though.

Ah! 1. Find the pivot notes, 2. identify the key, 3. recognize melody patterns (arpeggios, bits of scales, etc), OR 4. supplement discreet chords. I've got a plan.

You should come out!

Ding Ding Ding!

I'm working on a design for a concert poster and I've made a little watercolour of a concertina player. Any guesses as to whom it is?

That's a good tip, RAc. I'll try it. Thank you.

Susan, I checked the session (www.thesession.org) and there are sessions in Brunswick and Bath that are closest to you. I wonder if you'd have luck starting one in Augusta? Maybe we should start a new thread about how to start a new session?

OMG, Daniel. You've hit the nail on the head. I'm a beginner, sometimes sitting at the table with folks who've recorded cds. Yes, Wunks, regarding the drone. My new squeeze has a low D drone and I'm sometimes a teeny bit put off when it doesn't suit the tune! That said, I try not to overuse it. And Ted, yes that's all very good information regarding figuring out keys. Thanks for a very thoughtful and informative response. Often the fiddlers tell the guitar player the key, so if I pay more attention, I can get about half of the keys in a night. I noticed that lots of your very good advice is geared towards paying attention to others in the session. Presently, if I know the tune, I'm too busy concentrating on notes and tempo to notice which whistle the whistle guy is changing out! But now I'll think to notice. Many thanks!

Are you going to perform for pay? If you are playing in concerts and you're getting paid, they will expect you to have a well-defined work visa. I know my Canadian friends who tour in the US have to prepare buckets of paperwork before they go.

So, to sum up: Practice---let the balm of time help to improve muscle memory. And yes, Isra, to paraphrase the master: In order to learn something fast, practice it slow. Play in more sessions---I'm lucky to live in a place where I have both opportunity and choice. Some of the musicians I play with are so talented, I'm just happy to have a place at the table. Learn some chords and learn to play some harmonies. but don't both necessitate knowing what key the tune being played is? How --- without perfect pitch ---does one figure out the key of the tune that other folks are playing? Granted, I play ITM, so there's an 80% chance it's in G or C, but still? Other than quietly guessing and discreetly noodling, how does one train the ear to hear a key? Many thanks to Wunks, Gcoover, Isra, and RAc

Thanks Symon and Susan!

I'm feeling really discouraged. I can't play tunes at a consistent level and am always crashing and burning at sessions, even when I can play the tunes at home. I know the answer to this problem is more practice, but I could use some encouragement. Anyone?