Jump to content

Search the Community

Showing results for tags 'unadorned'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Discussion Forums
    • General Concertina Discussion
    • Instrument Construction & Repair
    • Concertina History
    • Buy & Sell
    • Concertina Videos & Music
    • Teaching and Learning
    • Tunes /Songs
    • Forum Questions, Suggestions, Help
    • Ergonomics
  • News & Announcements
    • Public News & Announcements
    • Concertina.net Official Business
  • Tests
    • Test Forum

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Interests


Location

Found 1 result

  1. Thre's many solo instruments which, on their own, play a single melody or single notes only. Clarinet, Oboe, saxophone, flute, recorder tin whistle and so on.. And we are lucky with free reed family of instruments that we can play chords also ( just as one performer).. I write a lot of music on single line only mainly because it is not always used ( in classical context at least) as often as it could be. The sound of single line melody is something that makes you really listen in a different way; it is ( to look at on a page)..apparently bare and unadorned ( like twigs in a winter scene perhaps)..yet it has everything possible within its seemingly straightforward appearance. I always think presented with say a melodic line on page or screen gives so much possibility to go even more your own way of expressing the music in those symbols on the page; not forgetting the harmony has it's important place too. But with the single line on its own, it is like a pencil drawing which still carries depth and tonal value within that apparent symbolic language. The single line melody has so much still to offer
×
×
  • Create New...