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AlexCJones

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About AlexCJones

  • Birthday 05/31/1964

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  • Gender
    Male
  • Interests
    Music (Guitar, Bass Guitar, Tahitian Drumming, Hawai`ian `Ukulele, Hawai`ian Hula, voice, Djembe , concertinas). I program computers for a living.

    Been paying Anglo for a few years now. Learned a little bit of English on a Stagi 48-button Tenor English.

    My 42-button George Jones is amazing, but it is at Tedrows for Repairs. Best design for an anglo.

    Have a Lachanel MacCann Duet, but I need to get back to practicing on it. I have been messing around on diatonic accordins latley. I also have an A/E Edgley Anglo.
  • Location
    Oak Park, Illinois, USA

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Chatty concertinist

Chatty concertinist (4/6)

  1. Glad some of you liked it. I just had to put that C drone to use. Most jigs are in G or D, so I found this one in C on https://thesession.org/tunes that allows you to search for tunes based on key signature and type (Jig, slide, reel, hornpipe, etc).
  2. Years ago, I bought a case from a guy named John Fallon. A John Fallon case came with my Edgley at the time, so I ordered a blocked case from the same case maker. The cases are blocked, have aluminum-reinforced edges, and each one has a shoulder strap so you don't have to use up a hand carrying one concertina. I don't know if John Fallon is still making cases. I can't find "Fallon Cases" on the web. I just now sent an email to the email address that I last used in 2005 and I still have not received an email indicating invalid address yet. So, maybe he is still around.
  3. I have played guitar on and off for years and I did not recognize it either. For some reason, I assumed that the object shown was larger. I don't think anyone is going to pay $795.00 for a guitar nut.
  4. I am not posting this on buy & sell, because I don't think anyone should buy or sell this. This is from that same seller who tries to sell used Stagis for higher prices than new ones are sold for anywhere. Just look at the picture of this one and see if you can figure out how playable it is, or how many keys it really has: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=350976539228&ssPageName=ADME:B:SS:US:3160
  5. I found it on Amazon too: http://www.amazon.com/Clare-Set-Various-Artists/dp/B000V9KF00
  6. I had thought that Frontalini was an Italian make, Do your Frontalinis have a "made in Germany" mark? Bastari was not the only Italian maker. Okay, there Frontalini accordions that actually have "Made in Italy" stamped on them. As for my concertina, it does not have "Made in ...." anywhere printed on it, nor does it have anything else printed on it except the name "Frontalini". It is identical to one that had the name "Silvertone" on it, and "Silvertone" was a brand name that Sears, Roebuck used to use. I cannibalized the Silvertone for parts for repairing two Frontalinis - one which I sold. The one I kept has bellows that belonged to the Silvertone. So one can claim that this Frontalini was made in USA since I assembled it at home. Anyway, I have no way to confirm where either the Frontalinis or the Silvertones were built, but they were built on the same pattern, the makers must have used identical jigs etc. They could have come from a factory in Germany, and the Frontalinis then given the Frontalini logo so that the same company that sells other instruments under the name "Frontalini" can include them in their catalog. They could have come from the factory in Italy where Frontalini accordions are made, and then some of them given the Silvertone logo to be shipped to the US to be sold by Sears. So just like some Stagi models, they could be Italian-made Germans.
  7. Just my very first thought on this photograph. Yes, I could have easily mistaken one of these for a Scholer. I might have seen many of these and mistaken them all for Scholers! It resembles some of the large Scholers in number of bellows folds and bellows connecters: The bellows have more folds than my Frontalini, which actually does have its reeds in individually waxed in accordion reed blocks or shoes and steel reeds. (Smallest single-reed Scholer on left, Frontalini on right): My Frontalini is actually assembled from the best parts of a few other concertinas, some branded "Frontalini", and some branded "Silvertone" but all pretty much the same instrument maybe from the same factory. In addition to the reeds being in pairs (just like O'Dwyer's Ceili Band) instead of bars of 10, they are also in-tune with modern standard A440 tuning, (or at least close enough), where the Scholers are all either all painfully sharp or painfully flat. I would guess that O'Dwyer's Ceili Band might also be in tune with the rest of the world. Here is what the Frontalini looks like on the outside: Anyway, my whole point in bringing up these Frontalinis and Silvertones --obviously Germans-- is that they could be from the same time and place as O'Dwyer's "Ceili Band". So they are all examples of Germans that are of higher quality than Scholers. It is just that O'Dwyer's "Ceili Band" is double-octave-reeded. Oh, and if I refer to my Frontalini as an "Anglo" in print, then I will use quotes, and explain that it is actually a German.
  8. So far, I have read some of your articles, like the one about the concertina in America and the one about the concertina on the Seas. But I have not read your books yet. Do any of your books include full-color photos of this German concertina that once belonged to Mrs. O'Dwyer? If not then can you post some? I would like to be able to recognize one if I ever happen to have an opportunity to buy one. I like the photos of the South-African one.
