NOTTNICK
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Posts posted by NOTTNICK
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OK thanks - I've got it now.
The spare spring I got has a much longer base bit to it, so I just need to re-bend it then it all works - I was just trying to make the wrong-sized spring fit, obvious now I look at it.
I am grateful for help on this and I am using Dave Elliott's book, it is excellent.
Nick
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I can't work out where to put the spring on the air button.
The previous spring was completely broken so I have nothing to guide me. If I try to re-use the holes on the plate with a new spring, it doesn't seem to work.
Should I be using a different spring than on the other keys?
Or is there a different way of attaching it or a different placement?
Thanks
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Posted first on repairs in error.
Anyway, I am restoring an old Lachenal.
I have just found a number inside
R 58779
There is also a pencil inscription inside saying Barrow in Furness 1886
Can anyone offer anything else about it?
Thanks
Nick
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Things going well............
I have just found a number
R 58779
Can anyone help?
Thanks
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As you will see from previous posts, I am getting on well with sorting out this Latchenal.
Anyway, I'd appreciate advice on this:
Dave Elliott suggests in his book that the ends are French polished.
I recently renovated a guitar and used 'Rustins Plastic Coating' This gave a fantastic high gloss, strong and durable finish (a luthier had suggested it to me and Rustins do seem to do a lot with furniture restoration).
It was expensive and I have quite a bit left over.
It seems to me that it would make a good finish for the Latchenal too, but I don't want to make a disasterous decision, and use a wholly innapropriate finish.
Your Thoughts please.
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Impressive, thanks. I'll give it a go this weekend.
Nick
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Renovating an 1880s Latchenal with bone (I think) keys.
They are very tarnished and dirty. I am not sure of the best way of cleaning them up. Suggestions appreciated.
Thanks
Nick
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Thanks
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The trade mark clearly identifies it as a Lachenal, and it looks to be a pretty typical basic Lachenal 20 ket anglo. The name and address inside could be an owner or a repairer.
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I have just got this concertina. Will be restoring it (I hope).
A 20 key model. Little to identify it except:
Inside a pencil inscription
"Mr. J Rogers
33 Hamilton (Lane?)
Barrow in Furness
Oct 25 / 86
I attach a couple of pictures also.
Thanks
Nick
PS. PS the araldite in the background is NOT part of my repair kit!!
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That's really helpful thanks.
I think I'll order the book and read up on things - and David Leese looks like a good place to go too.
I'll probably post again when I have gleaned more knowledge.
Nick
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Hello
I have just got hold of a rather tatty old Anglo - it is nothing special so I am happy to have a go with repair myself. I think that with a bit of TLC I can get it to some sort of worthwhile state as it isn't warped or cracked and the bellows are just about OK. I am a complete begginer regarding repairs but have reasonable skills in this sort of thing. I would really appreciate advice on
1. Fixing the small pieces of damage (holes) on some corners of the bellows.
2. Getting hold of some replacement pads / end bolts / bellows papers (I think that's what they are called - the decorative papers anyway - they look like bog standard Latchenal type). (and a rough idea of cost).
3. Getting broken reed replaced.
I live in Nottingham UK.
I suppose the answers to these determine if I go ahead with this.
Nick Murphy
Finishing The Ends
in Instrument Construction & Repair
Posted
Thanks everyone
Really grateful for this advice.
One of the ends had quite a crack that I have filled with a strip of venneer. I am currently working at quite a few coats of Rustins over the repair, bringing it right back before every coat. It's working well as the slight imperfections have nearly disappeared.
I shall take on board the other suggestions.
I am really enjoying this renovation even though I am certain that the time and money spent on an old 20 key Lachenal does not really make financial sense.
Of course, now I've fixed the bellows, pads and valves I have found that the reeds need lots of work (and I'm sure it's not in concert pitch).
Nick