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Posted

Hi all, 

I'm now looking for a one row D melodeon. Preferably a Hohner, any number of stops and in good working/playing condition. I'm located in the US and will pay shipping. 

 

Posted (edited)

EBay and Reverb both have the identical one in D for sale……..but it’s not blue.

Edited by Lappy
Posted (edited)
17 hours ago, Lappy said:

Liberty bellows has 5 for sale. I like the blue one!

 

Only the first one is a Swiss model, Schwyzerörgeli, in F#! (and I actually saw a batch of them being made on one of my visits to the old Silvetta factory in Klingenthal) whilst the other four are all Italian organetti with one-and-a-bit rows - but none of them is a (German-style) one-row melodeon - Deutsche harmonika in German - and they won't sound like one either...

 

 

Edited by Stephen Chambers
Posted

I’ve had this question about one row melodeons for years now, but I’d rather not join another forum to ask it, so maybe you all know:  does a one-row melodeon player show up at an Irish session with a wagon of melodeons in different keys?  Can they usually get by with 2 or 3?  I love the sound of the one row, but the simplicity of a small concertina is a huge benefit. 

Posted

If you're around Burlington, you certainly have exposure to the French Canadian one row repertoire.  A small concertina is not simple.  My duet at 6 1/4 " across the flats is chromatic across 3+ octaves.

Posted
9 minutes ago, wunks said:

If you're around Burlington, you certainly have exposure to the French Canadian one row repertoire.  A small concertina is not simple.  My duet at 6 1/4 " across the flats is chromatic across 3+ octaves.

I know concertina is not simple in the sense of how it’s made and how to play it—just that you have a fully chromatic instrument that’s about the size of an American football as opposed to a bunch of larger one-row melodeons that you might have to bring to a session in an attempt to play multiple keys.  At least that’s what I’m supposing you would need if playing one row melodeon in ITM was your thing. 

Posted
7 hours ago, wunks said:

So D/?.  What would be best for Irish?

 

Yes, a D melodeon would be the normal one for Irish traditional music (though G ones used to be popular too) but they weren't readily available in the old days - when the vast majority of (cheaper) models were made only in C.

 

The best place to ask is probably the One Row Melodeon group on Facebook.

Posted

The itm I play is in G and D, and the relative minor keys and modes.

I used to take two Hohner 1040 melodeons to sessions. It can be a bit of a pain to swap boxes quickly in a crowded pub, and you tend to miss some of the A part when the tunes change to a new key.

It is a large part of the reason why I switched playing the concertina. Also, those particular melodeons with their 2 fixed voices were too loud for my home practicing.

 

  • Like 1
Posted

At the risk of minor drift: Just two cents here from an "old rookie" with an Anglo concertina in G and D.  I was when I bought it (maybe ten years ago) playing a series of button accordions and a C/G anglo.  But the only tunes I could scare from those instruments were straight up and down the home rows (like a melodeon) so I thought the G/D would give me both, for Irish, Quebecois, and lots of old Americana.  And that's how it works, for me.  I lucked into a Morse Ceil, and on one 2-pound box can play many tunes. I even manage one in the key of A, which whas a real surprise to me. OTOH, there are a couple of one-row D players who do quite nicely at the ITM session I frequent. I suspect the difference is that rather than playing "most of the tunes" they manage to play "most of EACH tune," by just skipping the missing notes.  No one's the wiser, I think. Clever folk get much more out of these instruments than I ever could.  I still have two or three button accordions, but they never leave the house.

  • Like 2

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