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RP3

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  • Gender
    Male
  • Interests
    Concertina, hammered dulcimer, and live steam locomotives.
  • Location
    Western North Carolina

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Chatty concertinist

Chatty concertinist (4/6)

  1. Hi Everett, Play it safe and only use Registered Mail from the US Post Office. Everyone who handles the package has to sign for it, so risk of loss is much, much lower than FedEx and UPS. IIRC, there is a limit on the total insurance, but IMHO it is the best way to go if a bit slower. Ross Schlabach
  2. Paul I never suggested that you ever implied that my concertina was a Jeffries. I clearly said it was a Crabb but had the additional stampings, etc. that went along with the Crabb history from Geoffrey Crabb’s musings as recounted in the ICA article. And in case there is anybody in doubt, you only ever represented that concertina to me as the Crabb that it was!! And a wonderful Crabb indeed. Jake you hit the nail on the head. Those two accidental row buttons were the culprits - mainly the A/Bb. I also had a 28 button CG Jeffries with an awesome sounding A/Bb to compare to so I knew how they could sound! Ross Schlabach
  3. Many years ago I was looking for a better CG Anglo and Paul Groff sold me one he had been playing for some time. It looked very much like a Jeffries (end plates, bellows stamping, bellows papers) but was in fact a Crabb with the oval cartouche left blank. But that was not all. It bore a hand engraved brass plate on the right side frame and the plate read “Rushworth & Draeper, Islington”. AND if you looked very carefully at the wooden side frames, you could see the remains of a stamping “& Co, London”. So this instrument very likely was intended for Ball Beavon & Co. but before it was delivered, the ends were redone and it was ultimately sold by Rushworth & Draeper. This is my conclusion. It was in fact an excellent playing instrument with good tone and nice action. It was let down only by a couple of lower notes that didn’t have the fullness of the rest of the instrument. That concertina helped my playing advance a good bit during my early years with the instrument. Ross Schlabach
  4. Olivia, You are misinformed. There is at least one concertina repairman south of Tennessee and he is quite well-known. He is Bob Tedrow at Homewood Musical Instrument Co and he even has his own line of concertina models ranging from Anglo, to English, to Duet. Good man to know! Ross SCHLABACH
  5. Everett, that rice sounds very reasonable and maybe even a bit low. If it plays beautifully and sounds good, the only thing you might want to do is open it p t check the condition of the wood and the reeds: looking for rust on reeds or brass reeds substituted for steel reeds, and make sure all wood appears sound with no cracks or loose pieces. If available, having an experienced concertina repairman doing that inspection would be best. But, the fact that it sounds and plays well is a good indication of a nice find. Ross SCHLABACH
  6. It was very nicely played. And if that box had been on this side of the pond, I’d be wanting to bring it home. Ross Schlabach
  7. Played hammer dulcimer at the time and bought my first Irish CD: Noel Hill. Was smitten. Couldn’t play tunes fast enough on dulcimer, didn’t like tuning every day, and the HD was too heavy to carry around much, SO….. Found an Anglo nearby and I was hooked. Still can’t play fast enough! But I have fun playing with friends. I’d like to play at home more but my Aussie commences howling as soon as I hit the first note! Ross Schlabach
  8. TJ, If you go to the Concertina Connection website, it still lists Clover as being sold and the expected delivery time. If interested, you might want to check again. Ross SCHLABACH
  9. Ciaran, was one of the stolen Dippers a Shantyman? If so, this could be it. Ross Schlabach
  10. Judging from the anchor and cable bellows end stamping, I’m guessing that this is a Shantyman model. It is a shame that there are no end photos or reliable information. Then, since they won’t ship to US, it is a moot point for moi! Ross Schlabach
  11. Also try melodeon.net. They focus on accordions. Ross Schlabach
  12. Kim, I Too have big hands and find Lachenal and Wheatstone concertinas generally too small for my hands. But Crabb, Ball Beavon and Jeffries concertinas work just fine. Surprisingly, the sizes of these three brands is usually about 1/4" smaller across than the Lachenal and Wheatstones, but the button layout on the Crabbs, etc are more open. This is what helps with big hands, not the overall size of the instrument. In fact I am more comfortable playing my Jeffries than a Wheatstone sized concertina. So unless your hands are really much bigger than my "farmers hands", concertina size is not the issue. Now, if you are sure you want lots of extra buttons, then size can be an issue.
  13. Alex, you put the green marks in the wrong place. If you look carefully on either side of his second finger, you can see the edges of two buttons which would properly align with the rest of your green marks to create a uniformly spaced outer row. When Jeffries created 28 or 26 button instruments, he left off the top button on each outer row and shifted the remaining buttons toward the upper side (closest to the thumbs). I have a 28 button Bb/F and had a 28 button C/G with that pattern, have friends with 26 button models and I never have seen any <30 button Anglo Jeffries with the uneven button spacing you have suggested. Though I haven’t seen it doesn’t mean it doesn’t exist, but I believe it is highly unlikely. Ross Schlabach
  14. While i cannot personally confirm that it was exactly 5” across, there was a small 30 button Jeffries concertina at the 1997 NE Squeeze-In IIRC and that instrument belonged to Noel Hill. That same instrument was featured at the time in Big Nick’s Concertina Guide on the web but the guide is no longer posted. Never heard it play but I can vouch for it’s existence. Ross Schlabach
  15. I remember that Mark Bickford had a 26 button A/E that Noel Hill played at our 1996 NHICS class at Bucksteep. He was able to play some wonderful tunes on that old box, and I agree with Larry that this pitch combination was delightful. Ross Schlabach
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