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Reed Bellows

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Posts posted by Reed Bellows

  1. My own personal issues are financial.

    I bought my Jackie back in late 2011, and I have not had the money to upgrade even to a learner model Wheatstone or Lachenal with 48 buttons.

     

    Ideally, I'd love an Edeophone, and even a Crane duet, but my resources simply aren't there.

     

    Still, it's on my list for "some day one day".

  2. Hello again everyone.

    I've been out of the loop for almost five years, so I guess that means I'm new here again, and those of you who've forgotten me can meet me for the first time a second time!

    I was able to go to the Old Pal event once back in 2012 with my Jackie, and since then I've been busy with a multitude of things. But enough about that.


    In regards to my Jackie, I find that the bellows are very stiff in comparison with other (vintage / higher price tiered) concertinas, and I was wondering if anyone had a suggestion or two about how I can get the bellows to limber up without causing undue wear on them.

    Also, occasionally the "low C" on the instrument has a buzz, like there's something stuck and vibrating between the valve and the air aperture, but I keep the instrument in the gig bag 99.5% of the time when I'm not actively practicing. Would I gain anything by opening up that side just to see if there's a speck of anything caught in the works?

     

    Lastly, I am finding myself in a situation where I will be needing to learn Anglo for occasional Celtic / ITM work. When going from English to Anglo, are there any keysets that lend themselves more to someone relearning the wheel? I figured that bisonorous bellows action would be the first stumbling block, as opposed to the unisonorous bellows action that I'm used to with the English.

     

    Thanks in advance for any insight that can be offered, and thank all you fine folks for still being around!

  3. Stephen Knoll had sent me his Edeophone to lighten up the action and to check the tuning. Stephen now has it on consignment with me for a price of $3300 + shipping.

    It is a nice example of a metal end Edeophone with a strong sound more than capable of holding its own in a session.

     

    I had the pleasure of playing this instrument at the 2012 Old Pal Festival in March. It is a very very nice instrument, and the only thing keeping me from it is my personal indigence. Whoever purchases this Edeophone will have a wonderful instrument in their hands.

  4. Wim Wakker, of Concertina Connection Inc., makes some (but not all) of his high-end models with flat-top keys.

     

    http://www.wakker-concertinas.com/H-1.htm

    http://www.wakker-concertinas.com/H-2.htm

    http://www.wakker-concertinas.com/parnassus.htm

     

    Has anyone asked him why?

     

    Only the Hayden/Wicki models come with flat-top keys exclusively. With the Parnassus, you can have either flat-top or domed keys.

     

    I would be interested in his explanation, and perhaps he may yet see this thread and have time to shed some light on the matter.

     

    That reminds me...

     

    *drops a few coins in his Parnassus piggybank*

  5. I'd say go for a Jackie. They're 30-button EC's and if you get one brand new it's nice and stiff, which (I believe, your mileage may vary) is good for developing the "concertina muscles". Once they've learned on the Jackie and broken it in a good bit, then see if there's interest in upgrading to a standard 48-key box.

  6. I lucked out and didn't need to root my phone because T-Mobile US finally released the official update to ICS yesterday! ^_^

     

    My only request would be to have a secondary note layout that copies the layout of the Jack/Jackie, minus the last two buttons on each side of the top end (and obviously the air button ;)), or perhaps have a second edition "JackitinaXL" (or sommat).

     

    I'd pay a fiver for that.

  7.  

    Look at the speckles on the metal joints of the bellows-frames in the first and fourth image. That's not roughness of the surface; it's an artifact of undersampling the reflected rays.

     

    I spent several years in the employ of the computer graphics research laboratory at my alma mater, and have no reservations in offering as my professional opinion that this "concertina" is the figment of a raytracing engine.

     

    I'm inclined to agree. In addition, the 'aluminum' ends have too much 'applied distress' to them...some of the marks look like they were made when the aluminum ends were cast, some look like they were applied later, and some of it looks like dust, but if it were dust, it wouldn't be in the patterns shown in the picture.

     

    Also, the pattern of the gold leaf on the wood on the left side of image 3 does not match the other images.

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