Jump to content

Search the Community

Showing results for tags 'fingering'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Discussion Forums
    • General Concertina Discussion
    • Instrument Construction & Repair
    • Concertina History
    • Buy & Sell
    • Concertina Videos & Music
    • Teaching and Learning
    • Tunes /Songs
    • Forum Questions, Suggestions, Help
    • Ergonomics
  • News & Announcements
    • Public News & Announcements
    • Concertina.net Official Business
  • Tests
    • Test Forum

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Interests


Location

Found 8 results

  1. Greetings -- I'm a concertina newbie, just bought a Stagi 46 note (I know, I know, the concertina all love to hate, nevertheless, I like the sound, system and esp the price ? ). I was playing around with the strap tightness/looseness, and it suddenly occurred to me that no matter how I adjusted it, it still seemed awkward to reach some notes from some others. Then I thought what if really loosen it up and put all my fingers through, and when I did I realized I'd gained 25% more fingers (20% more if one is bad at math, so let's split the difference and call it 22.5%). Of course, the part of the
  2. I posted the text below elsewhere. However, I thought that it might attract further discussion by being posted on its own. It concerns the question of whether to finger consecutive notes on C# and F# on the English concertina using fingers 1 & 2 or 2 & 3 (two-finger rolls by Simon Thoumire's terminology ?). In a jig on the English moving across to the lower F# on the right, for example, the two-finger roll technique to play a triplet (three consecutive notes on the same button) implies using fingers 1 & 2 all the time, yet this requires one to travel quite some way acro
  3. Hello, I'm confused about the way you learn a tune and add the chords. I'm painstakingly trying to remember the chords (and so also have to understand the different keys), that's one thing. My problem is more with fingers... For me adding anything out of the melody line means re-learning a different fingering. For simple tunes probably not, and even less so with simple octaves... but what about complicated pieces? For example I'm working on a classical piece and my fingers, all four of them, are already all over the place! High E can be played by four different fingers...I
  4. Looking for thoughts about making Irish tunes sound "more Irish". Does changing bellows direction on every note, or every other note make a difference...as opposed to playing several notes on a draw or push? Emphasizing the first note in a measure? Any other tips? Thanks! I'm playing a C/G Anglo.
  5. Hi all, I am wondering what might be the best way to play the triplet (B C# D) in the Sligo Maid: https://thesession.org/tunes/399 I am playing an Anglo C/G with double C#s on the first button, top row, right hand. If I play all 3 on the draw (RH) it isn't smooth, nor is it if I push(LH, RH, LH). I'm not sure if it is just that I'm not good/fast/practiced enough, or what. Any thoughts? Thanks, Susan
  6. I've been looking over the chart for English concertina fingering as given here: http://www.concertina.com/fingering/ The first chart, English Concertina Keyboard -- http://www.concertina.com/fingering/images/english48-W842H736.gif has me wondering why it's shown as starting an octave above Middle C. This isn't 'wrong' but I can't figure out if it's actually 'correct' and I would in fact be somehow wrong to show the chart with the lowest C being notated with a capital C, not the small c. So, I would have started with the low G being lower, notated as G, -- then continue
  7. So I recently learned the Foxhunters in A, so obviously there's gonna be that pesky g# in the 4th part. How do you anglo players handle that? avoid it? change fingering positions? play a different note. Take your 'tina to the shop to have a g# installed where it's easier to reach, to the tune of $$$, just so you can play that one reel? Me?--I either play the b above the a, instead of the g#, or I 'll sometimes play the f# below the a. I have to play real slooooow to even hope to get up to the g# in standard position, and I haven't really tried changing positions yet. In G, Foxhunter's
  8. I am a new concertina player and am mostly teaching myself with the help of various DVDs, CDs and tutorial books. I LOVE the tune "Glasgow Reel" (aka Tamlin) and though I have the sheet music for it, it seems pretty tricky on my C/G Anglo. Am I foolish to try to learn this???? Any suggestions??? Thanks, Susan
×
×
  • Create New...