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Piyush Sachdeva

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Posts posted by Piyush Sachdeva

  1. On 6/9/2021 at 7:15 PM, Don Taylor said:

    Michael Eskin has made a number of concertina emulators that play on iPads.  He has Anglo, EC and Hayden duet versions - no Crane emulator, but the Hayden is conceptually similar.  You can find them via:

    https://apps.apple.com/us/developer/michael-eskin/id342739369

     

    You can use these to get a feel for the different instruments, and maybe you could even use them right now in your music productions...

     

    I will also give a little plug for the concertina sound font that you can find at the bottom of my posts.  Maybe you can use this in your production software - it is an SF2 font so I think it will work with most music production software.

     

     

    I don't think i'll be able to use the concertina emulators since i don't own an apple device that will allow me to do so. 

     

    But thank you so much for sharing the Plug-in. I really appreciate it. This will allow me to get started right away. Also playing in different keys to might not be a problem since it will be in the digital domain. 

     

    Nonetheless i will get a concertina at some point. It seems like a wonderful sweet sounding instrument and i want to experience the joy of holding the instrument in my hands and playing it.

  2. On 6/9/2021 at 6:36 PM, wunks said:

    As a duet player (Jeffries) I would add that while the "home key" is easy (C for my Box) so are F, G, Bb, A minor D minor and several sharp keys.  In fact, I don't find any particular note combinations very difficult especially if you're used to the contortions involved in playing the guitar.  Additionally the overlap twixt LH and RH solves many difficulties.  A further advantage of duet is with voicing potential.  You can use a lot of bellows work but you don't have to and you can chord and counterpoint, drone, slur, punch and/or linger at will.  The different types of duet will have their own advantages.

     

    I wasn’t familiar with the Jeffries but i used the following for my reference :

     

    https://www.concertina.info/tina.faq/images/finger2.htm

     

    Comparing it with the Hayden it does seem a bit more complicated because of how the notes are placed on the buttons. But i guess once you start playing something new,it takes a while before you get the hang of it. 

     

    I was concerned about being able to play accompaniment. Thank you for pointing out that it has a a lot of flexibility in that area. 

     

  3. On 6/9/2021 at 6:09 PM, RAc said:

     

    That's my background as well. Back when I asked a similar newbie question on another (now obsolete) concertina forum, the user present here as anglo-irishman advised me that a duet (in particular a Crane or a Hayden) would make the most natural transition path from a stringed fretted instrument such as a guitar or banjo. I never really tried any other system, but I'd chime in with him for those reasons:

     

    1. Like the left hand on the guitar, each hand walks up chromtically or diatonically a row of buttons like on the frets on a string until the end of the position is reached, then moves on to the next string (or button row). This holds true for Crane, Hayden and Jeffries systems (see wunk's later post) but not McCann.

    2. On the guitar, the right hand thumb takes over the pianist's left hand (accompaniment), while the fingers take over the pianist's right hand side (melody). On a duet or anglo, you're back to left/right for accompaniment vs. melody. Your brain can be trained to splitting the thumb/fingers roles into the left/right hand roles fairly easily. In fact, a number of fingerstyle techniques (stride bass, Travis picking etc) can be adapted quite fast. This holds true for all duet and anglo concertinas, but not the EC.

    3. Somewhat like on the guitar, you can think in terms of movable chord patterns for both hands. To my understanding, this is easiest on the Hayden and on the EC, a little more clumsy on the Crane (because when moving a chord pattern up or down a row, you'll need to adjust one finger by a semi tone for most chords), also present on the Anglo but less on the McCann and Jeffries duet systems (I'm sure someone is going to corrent me fairly soon here if I didn't do the sysems I'm not too famiiar with justice).

     

    I know about one EC player with a guitar background and another (very good) one who adapted guitar styles to the McCann duet but a fair number of Crane and Hayden players with a guitar background. I myself still "think" guitar a lot when I play one of my Cranes. To me the Anglo is not an option because I can't make heads or tails of bisonoric layouts, but that's just me.

     

    The usual advice is to "dry test" the different layouts by printing them out on paper and "air playing" them to get a feel for the playing idiosyncracies.

