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Showing results for tags 'Geordie'.
I've decided to sell my 45-key Morse Geordie Tenor English hybrid-style (accordion-reeded) concertina, after finally deciding to use my limited free time to concentrate on my stringed instruments. Manufactured in 2011, I bought this concertina from its original owner who apparently didn't use it much in the summer of 2013. Since then it has been gently used several times a week and always in my smoke-free home. As a result, it is in like new condition with no damage to the bellows, woodwork or reeds. It is in tune across the full range. Here's the information about the Geordie from the Morse website http://www.buttonbox.com/morse-geordie.html I've been most impressed by the very fast and responsive action, the quality of the reeds, especially those booming low notes and the extremely light weight considering the size (7" across the flats). It comes very well protected in the original hard case. A very impressive instrument in every respect that deserves to be played more. I'm reducing my price to £1,400 or the equivalent in euros, as I'd really prefer to sell on this forum rather than Ebay, although that's what I'll have to do if there's still no interest here. This price includes insured postage from France within Europe. If it is shipped further afield, I'll pay half the postage & insurance although buyers outside Europe will be responsible for paying any VAT and/or import duties that may be due. I'll make a contribution to Cnet if I sell it here. Please PM me if you'd like any more information. Now on hold as of 14/12/2015 - NOW SOLD Thanks for reading. Dean
I made a chart for myself, partly as a side-trip of something else I'm working on. While it isn't particularly spectacular and some of my digital photo editing, color matching, etc., was a challenge, I do kind of like this. So, I'll post it here. It's also posted in my blog, so if one doesn't work out, the other will. Besides here at in my blog, this is also found at box.com/concertinachartrootswendy I don't like to rely on charts or printed music, but if I have something visual, it will make a space in my mind and I think it does help me to a degree.
I have a beautiful Morse Geordie Tenor English concertina. It has a greater range of notes than I will ever use and so I was wondering if anyone would want to swap their Morse Albion Treble for my Tenor. I would benefit from a smaller instrument and somebody could benefit from the greater range of low notes. Cheers Howard
I started with a Jackie four years ago, based on what I read in these forums, and I was hooked. Last year I bought my Albion treble. I kept the Jackie because I travel out of state for my job, and I keep the Jackie at my client site, so I don't risk the Albion with regular travel (and because I rapidly got spoiled with the convenience factor of not hauling the Jackie back and forth). A few months ago I started taking music lessons from a violin/mandolin/guitar player, who is astonished at finding herself teaching a concertina player but plays the kind of music I like, mainly contra dance tunes. (Concertinas are rather rare in Olympia, WA.) Now I find myself frustrated when I practice at home on the Albion and go to lessons with a Jackie. The missing accidentals and slower action are increasingly noticeable, the longer I work with my teacher. I want another concertina. Since I'm not likely to go all the way to Massachusetts anytime soon, I'm again looking to order one without having played it first. I love my Albion treble, so sticking with Morse seems a safe bet. Also, the two wheatstones I've had the privilege of playing were a lot heavier. I've read all the forum topics I could find on the Geordie and the Albion and baritones versus the higher ranges. I've listened to YouTube videos with each. I'm now rather inclined to the Geordie baritone right now. It looks like I can just play an octave lower and have the same fingering on songs I'm learning with my teacher. In some long far off future when I'm not traveling full time and would have both in the same state, having the flexibility to switch between them based on the song or who I'm playing with seems like a good thing to have. I also used to be a choir singer, and learning to accompany myself is attractive, too. Having a more mellow tone than with the treble might be good with some audiences, also. Thoughts? Recommendations?