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CZ in AZ

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About CZ in AZ

  • Rank
    Advanced Member
  • Birthday 05/29/1962

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  • Website URL
    http://dancetosteam.com

Profile Information

  • Gender
    Female
  • Interests
    You mean besides concertina ??? I play bodhrán and other percussion, sing and clog in contradance band, STEAM, and in duo, Púca. I am also a long time contradance caller and a Walnut Valley Festival, Carp Camp regular! I work at the University of Arizona as the Director of Pima County Cooperative Extension.
  • Location
    Tucson, Arizona

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  1. Hi all, Thank you for your thoughtful replies. To me, a player needs to communicate the rhythm and lift of the tune, by using ornaments and held or punched notes to both accomodate the intrument and enhance the tune's lift and drive. I agree with Edel Fox's comment "ornaments that are sparse but precise". I also do not necessarily think meeting the needs of the dancers is the final word on pace and I would say that most people can play faster in a session, where they are supported by a bigger group. I suggest that playing reels competantly at 100 bpm and jigs at 115 BPM
  2. I received the following when I inquired about what level workshop to attend. "If you can play jigs and reels at a good pace, with embellishments... then consider yourself as advanced." Emphasis is mine. It made me think about what exactly a "good pace" is and what qualifies as "embelishments" I play anglo and in this case I am talking about Irish music. I am really curious how others would define good pace with embellishments, and in what context, ie in a session, playing alone, playing with a single rhythm player. Interested to see what you think.
  3. Hi all..... I have been researching this and building on David M.'s post in the previous thread. After learning more about sound waves and how they propagate, here is my summary explanation. Enjoy! String instruments resonate in a chamber, so their near volume is a sum of coalescing, reflecting, and circulating sound waves, some of which translate into propagating far-field waves. These larger sound-producing units (violins, guitars, bass, etc.) behave as extended sources, and thus produce more near-field power relative to their far-field signal. A small free-reed emits waves more
  4. Hey everyone - particularly those versed in the physics of sound. I play in a lot of music jams, some of which are outside in festival settings. On occasion, I have been told by those walking nearby, that all they can hear is the concertina until they get close enough that the fiddles, banjos, guitars, bass, etc fills in the sound. Inside the jam, the concertina is pretty well balanced with the other instruments and no complaints. I experienced this myself at a recent festival where I heard a cajun accordion playing, and as I weaved my way through the cars and RVs to get to it
  5. Hi all, I decided to keep the Edgley for a few more years. Does anyone else head out from work at lunch to play concertina? I do and this is my lunch concertina It really is such a lovely instrument. All the best, Claire
  6. Hi BMD, Yes, I could sell it. Please email me to discuss this further. clairezu247@gmail.com. Thanks! Claire
  7. Yes it is. I have a potential buyer locally and she is using it this week. If you are interested, I should be able to get an answer back from her in a week or so. Claire
  8. Thanks to all for your thoughtful replies. It is helpful to hear your ideas. I go to the doctor tomorrow and hopefully will move a bit farther toward figuring this out. I am not sure what movement I am making with my pinky other than just playing, but I do think it is related to playing tunes that feature a lot of fingering on the low end of the instrument. As I study my playing, I also think that I lack control in my pinky and ring finger and so tend to pounce (snap down) on the buttons rather than gently depress them. I am working on that aspect. I have an ongoing issue with being too
  9. Hi all, I play a C/G anglo and many of the tunes I enjoy are active in the lower part of the left hand. My pinky, on the left, has been getting progressively more sore over the past 6 months and while I am pretty sure it is some sort of repetitive stress, I am not sure what to do about it. FYI, I regularly stretch the pinky and hand, but this does not seem to affect the aching or progressive nature of the symptoms. The main symptom is that it is very stiff, i.e. when I bend the finger it feels like the tendons/muscles are having to stretch and it does not loosen much after pl
  10. For Sale: Edgley C/G concertina - great condition. Asking price $2100 (not including shipping). It has a modified Jeffries layout, 30 button, with C#s on the draw and press top inside right button and also on the press on the next button. It is in great condition and was fully refurbished by the button box about 4 years ago. It has not been played very much in the last couple of years because I have another instrument. It is a hybrid model, meaning that it is a high-quality concertinas made using Italian accordion-style reeds. The sound is really lovely and it plays very easily -
  11. Dear all, The most amazing thing happened - my concertina was returned! I want you to know that this listserve is the way that the person found me, so if this happens to you, I highly recommend posting on this site. Thank you for all your support! Claire
  12. It is a professional model (hybrid). The serial number is 286. Thank you so much for keeping an eye out for it. I have no idea if it will re-surface or not, but one can always hope. I am so pained by the thought that it is in the garbage somewhere. I think I will call all the Phoenix music stores next. I tried the local pawn shops as well, but no luck. It is really nice just to know you all are out there on the look. Claire
  13. Hi everyone, I am very sad to report that my Edgley C/G concertina has been stolen. I have filed a police report and called all the local Tucson shops. I am checking ebay regularly, but is there anything else I can do? This was my spare concertina, since I got my Carrol, so I did not play it all that frequently, but I still loved it and am really really sad about it. If you see this instrument, please let me know? It was a Wheatstone layout, modified to have C#'s as followed (rt outside row) Push/Pull: C#/C# C#/D# G#/G high-C#/high-D# high-A/high-F Thank you for any ideas on how to lo
  14. I have been taking from Flo over skype for a couple of years and she is great. I also took a lesson from her in person when I had only been playing a month - and she was really a good teacher for both levels. She definitely teaches the Irish style. She is clear in her instruction and has an amazing ear, even over skype, to catch little stylistic bad habits. If you are looking to eventually include ornaments, octave playing, chords, etc, she will definitely get you off on the right foot. Best of luck and have a blast!
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