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Halifax

Members
  • Content Count

    175
  • Joined

  • Last visited

About Halifax

  • Rank
    Chatty concertinist
  • Birthday 03/25/1968

Profile Information

  • Gender
    Female
  • Interests
    Selling my long-neglected French Horn. Buying a concertina so I can play Irish trad.
  • Location
    New England and Canada

Recent Profile Visitors

904 profile views
  1. That's a great photo, Peter Laban!
  2. Congratulations! Also, I'm impressed with your patience.
  3. According to her Facebook posts, she's working on recording the advanced course, and has asked folks to contact her with suggestions of favourite tunes.
  4. Thanks, RAc and Wunks for the links. More specifically, I was hoping to hear feedback on what makes an Irish tune swing. Or perhaps it's one of those "you know it when you hear it" situations for which we don't have English words.
  5. I *think* I know what folks mean when they say a tune has swing, but I'm curious about what other people think. Swing could make a tune sound more lilting, but swing is also important in heavy tunes that depend on a drone note. Is swing a feeling? A tempo? A lightness? A digging-in? I'd love your thoughts. From that Wiki article: When asked for a definition of swing, Fats Waller replied, "Lady, if you gotta ask, you'll never know."[5]
  6. I did hear from one player that when he upgraded, everything got easier, and he played much better. But then, after a few years, he was reunited with his old instrument and he was amazed at how much it had improved.
  7. Hey, Susan! You have lots of good advice here, but I'll put in my two cents of hope. When I first started playing, I got concertina shoulder. I went to a physical therapist and he gave me some exercises to do to strengthen my upper back---they were no big deal, the hardest thing was remembering to do them. The pain resolved over about 6 months and never got so bad that I couldn't play. But now, I do try to watch my posture---it's so easy to hunch over the instrument and to curl your shoulders inwards. Also, when I play a tune I'm uncomfortable with, it's easy to tense up, when it would be bett
  8. I"m hesitant to use my D drone in a session, as I'm still learning my way around it and I don't want to annoy my pals. But last night, the banjo player started in on Julia Delaney's and the accordion player yelled out across the table "heavy breathing!" so she and I droned a fun bass line to the solo banjo. Good times!
  9. Yay! What a great post. I'm so glad we've become friends! It'll be fun to play together some day. xo
  10. Amen to that, Mike. And not as bad as beer in the bellows, but I put my concertina down and turned my back on it for a minute at a recent session, and while I was distracted, another player picked it up and started playing it. Without asking. This annoyed me greatly. Now it never leaves my hands or goes into the case.
  11. Also, if you're impatient and have a smart phone, you could download a tuner app. Then you could map the notes by playing them and writing them down. It might get you hooked, though.
  12. Ah! 1. Find the pivot notes, 2. identify the key, 3. recognize melody patterns (arpeggios, bits of scales, etc), OR 4. supplement discreet chords. I've got a plan.
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