  9. Could you be so kind as to provide a link to a place where I can find these recordings? Or is that all covered in your House Dance publication? Seriously, I do intend to read it sometime in the near future. I was rather transparent about my sources being this article http://www.concertina.net/buy_used.html and my experience with Scholers. Maybe you should inform someone who is in charge of concertina.net that this article needs updating. My statement against purchasing Scholers should be understood as a statement informed only by experience with Scholers. Hold on there buddy! I never claimed that the Stagi "is the best quality one can find in a double-reeded German-style concertina." I stated that the "Stagi C-2 is the best quality anyone is likely to find in a double-reeded hexagonal Anglo." I am not sure how the English language works in your region, but where I am from, the phrase "is likely to" means something rather different from "can possibly". If you have a basket containing 3 black marbles, 5 white ones, and 11 grey ones, and you reach in and grab one without looking, you are most likely to grab a grey one, though it is possible to grab a black or white one. My deliberate choice of the phrase "is likely to" was intended to avoid excluding the possibility of finding a better quality parallel octave-tuned hexagonal squeezebox. It was intended to include such a possibility. If you count the number of hexagonal double-reed squeezeboxes currently available for purchase on the English-language world-wide-web, and the ones you can find at local music stores, I'll bet that the largest number are those Chinese-made imitation Scholers, then of course Scholers, and if you look just a little harder, you can find Stagi C-2's at a number of shops. As for these higher quality hexagonal double-reed boxes that you describe, is the number of these in playable condition and currently available for purchase greater than the number of Scholers or Chinese ones available for purchase? Is it easier find one of these higher-quality ones for sale than it is to find Stagi C-2? If you can prove that one is more likely to find a high-quality double-reed octave tuned hexagonal squeezebox than a Stagi C-2, then I will admit that my statement was dead wrong. If it were not for your web site, I would have no idea where to look for one. I would credit you as being most responsible for informing the English-language community on the existence of these. Okay, I have already stopped using the term "Irish" to mean "without chords", and I never liked the phrase "English-Style Anglo playing" to mean "with chords", so now the term "Anglo" is off-limits too. I am pretty sure I am not the first person to use use that term to refer to any concertina whose bottom 2 rows are tuned much like a pair of harmonicas split in two. So, would you care to enlighten me (and anyone else reading this who might be responsible for misinforming me) on when it is appropriate to use the term "Anglo"?
  10. The use of the chords on the first one works very well. I have been stuck in oom-pah mode for a while., so I never thought doing it this way. On the second one, I like the way the chords come in as it progresses.
  11. I agree with that. Even worse, there is the term "English style Anglo playing" to mean a style with chords. It would be better if people would just use terms like "monophonic" and "polyphonic" or "single melodic line" and "with harmony". But, it seems that the term "Irish" has been in use to mean the ornamented single melodic line style commonly found in Irish sessions has been in use long before either of us were born, so I am not going to fight the use of that term. I'll have to see if I can find some recordings of Ella-Mae O'Dwyer. I have not found any on eMusic I did put quotes around the word, so no need to take it so seriously. I would not be surprised if that is what Chemnitzer players call their instruments on their on-line forums. Also, I just reflected what I thought was the attitude held by everyone here towards those cheap German boxes. See the paragraph 6: http://www.concertina.net/buy_used.html So, I am evading responsibility on that one too. After my experience with Scholers, I am not going to recommend those to anyone, unless it is for taking apart. I did not see much wrong with suggesting other instruments, because I am learning melodeon too. Maybe, I should have suggested the Stagi C-2, but that is the best quality anyone is likely to find in a double-reeded hexagonal Anglo.
  12. I agree with this. It is like not getting your money's worth. Some people refer to that style of playing as being "Irish style". The best part of playing that way is that it takes less time to learn a tune. If playing on an English, I found that I could actually sight-read when playing that way. But, on the other hand, it gets boring. In my opinion, a concertina sounds best when it has harmony happening. Then there are some 20 button concertinas that have 2 or more reeds per note, with the reeds tuned an octave apart. When you play chords on one of those, the chords can sound kind of mushy: On the last portion of this one, I play in parallel octaves, and this is on that same box that already plays in 2 octaves per note: My recommendation is to simply not buy a concertina that has multiple reeds per note -- just stick to a "real" concertina. If you want multiple reeds per note, play a melodeon or accordion or a Chemnitzer.
  13. Since we are posting about videos in the general topic, I'll mention that I recently re-shot and re-posted my series on Scholer concertinas. Unfortunately, the piece of footage in which I make dents in the button board by squeezing it in a pair of pliers got lost. That was to demonstrate the low quality of wood used. But even with that missing, I hope there is enough information to eliminate any curiosity about Scholer concertinas and help people avoid wasting their time and money on them.
  14. He is at it again! http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=350708494937 This time I noticed that there is a box to enter the quantity that you want order, and it says: "10 available". Also, this time he has it classified as "Electronics". This has to be some sort of scam, and whoever or whatever is posting these does not seem to have much of idea of what a concertina actually is. I am not sure how to report this as a scam since I am not sure what I can use as evidence. Maybe somebody else here, who has more time to examine this ebay posting can find something incriminating and report this clown.
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