michael sam wild Posted September 30, 2008 Share Posted September 30, 2008 I got a marimba when i worked in West Africa and twang it from time to time. It is a free reed but doesn't sit in a slot so how does it generate its sound. This maybe obvious but I'm intrigued Link to comment Share on other sites More sharing options...
Sebastian Posted September 30, 2008 Share Posted September 30, 2008 I got a marimba when i worked in West Africa and twang it from time to time. It is a free reed but doesn't sit in a slot so how does it generate its sound. This maybe obvious but I'm intrigued You mean a thumb piano, don't you? -- The vibration of the reeds is given to a big resonator, which can move enough air so that the tone becomes loud enough. It's the same with strings: If you hold a guitar string between your hands and someone plucks it, there is only a very very little sound. If you fix the string to a resonator, the sound becomes much louder. But this is not the principle of free reed instruments. Free reed instruments make their tone by periodically interrupting an airflow. Sebastian Link to comment Share on other sites More sharing options...
inventor Posted October 1, 2008 Share Posted October 1, 2008 Marimba: Also known as karimba and kalimba, more usually known as the Mbira in Africa and Sansa in other parts of the world. Did you know that Bill Wesley makes what I would call a Duet Mbira in the States, which I believe can be seen at "Button Box". Although the Wesley Keyboard in his patent differs from the Hayden Keyboard (I see it as a squashed form of that); as far as his Mbiras are concerned if you can play a Hayden Duet Concertina you should be immediately able to play the Wesley Mbira with both hands! I haven't seen one in the fleash yet, however judging by the photographs they look really well made instruments, quite unlike the roughly made African ones that I have seen. These instruments were discussed in these forums around a year or less ago with illustrations but I am unable to provide the direct link. I would be very interested to hear from any Hayden Concertina player who has played one of these instruments. Inventor. Link to comment Share on other sites More sharing options...
Ivan Viehoff Posted October 1, 2008 Share Posted October 1, 2008 Just to be clear, you are not talking about the normal meaning of the word marimba: http://en.wikipedia.org/wiki/Marimba but this: http://en.wikipedia.org/wiki/Kalimba As the above makes clear, it is a lamellophone http://en.wikipedia.org/wiki/Lamellophone ie, plucked plate, rather than any kind of reed instrument. Link to comment Share on other sites More sharing options...
michael sam wild Posted October 2, 2008 Author Share Posted October 2, 2008 I got a marimba when i worked in West Africa and twang it from time to time. It is a free reed but doesn't sit in a slot so how does it generate its sound. This maybe obvious but I'm intrigued You mean a thumb piano, don't you? -- The vibration of the reeds is given to a big resonator, which can move enough air so that the tone becomes loud enough. It's the same with strings: If you hold a guitar string between your hands and someone plucks it, there is only a very very little sound. If you fix the string to a resonator, the sound becomes much louder. Sebastian That's the one, thanks, I was working on an inspired British Council funded science teaching project in Sierra Leone in the 60s and we tried to base the curriculum on local culture. We hammered the 'reeds'out of old nails heated in home made charcoal, the nails were from from waste packing cases and the kids used calabashes or coconuts or cigar boxes as sound boxes, just as their parents and elders did . We tuned them to local scales and songs and played them for shows. I reckon we could do a lot worse in music classes in England today to link science and art!! The koras we made use strings from nylon fishing line, plaited to different thicknesses, and motorbike throttle or brake cable. Pythagoras was made practical. Sadly both colonial and native officials thought we were demeaning the kids and Africa and wanted keyboards and flash equipment to be up to 'Western standards' I made the point that, as a kid in Manchester, we made our own instruments in the 40s and moved on just as we did with Skiffle in the 50s. We even made reeds to repair mouth organs out of brass battery terminals and rivetted them with small nails snipped off. Has anyone made a bog standard concertina this way? Any pictures of basic ethnic squeezeboxes, anyone?? Link to comment Share on other sites More sharing options...
DDF Posted October 2, 2008 Share Posted October 2, 2008 Hi Michael,You may find this interesting.Kinda takes it to a new level.Regards David. http://uk.youtube.com/watch?v=pkP7KSzgaDw http://uk.youtube.com/watch?v=pkP7KSzgaDw Link to comment Share on other sites More sharing options...
michael sam wild Posted November 3, 2008 Author Share Posted November 3, 2008 Thanks to alll for info. I love those Array instruments where you have a range of reeds to pluck I'd love one but can't justify another expensive instrument! Link to comment Share on other sites More sharing options...
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