odonovanchris Posted April 22, 2023 Share Posted April 22, 2023 (edited) I'm looking to tune a concertina in 1/5 comma meantone centered around D and having A as close to 440 as possible. Could someone knowledgeable on the subject explain how to exactly go about this? Was wondering if anyone has a chart of the frequencies in Hz. Or if someone could explain how to create this. I've searched all over and find it generally confusing to understand how to construct it. Do I flatten the 5ths by a syntonic comma in the following order: D-A-E-B-F#-C#-G#-D#-A#-F-C-G ? And then half or double the resultant frequencies into their respective octaves to make up the scales and correct notes on the keyboard? Hoping to wrap my head around this subject. Thank you. Edited April 22, 2023 by odonovanchris Link to comment Share on other sites More sharing options...
Geoff Wooff Posted April 22, 2023 Share Posted April 22, 2023 (edited) The simplest way is to follow one of the charts that have been posted on Cnet which show deviations ( in Cents) from Equal Temperament for each note. Placing A at 440hz if you wish, then D will be 2 cents sharp of zero ET. If you cannot find these 'cent' charts then I can re post here. There are other charts, perhaps with frequencies in Hertz, on the Dolmetsch website www.dolmetsch.com . Edited April 22, 2023 by Geoff Wooff Link to comment Share on other sites More sharing options...
odonovanchris Posted April 22, 2023 Author Share Posted April 22, 2023 6 hours ago, Geoff Wooff said: The simplest way is to follow one of the charts that have been posted on Cnet which show deviations ( in Cents) from Equal Temperament for each note. Placing A at 440hz if you wish, then D will be 2 cents sharp of zero ET. If you cannot find these 'cent' charts then I can re post here. There are other charts, perhaps with frequencies in Hertz, on the Dolmetsch website www.dolmetsch.com . Thanks! I didn't see the charts before. That helps a lot. Link to comment Share on other sites More sharing options...
Paul_Hardy Posted April 22, 2023 Share Posted April 22, 2023 I've retuned two instruments to 1/5 comma meantone, and wrote up what I did at https://pghardy.net/concertina/lachenal_27590/lachenal_27590.html#fifthcomma Link to comment Share on other sites More sharing options...
odonovanchris Posted April 22, 2023 Author Share Posted April 22, 2023 55 minutes ago, Paul_Hardy said: I've retuned two instruments to 1/5 comma meantone, and wrote up what I did at https://pghardy.net/concertina/lachenal_27590/lachenal_27590.html#fifthcomma Amazing thanks! Link to comment Share on other sites More sharing options...
Paul_Hardy Posted April 23, 2023 Share Posted April 23, 2023 (edited) I've done some updates to https://pghardy.net/concertina/lachenal_27590/lachenal_27590.html to clarify the sections on 1/5 comma meantone. Edited April 23, 2023 by Paul_Hardy Link to comment Share on other sites More sharing options...
David Barnert Posted April 23, 2023 Share Posted April 23, 2023 3 hours ago, Paul_Hardy said: I've done some updates to https://pghardy.net/concertina/lachenal_27590/lachenal_27590.html to clarify the sections on 1/5 comma meantone. Nice, but one small point. From your page: Quote ... equal temperament (which is 1/11 comma meantone) Shouldn’t that be 1/12 comma meantone? The comma is divided equally between the 12 intervals of the chromatic scale. Link to comment Share on other sites More sharing options...
Paul_Hardy Posted April 23, 2023 Share Posted April 23, 2023 9 hours ago, David Barnert said: Shouldn’t that be 1/12 comma meantone? The comma is divided equally between the 12 intervals of the chromatic scale. No, I agree that it seems odd, but see https://en.wikipedia.org/wiki/Meantone_temperament which says " Equal temperament is roughly the same as 1/11 comma meantone tuning". The key (I think) is that ET is 12 lots of the Pythagorean comma, but is only 11 lots of the Syntonic comma. The Pythagorean comma is the small interval in Pythagorean tuning between two enharmonically equivalent notes such as C# and Db. The syntonic comma is the difference between the Pythagorean tuning and Just tuning of the major third. Meantone tuning definitions are derived from Just tuning, using the Syntonic comma. In Pythagorean tuning, two half tones don't equal a whole tone. In Just tuning, there are two sizes of whole tone. As a useful web resource, see https://mathcs.holycross.edu/~groberts/Courses/MA110/Lectures/PythScale-web.pdf. I agree that this is a very confusing topic, and I barely manage to understand it. If I get time tomorrow, I'll follow up with a bit more explanation. Or are there any tuning experts here who can explain more clearly than me? Link to comment Share on other sites More sharing options...
David Barnert Posted April 23, 2023 Share Posted April 23, 2023 Thanks. Link to comment Share on other sites More sharing options...
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