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kevin toner

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About kevin toner

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    Chatty concertinist

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  • Gender
    Male
  • Interests
    concertina use and practice / recordings / repair and maintenence / science / history / etc.
  • Location
    glasgow

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  1. https://soundcloud.com/user-525630858-405274758 Enjoy, courtesy of Stuart Eydmann, the author! CD-1 has my grandad Danny with wife Jeanie. CD-2 ditto; plus my uncle Freddie on Banjo, an in-law of my Gran's; and Billy Boyd, my stepdad, on Harmonica.
  2. Yes, I guessed that as per my post, but didn't know the terminology used to explain the difference between extended-mode and otherwise. Great to know that there is the option to have each. I'd presume that it's model 20/20a that has the 'unrelated-to-treble' keyboard My TT has the low F3 one 5th below the middle C on the left side. Fortunately the TT range goes down to C3 on the right. I would need these extra lower notes if I were to play with either swapped keyboard sides and/or row positions. I'm still a bit unclear on how all the models compare, button/layout-position wise,
  3. conzertino, many thanks for the update and new info. The 10a is almost what I need, and not far off a Wheatstone 10b, as I need the 56 keys as a minimum. Also good to be reminded of the model 14 for sale at $6k+, an aeola equivalent of the 10b, which would again be okay indeed. I am kind of hankering for a switch in the layout that puts the middle C on the opposite side, which the 10b probably should be doing to fit within the hexagon (?) I note that the model 14 Aeola for sale has middle C on the same side (left) as my 56 key TT Aeola (model 19):- 1) as a slightly lazier opti
  4. Please let me know if this is still available or similar. I'm on the look out for one of these rare items because low and behold, as I've anticipated for some time, I'm having to sooner or later put some of my repertoire plans on hold until I acquire a model in this range. "I only have eyes for you" has sprung up as an example song from my planned "The Thirties" songbook transcriptions and practice for English Concertina, from piano/vocal sheet music, which I'm comfortably over a 1/4 way through by transcribing/playing both clefs on mainly tenor-treble (56 key). I anticipate that
  5. No construction work today, but the exacerbated noises remain non-conducive to playing/contemplation? I’ve not been practising for a couple of weeks; and I now ask myself why I bear this. The exacerbation of low frequencies can make a modest car engine sound excruciatingly severe and is not good during contemplation. It seems to have gone off upon typing these thoughts already, despite normal traffic going by, for how long I ask. I should have long cottoned on that some entity or whatever it is (let’s call it Hyperacusis) does not want me progressing on concertina. I will make a
  6. I was wrong: the bleeps were not from these. I found out that these boxes are simply noise/vibration monitors to detect/maintain acceptable/safe levels from adjacent site operations. Funnily, recently on a BBC news article on the current Royal Society exhibit, I think, there was close parallel to the rhythms and tones characteristics of the aforementioned curious bleeping, but typically I can't seem to locate it now from the BBC News website, searching under 'bubble' : I believe the scientist who explained the sounds was Dr Gianluca Memoli who can can be seen here talking in-house o
  7. I agree, apprehensively as I'm not taking guitar any further than I perhaps ought to in terms of Classical. I'm yet discovering that the key to overcoming the likes of Roberton's arrangement of 'Mingulay Boat Song' on TT EC is to discover what the best hand orientation is for the chosen fingering and vice versa. I'm sure this is something in common with guitar. It's not a score that's flooded with notes, but sometimes I find myself straining and missing the target because my hand orientation is wrongly either too open or closed at any given time - it has to be perfect. The same perfecti
  8. Thanks Chris again, headphones actually do take the edge off the noisier episodes. I don't know what I'd do without them. I wish I could record what I'm hearing though, but I'd need a y connector for my phones and to simultaneously connect to a recorder. Alas my laptop is not a great recorder of live sound from the concertina despite having a great mike/mixer/amp set up! I was wrong: the bleeps were not from these. I found out that these boxes are simply noise/vibration monitors to detect/maintain acceptable/safe levels from adjacent site operations. Funnily, recently o
  9. Indeed! In this example here with 3 long and deep extended semibreves, I'd have to play these in 3 bellow actions rather than 2 if my T-T EC bellows weren't 8-fold. I'm not sure if I'd get away with a 6-fold equivalent without trying. This goes into my notations 'hall of fame' for being "...so unkind" ergo to us concertinists The more I look into this song "Memories of You" as a testbed, the more incidentals I find! Thanks Brian101 for helping me spot this particular one.
  10. I keep saying I’m almost there with “Memories of You” as I plan to record it again. Please forgive me. I’ve discovered another finger weakness matter, which might like some 3rd fingering be a common trait. I’ve been struggling with an instantaneous pinky travel to the 2nd arpeggiated chord in the chorus bridge. I can’t overcome this (at moderato tempo) no matter how long I try to practice the difficulty out. I hit the target 25%; 50% finding the button side; & 25% missing it completely. I’ve therefore adopted another approach: ergo to substitute with the 3rd, which neces
  11. I've added a caption on my granddad's wartime photo here. Interesting how he'd amazing strength in his fingers from his vocation. Another similar route to finger strength would be mountaineering. I wonder if such strength made a difference to his incredible concertina playing ability (?)
  12. Baritone-Trebles appear to be a 1920 onwards development in Wheatstone's pricelists specific to Aeloas, models 14 to 16, which are undoubtedly different from the original Baritone configuration, as follows. I have a suspicion that the model 20a (56k) simply named a "Baritone", but with the exact same range as the model 14 (56k) named a Baritone-Treble, is based on the older or formative Baritone layout, which appears to be of an opposite handedness to the treble orientated tenors and later developed baritone-trebles. Simple really! So Wheatstone probably [economically] trialled/mar
  13. Yes true, the red button here is a 'middle C' (C4), but I'd rather play this as a C5 since I'm a sight reader and read from the stave; and therefore prefer to feel for 'middle C' on the LHS handing instead! Simple yes! The complex side might be that we can pretend its C5 C4 is a C4 C5, but then in doing so we'd lose the advantage of having those extra few more bass notes that we hanker for when trying to interpret bass clef in piano score work. You're right, in that I'd need to try one first to determine whether or not swapping hands from what I'm used to will be taxing. I trust i
  14. Shelly, I'm actually in two minds over this now! If only I had my Granddad's draughts (chequers) prowess! He was the last one to do my T-T justice, before him his dad. Alas, chess is no good here, otherwise I wouldn't fuss about acquiring a standard B-T like your's. STET. I hasten to think what it'd be like to mentally swap hands. Probably like going from right hand to left hand guitar work in a way. I can't believe I was actually trying that earlier today on my uke for the first time! I'd better stick to model 19s (TTs) and 16s (BTs) [ps: and models 14s (BTs) to a
  15. So this is what a Baritone layout looks like proper. I suppose this would be the model 20 9, which looks like it swaps the sides so that middle C transfers onto the RHS, i.e. unlike the slightly different model 14 Baritone-Treble where middle C remains on the LHS. I first surmised this on a different post prior to Geoff showing me the actual model 14 and 16 layouts of the [variant] Baritone-Trebles. I'm glad I've now seen the evidence of what I'd first surmised: that standard Baritones would have to swap sides to keep to the standard button layouts to which model 14 B-Ts digress.
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