Alan Day Posted April 18, 2004 Author Share Posted April 18, 2004 The next step up Lawrence is to record yourself and really closely listen.That really depressed me but I learnt a hell of a lot from the experiance. Al Link to comment Share on other sites More sharing options...
Rhomylly Posted April 19, 2004 Share Posted April 19, 2004 Absolutely Alan! I was recorded playing concertina yesterday -- first time. I have serious rhythm issues. I knew I had them, but I didn't know they were that bad! Definitely gives me something to work on! Link to comment Share on other sites More sharing options...
Doug Anderson Posted April 19, 2004 Share Posted April 19, 2004 Do you play the trumpet bits?Smashing Doug something I have always wanted to do. I cheat with a BpF Al Actually, it's the trumpet and piano players I have the most trouble with. I'm OK with the notes on the slower stuff but the phrasing eludes me. I must have been a clarinet or saxophone player in a previous life. My favorite jazz musicians to play along with are Sidney Bechet, Acker Bilk, Gene Ammons and Hank Crawford. I also love to "accompany" female singers like Ella Fitzgerald, Cassandra Wilson and Jane Monheit. And I have a C trumpet, so I don't have to transpose when I (try to) read fiddle music. I have a friend who plays a C Melody saxophone for the same reason. It has a lovely sound! Link to comment Share on other sites More sharing options...
JimLucas Posted April 19, 2004 Share Posted April 19, 2004 And I have a C trumpet, so I don't have to transpose when I (try to) read fiddle music.I have a friend who plays a C Melody saxophone for the same reason. It has a lovely sound! It does. I have one of those, too... BUT ... there's a tiny inscription on it that says, "Low Pitch". It's really in B! (That's H for the Europeans who think B means Bb. ) I didn't realize that until I got it home. Luckily, I didn't pay a lot for it. Link to comment Share on other sites More sharing options...
Kurt Braun Posted April 19, 2004 Share Posted April 19, 2004 It's really in B! (That's H for the Europeans who think B means Bb. )I didn't realize that until I got it home. Luckily, I didn't pay a lot for it. Jim, This would be *very* unusual. Low pitch on saxophones almost always refers to A=440 as opposed to A=456. Most modern horns are pitched to 440 without mention of the L. Some saxophones are marked A, meaning American because they were the odd guys for a while. A meant A=440 too. A lot of vintage horns without the L are pitched to 456. A c-melody with the L on it is usually a sought after horn because when c-molodies were popular, may were pitched too high. You may need to push the mouthpiece further on. Or you may have a faulty neck or otherwise be out of adjustment. Could also be your embouchure. You could find out for sure by posting on saxontheweb.net where there are many friendly and knowledgeable posters. One problem there is that knowledgeable and not knowledgeable posters can be difficult to suss out. Good luck, Kurt Link to comment Share on other sites More sharing options...
JimLucas Posted April 19, 2004 Share Posted April 19, 2004 It's really in B!This would be *very* unusual. Low pitch on saxophones almost always refers to A=440 as opposed to A=456. Then unusual it is. With the mouthpiece pushed all the way on, its A is precisely in tune with the Ab on my A440 concertinas. Most modern horns are pitched to 440 without mention of the L. Some saxophones are marked A, meaning American because they were the odd guys for a while. A meant A=440 too. A lot of vintage horns without the L are pitched to 456. A c-melody with the L on it is usually a sought after horn because when c-molodies were popular, many were pitched too high. It does not just say "L". It really says, in small block roman letters, "LOW PITCH". Is that also unusual? You may need to push the mouthpiece further on.It's already on all the way.Or you may have a faulty neck or otherwise be out of adjustment.Seems to me that it would take a serious maladjustment to make a full half-step difference. Also, I think it would make the instrument out of tune with itself, especially at the top of the scale. Am I wrong?Could also be your embouchure.I have no trouble with my soprano (also -- and really -- in C). Could the bigger mouthpiece really account for a consistent half-step? Or could an old, ratty reed? (I really need to get some new reeds.) I personally doubt it. You could find out for sure by posting on saxontheweb.net where there are many friendly and knowledgeable posters. Thanks. I should try that. One problem there is that knowledgeable and not knowledgeable posters can be difficult to suss out. A problem I've experienced elsewhere. Link to comment Share on other sites More sharing options...
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