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RP3

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  1. That makes three of us that haven't been able to get an e-mail response. I was checking into the Ireland class since I've now retired! No, not from playing concertina. Ross S.
  2. Peter, I can't answer your question about Noel's Jeffries definitively but I can tell you from personal experience that he is able to almost instantly "reprogram" his fingers to deal with changes in the accidental rows on various concertinas. He has played both my 30 button Dipper and my 28 button Jeffries -- both of which have different outside rows -- and he never seemed to miss a lick! I've seen him do the same with other students' concertinas as well at the NHICS classes. Ross Schlabach
  3. This instrument has been sold. Thanks for your interest. Ross
  4. I am not surprised at the number of changes being requested for anglo concertinas -- although I was surprised to hear Rich say it is mostly beginners. The anglo is a diatonic instrument and as such does not have the full range of notes as a chromatic instrument. I also play the hammer dulcimer -- another diatonic instrument -- and have seen over the years a wide range of changes in layouts to achieve more comfortable access to those accidental notes. If you think that there is no justification to switch notes on an anglo, just try ripping off a quick A scale. With the G# on the outside ro
  5. Yes Sarah, there is a Santa Claus. And there is also a "woman's accordion". In a paper published in the PICA Mary 2006 issue Gearoid O hAllmhurain referred to the "bean chairdin" or, as he translated it, female accordion. The anglo concertina was favored by women in Western Ireland, particularly Clare, and they gave the instrument its start in Ireland. Read his article and you'll learn a lot more about it. Ross Schlabach
  6. Sure looks like a Lachenal to me with the big ovals on each side for the label and the filigree pattern in the metal. But lets wait and see what the experts say! Ross Schlabach
  7. Aogan, I was introduced to your playing by the two very fine sets you recorded for Suttner's website and I too second the need for you to sit your tush down in a studio and bang us out some lovely tunes. So I await your humble announcement. Best regards and welcome to this mad but merry little band, Ross Schlabach "Of reasonably sound mind, but terribly slow fingers!"
  8. Hi Alan, I've been going to Noel's classes since he first started doing the school up at Bucksteep in the Berkshire Mountains of Massachussetts. The school has been going for 12 years I think and I'm heading back for my 11th time. Each year I find more to learn and enjoy. It charges my musical batteries and gives me lots of material to challenge me for the following winter. I moved from the original NY class to the Cincinatti class because it was far closer and therefore more economical for me. If you have a real interest in the anglo, you can't find a better, more dedicated, teacher;
  9. Hi again everybody. I appreciate your comments and encouragement. We are starting down the road to formal puppy training in the morning when we visit her puppy shcool. We are using a crate effectively, have established outselves as the pack leaders and have a good routine set up for her. Even at only three months she knows that outside is for doing her business and she has plenty of "cheap" toys to both help entertain her and help with the growth of her teeth. Better them than our furniture or my concertinas. She's getting lots of exercise and good initial people socialization. Dana, I do
  10. Just thought I'd share my dilemna with the rest of the group -- for laughs if nothing else. This Christmas my two grown children presented my wife and I with a 3 month old Australian Shepherd puppy as our Christmas gift. This was out-of-the-blue but understandable since we had been forced to put down our ailing 14 year-old Aussie last summer. The puppy is delightful and full of energy -- wherein lies my problem. Aussies are dogs that need a job and currently her job is seeing to it that I spend almost all my free time keeping her entertained or taking her for walks to do her business. If
  11. I am one of the people who has been attending Noel Hill's class since 1996 and DPMCCABE's assumptions about the class are incorrect but would neverthelss be irrelevant. Most of the students in the early classes were Intermediate or higher. Some people had waited years for a special concertina they had ordered some time before. A few had been lucky enough to find a fine concertina at a reasonable price, and others had merely paid what the market demanded at the time to have a quality instrument. All shared some degree of devotion to the music and the instrument and generally tried to obtain the
  12. Just to follow up on the issues relating to the 38 button instruments. Not only is there the extra weight to consider but also a degree of crowding of buttons. I regularly play 30 button anglos but purchased a 38 button Suttner. When it finally arrived, the tone was a delight (not harsh) and the construction was top quality, but I found the button spacing somewhat challenging. It may very well boil down to a "what are you used to" issue, but I would suggest that if your hands are large or you have big fingers, then you might want to pass the 38 button concertinas by. Many excellent players, No
  13. Good morning Sidesqueeze, Like you, I have large hands (don't read that as long fingers -- just hefty ones with large palms). I find Wheatstones rather difficult to negotiate -- especially the inside row. Lachenals are normally less troublesome. I find the 28 and 30 button Jeffries ideal and ditto for the early Crabbs. 38 button instruments get a bit too crowded regardless of the brand. The length and height of the palmrest may help alleviate hand problems. Shorter (in height) palmrests make reaching the inside row more difficult while taller palmrests work better. That was part of Dip