     

     

    I was hoping to chat up with a guitar player who also plays the concertina. 

     

    Thank you RAc !! You’ve provided me with some useful insight. 

     

    Concertina seemed like a complex instrument when i first heard about it but now that you’ve pointed out so many similarities with the guitar it doesn’t seem as intimidating anymore.

     

    What you said in the last line really helped get some clarity on what kind of system would be comfortable for me. i did print out the different systems on a piece of paper and found that compared to the other systems i would prefer the Hayden. It seems fairly easy for my brain to remember where the notes are placed. 

  4. 11 hours ago, schult said:

    What's your motivation for wanting to play in any key? What kind of musical background do you have?

     

    The concertina is an expensive instrument. I wanted to get an instrument that was as versatile as possible since i wouldn't be getting another one anytime soon. 

     

    I am primarily a guitar player but i do play a bit of keys and a few other string instruments. I am also a music producer and i work with different singers from time to time. 

     

    I am not too familiar with the music that is supposed to be played on a concertina. I wanted to use it as a tool to spice up my productions with my ear leading me to play parts that sound sweet with whatever i make. 

  5. 12 hours ago, Don Taylor said:

    I am not an Anglo player, but I will point out that Anglo concertinas are available with different key centres/home keys.  Sadly, this  does not seem to be the case with duets or ECs although there may be a few around.

     

    The common C/G Anglo is readily playable in C, G and D, but you can get G/D, A/E and probably other key sets too.  If singing accompaniment is important then an Ab/Eb will give you Ab, Eb and Bb with the same fingering patterns as a C/G playing C, G and D.

     

    Basically, you can play in multiple keys on an Anglo as long as you buy multiple instruments.  Modulating between distant keys is another story.

     

    Thank you Don ! 

     

    This gives me some clarity on Key centres of concertinas. Earlier i had my mind set on getting an Anglo since most of the videos i saw of somebody playing with accompaniment were done on an Anglo. 

     

    But the more i talk to different concertina players and read about this instrument, it seems like Duets are slightly more versatile when it comes to playing in different keys.  

     

    Although I still need some time to process all this information since it's all very new to me.

  6. 20 hours ago, RAc said:

     

    Yes, I'd say it would. My smallest Crane is a 45 button, and about 90% of the "standard English dance repertoire" fits into that range, melody and accompaniment. The question of course is what keys your singer(s) sing(s) in. The Crane layout centers around the keys of D,G and C which means in those keys the fingering is easiest and you are the most likely to fit most if not all of the melody notes into the right hand in those keys. If your singer(s) need other key families, it gets harder for you the further the keys move away from the instruments' "home keys."

     

     

    Alright. This gives me a sense of relief. i guess i need to dig a little deeper to find what suits me best. 

  7. On 6/6/2021 at 8:31 PM, Piyush Sachdeva said:

    My main purpose of getting a concertina is to be able to play chords along with melodies by myself or to accompany a singer maybe. If i get a 41 key Crane Duet will it serve my purpose ?

     

    I see !! That's a whole lot of experience. I'm not as experienced as you but i do play a few instruments and have a fair understanding of music theory.

     

    From what i can understand each type of concertina comes with it's set of pro's and con's and it boils down to one's preference at the end of the day. 

     

    Could you please answer my question about the 41 key Crane duet ?

     

  8. Thank you David. You've given me much needed clarity on this subject. 

     

    I'm still not sure about what kind of concertina i should get,but it's safe to say that i wouldn't want to get an English Concertina. I am leaning towards getting an Anglo. Although the Duet also seems like an interesting option the way you described them.

     

    Could you elaborate a bit more on what you said about the Duets being more versatile than the Anglos ?

  9. Hello Everyone !

     

    The Concertina is a very new instrument to me. I recently started reading up about it and was hoping to learn some more.

     

    I understand there are three different types of Concertinas out there namely the English,The Anglo and the Duet.

     

    I'd like to play Melodies along with some chords as accompaniment. What kind of concertina would you guys recommend i go for ? 

     

    Please keep in mind i'd like to get an instrument that allows me to play in all keys. 

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