As an infrequent visitor to these hallowed columns I hope I am not going over old ground when I say that my Morse Albion (151) seems to have changed noticeably during the 18 months or so I have had it.
It is no secret to say that in the early days I was less than happy with the tone (to the point of contemplating an early disposal), tho' delighted with the fast easy playing. Having an Aeola and a 50's Wheatstone 2E to compare it with, I found the tone lacking in punch to say the least. Somehow there was a rattly harmonic as well, on some notes, which irritated enough for me to experiment with playing in various rooms and in various distances from the walls, but with no improvement. I continued to play it regularly at home anyway.
There was a problem with the top C on the pull, which sounded 'strangled' (Jon McNamara had the identical problem with his and on the same note). However I was a good deal happier with the Albion Baritone (155) , which I loved from the start.
Recently, recovering from a disc op on my back and dying to get back to some concertina, I picked up from first choice the Albion treble, 6 fold bellows and no leaks, light and easy to play standing upright. As I gradually resumed the familiar tunes I realised that the 'rattly' harmonic seemed absent, the top C was perfect, the tone sounded much better, and further the volume seemed to have increased too.
I was so delighted about this that unusually I took it to a session on Boxing day (the first for many weeks). Within 5 mins my local friendly fiddler lady commented on 'the lovely tone of your new concertina' . Today, it still sounds as good (so it was not the red wine) compared with it's stablemates.
Yes, heap scorn if you will (and I would ) but this box has definitely changed with playing over many months, a not unheard of phenomenon with free reed instruments. Is it work hardening of the reeds ? Is it to do with temperature/humidity ? Whatever, I am so glad that I still have it.
Your point being, Robin, oh, ...........er Happy New Year everyone, especially Rich Morse, and Gill Noppen-Spacie at The Music Room..
Robin Tims