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Mike Jones

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About Mike Jones

  • Rank
    Advanced Member

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  • Gender
    Male
  • Interests
    Morris dancing, woodwork tools, learning to play music, Minis (1959 - 2003), keeping my concertinas in working order and SqueezEast Concertina Band.
  • Location
    Norwich Norfolk UK

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  1. The nearest typeface I can find is Lisong Pro , the seriphs are more like Lachenals than most I looked at, but as Alex Holden points out the numbers are perfectly in line so don't look terribly authentic
  2. I have bought two sets of bellows from the same supplier over the last few years, one set fitted to an Anglo and the other to an English. I very much like the quality but they did take some time to break in and I think they suit the Anglo better, even so I'm very happy with them. The instructions for fitting were good too.
  3. I have a Lachenal 26K rosewood ended Anglo, Number 18878, where the ends are backed by red leather which I believe is original, as the matching number can still be read (faintly) on the left hand side. Its quite thin, less than 1mm and I was told by a friend of mine who was a bookbinder that the finish is like the red morocco he used to use but the finish is of a generally lower quality when compared to the best morocco leathers. In this example of a Lachenal the spacing pillars are indeed backed top and bottom by thin card shims, just as David says. I have too noticed the screw head prot
  4. Is anyone producing reproduction paper Wheatstone labels, the ones that are usually found in the lids of their boxes? I'm repairing/reinforcing an original Wheatstone box that came with my baritone anglo and the label it has is very worn (unreadable) and mostly missing. Failing that I shall have to ask Mr DIckinson. MIke
  5. Jillity, why not join the West Country Concertina Players? https://thewccp.org/. They can help with tuition and learning and also with sourcing a suitable instrument , even with hiring one so you have the opportunity to try different types Mike
  6. Thanks Doug, mine was 100 years old in April this year, it shows signs of being extensively used and only has 30 buttons, nevertheless I'm having fun getting used to its foibles. I don't have any photos yet. Yours is very handsome and adds to my knowledge of how many Wheatsone Baritones exist by 25%. I notice that yours has paired screws at the corners locating the metal ends whereas mine only has single screw in each corner like most Trebles i've seen.
  7. Thanks Ken, I was discarding the cheap concertinas from Germany from my enquiry precisely for the reason you give, my interest is in the better /best brands because many are still giving good service to many musicians and i find the subject interesting, I'm often looking at the website for "How Many Left" when it comes to classic cars. As you say, Dowright may be able to comment especially for Lachenal concertinas. From the figures he has released about the number of records he has, it would appear that the survival rate is about 0.8% but perhaps we can double that if we consider the num
  8. Has anyone on this forum done an analysis of the Wheatstone ledgers to estimate the numbers of Anglo (Not English) Baritone and Bass concertinas made by Wheatstone? After 9 years of my searching Chris Algar has found a Baritione for me (thanks Chris), so they must be quite rare. Thanks Mike
  9. Has anyone done any estimates on the survival rates of different makes of concertina? I've not been able to find any references so far. Are there a greater percentage of e.g. Concertinas made by Jefferies still around and being played than , say, Lachenal's or Jones?. Given the extensive research and data collection being done by Dowright it may be possible in the fullness of time to extrapolate from those results for Lachenal's. If anyone has come across any information please will you post the links or get in touch Thanks Mike
  10. Jim, my apologies, Little John noticed what i had failed to do. I read the wrong side of the scales the relative mass of the two types of Crane I cited are 2lbs and 3lbs not Kilos. Mike
  11. My 35b bone buttoned mahogany ended Crane (by Lachenal) has a mass of 2kg and measures 6.25 inches across the flats, the same dimensions as my 30b C/G Anglos and 48b English. My 48b Rosewood ended steel buttoned Crane (also Lachenal) has a mass of 3kg and measures 6.6 inches across the flats, the same dimensions as my G/D Anglos My 48b Rosewood ended bone buttoned Crane (another Lachenal) is slightly lighter (a few grams only) and the same measurement across the flats. As Daniel says, after a while you don't really notice the weight difference when swapping
  12. Hi Cohen, Pleased to help, best of luck with the project. Mike
  13. Why Not ask Ollie directly, look for OllieKingMusic on the web. I'm unable to connect to his site at the moment. or Olliekingbox on Facebook
  14. Hi Sarah, The music books I buy, mostly pre-used, are usually priced at 50% - 60% of new marked retail, admittedly the ones I look for are mainly Morris related and thus have a limited audience. As they are manly bought through dealers they must have a good mark-up of 100% so they are buying at about 25% of marked retail price. However, the first three books you have up for sale I have been looking for on and off for some time and I would like to purchase them, especially the Rollo Woods one. I'll PM you with an offer as requested. MIke
  15. Hi Sprunghub, I bought 4133(8?), another 35k Crane, last year in poor condition and spent a lot of time getting it up and running again. and it plays very nicely indeed, just as you say, better perhaps then my ex-SA 48k Lachenal that had been professionally restored before I got it. This latter I intend to play as part of the local concertina band SqueezEast Concertinas. I'm keeping my 35k so that I can use it at Concertina workshops for the uninitiated to try as it is so intuitive. Currently its on loan to an Anglo player who wants to diversify and try other systems. I've included t
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