  14. DavidFR "It looks beautiful. I second the vote for G/D though, I don't know if it's because the reeds are necessarily bigger or it's just difficult to tool up for it, but a fair number of the concertina-reeded makers don't offer G/D models. Juergen Suttner, for instance, does offer G/D tuning on his 30-button Jeffries copy, but not the 38-button or the Wheatstone Linota. I wonder why that is? If I had money for a new concertina right now and Jeff offered one in G/D, I'd be there. In particular because he doesn't have a long waiting list.................yet. It could very well turn
  15. Some of you may be familiar with Jeff Thomas, concertina player and instrument maker formerly from the Asheville, NC area. Well Jeff has moved to Frostburg, MD and has begun making anglo concertinas in the classical mold. You might want to check out his web site: http://thomasconcertinas.com/ For a number of years, Jeff worked in the workshop of concert flute and whistle maker Chris Abell, and he has learned precision wood and metal working from Chris. From the pictures on Jeff's new site, it looks like he is building a nice instrument -- very similar visually to Suttner's. I have not
  16. For sale: Castagnari Dinn II, BC, fairly dry tuning. This instrument was bought new by me approximately two years ago from the Box Office but has been used little. It comes with shoulder straps and a backpack style Castagnari soft case. Instrument is in immaculate condition, has very nice action and excellent tone -- I just don't have the time to spend with it. Asking $1,995 with purchasor to pay shipping and insurance (recommended). If purchased new from the Button Box, this model costs almost $2,300 and you have to wait months. Call or e-mail me through the Concertina.Net messages if in
  17. "Well, the accidentals don't make a whole lot of sense to me either. Ok, did a little research (I am not good with keys in my head since I don't really read sheet music that well). If we look at the G# and D# as Ab and Eb instead it makes a little more sense. Those three notes will allow you to play in the keys of F Major/D minor, Bb Major/G minor and Eb major/C minor. Still seems like an odd set of choices. Personally I would have prefered the more normal way of building from the keys of C/G. I suppose that somone might have had a reason for a C/G concertina to play in those somewhat od
  18. Theo, I have two Jeffries. One is an earlier 28 button C/G stamped "C. Jeffries Maker" and the other is a later Praed St. C. Jeffries 30 button C/G. Both are 6 inches across the flats, and to my rusty old memory that seems to be the size of most Jeffries anglos I've played. It's possible that the Jeffries duet and 44 button anglos are larger out of necessity to accommodate the extra reeds. Smaller Jeffries (less than 6 inches) do seem to turn up from time to time but may not be plentiful. A good example was one pictured on Big Nick's web photo essay of concertina types (I think you can still a
  19. I had a very pleasant, recent exchange of e-mails with Wim Wakker about this exact topic that may be helpful. You may be familiar that Wim came up with a different style post to use on his concertinas. It was round, had a slot in the middle, and the rivet hole went all the way through so that the rivet (or hinge pin might be a better descriptive choice) was supported on both sides of the arm. I thought Wim's design was very clever and simple so I was surprised to discover that he was not using it on his latest Wakker anglos. I inquired why and his reply was that: 1) people seemed to be qu
  20. I have owned, at one time or another, all three of the Suttner models in this discussion, so I'd like to add my thoughts on the hopes that they will help you choose. First, I had a 38 button A4 (Ab/Eb). While its tone was fabulous, my hands are like farmer's hands and I found the buttons challenging to negotiate. This instrument was also a bit heavier than I would have preferred -- but I believe that's just a result of having 38 buttons and 76 reeds. So if your hands are large or you like a lighter instrument, this might not be the way to go. Second, my first concertina was an A3 Lino
  21. Hi Joe, I do not live in Greenville any more but there is a session (Dougal McGuire's?). So check around. I'm a long-time anglo player, and I live nearby in Tryon (35 miles from Greenville) and work in Spartanburg. We have an irregular monthly session at the Green Onion in Landrum and you are certainly welcome to join in. If you are interested in our session or want to talk, contact me directly via the Forum Messenger. Best regards, Ross Schlabach
  22. This concertina is now sold, and I will be sending a contribution to Paul. Thanks, Ross
  23. I have Wally Carroll's first flat pitch concertina, a Bb/F (serial #10), and I can say this instrument has a very wide dynamic range and and very rich, full sound. Since the Carroll is a reproduction of an early Wheatstone Linota and has the pie-shaped chambers, it produces a different sound from instruments that have rectangular chambers so I would not say that it "honks" quite like a Jeffries. The Carroll concertina is easily capable of holding it's own in a large session. I also own a fine Jeffries and an equally nice Dipper, and this Carroll concertina has it's own unique sound that
  24. Sorry Paul but two things are keeping me from posting pictures: 1) I'm having too much fun playing the concertina to stop and take pictures, and 2) I haven't figured how to post them since I don't currently have a homepage on which to store them. But I must say that there's not a lot of difference between the general appearance of mine and the previous ones featured on Wally's website - other than a different finish which is really nice. Mine's rosewood with a taller palmrest and a slightly different shape to the outside edges of the ends. If I can rustle up the time to take some pics
  25. Today I received from Wally Carroll the first Bb/F to come out of his shop. And it is outstanding and beautiful. At the 2004 Midwest NHICS class, I had been able to play and was very impressed with all three of the first instruments he made for sale, so I expected he would do a fine job. Well he did much better than that! Despite being "flat pitch", #10 has very crisp and quick response. The tone is exquisite and the action is precise and light. I thought I would really like the tone and pitch of a Bb/F when I ordered it, and this new Carroll has a full, warm tone! I have bulky, farmerlik
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