ianj38 Posted August 31, 2009 Posted August 31, 2009 For my 50th birthday I have just bought a Scarlatti 20 button anglo. With it came a tutor for a 30 button! I am assuming that I just ignore the 3rd row, because when I have a go at the tunes at the back of the book at least one or two sound right . The instruction book shows the music to be payed as dots with key number on top with an annotation for pull or push. I am finding this approach really helpful, at least in the early stages. I understand that if I am to improve, it has to become more natural. What I would like to do is to match up all the keys to notes on a stave. Is this done anywhere so I don't have to go through each of the tunes in the tutor to identify the position of each of the keys? Thanks for any help
Ken_Coles Posted August 31, 2009 Posted August 31, 2009 Yes, there are lots of fingering diagrams we can point you to. Is your concertina in C/G? Ken
ianj38 Posted August 31, 2009 Author Posted August 31, 2009 Yes, there are lots of fingering diagrams we can point you to. Is your concertina in C/G? Ken Thanks. Yes its C/G- I have a fingering diagram showing the keys. What I am not sure about is the match to notes on staves so that I can transcribe music to push/pull etc.
michael sam wild Posted August 31, 2009 Posted August 31, 2009 Yes, there are lots of fingering diagrams we can point you to. Is your concertina in C/G? Ken Thanks. Yes its C/G- I have a fingering diagram showing the keys. What I am not sure about is the match to notes on staves so that I can transcribe music to push/pull etc. I found it useful to use 2 different coloured highlighter pens for push and pull to make the diagrams easier. Then I converted the dots on the stave to ABc ( elsewhere on this site) and used the chart and the highlighted ABc notation use tunes in C first of all and stick to the C row of the instrument. If you want to play traditional music G will be more common and you start from the left hand side Get used to the scales and don't bother with chords at first. If you can play a mouth organ it helps as the Anglo-German concertina is like a mouthorgan per row of the instrument that has half on each side. Bertram Levy's book explains it nicely All the ebst with the squeezing Mike in Sheffield UK
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