Hello Mark
I think that the problem is that is difficult for me to mark clearly that rythm in the harmony of the melody, is easier to do it with my tabor. I've written the tune in abc, also is my little contribution to this great forum and website...
Interesting. I also had trouble hearing the video in 5/8, and now that I've heard my computer play the tune from the abc it still sounds like 3/4. This means, of course, that Juanma is playing it just fine and we have trouble hearing the unusual rhythm.
I play pieces in 5/8 and other additive rhythms all the time. They are quite common in the Balkans and southeastern Europe as far as Armenia. I also play a charrada and I even sing some English songs(and at least one American one)in 5/4. I have no trouble hearing the rhythm. Check out
for a tune in 5/16 on concertina. I would believe that an abc converter has trouble with an additive rhythm. I don't know how the converter works, but as written, there is no indication of the meter being other than triple except for the M: 5/8 notation. I think somehow there has to be a distinction in the uneven lengths of the individual notes which does not appear in abc.
I like a lot your 5/16 tune... very beautiful. In the first minutes of this video
you can see me playing a 5/8 tune with a vulture wing bone pipe and my tabor. We are playing during a traditional party outside the wine caves in a village in Castile. Also you can hear the dulzainas (folk shawms).
The salterio is played together with our tabor pipe, the strings are tuned by pairs and are beaten with the stick. In the middle ages was known as the "chorus". In example, if I play a G pipe, the strings are tuned CGCGCG. Here you can see a video:
Juanma