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Posted
2 hours ago, SIMON GABRIELOW said:

Very interesting..Yes I agree.. my own odd way of playing is an example of this🌝..Please no comments about this thank you🌝

 

If you don't want to discuss it, maybe don't bring it up on a discussion forum. 🤨

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Posted (edited)

I am always so happy when I see someone playing Regondi!  This guy was such a genius!  A true virtuoso!  He made the English concertina famous!


I’ve been perfecting Regondi’s harmonization golden exercise out of the Alsepti tutor for years…  what about this one:

 IMG_7352.thumb.jpeg.461fa2b63c8bcfc94db73be69c44adc0.jpeg

Crazy!

.

Edited by 4to5to6
Posted
20 hours ago, 4to5to6 said:

I am always so happy when I see someone playing Regondi!  This guy was such a genius!  A true virtuoso!  He made the English concertina famous!


I’ve been perfecting Regondi’s harmonization golden exercise out of the Alsepti tutor for years…  what about this one:

 IMG_7352.thumb.jpeg.461fa2b63c8bcfc94db73be69c44adc0.jpeg

Crazy!

.

I love his scales in contrary motion. I’ll attach a complete set in case you missed it when I posted them last time. On Regondi, I read a concert review from an old newspaper, it went something like: “the concertina would certainly be more popular if more people played it like Regondi.” I agree.

Regondi-Scales.pdf

Posted

Very impressive how music instruction was approached in the good old days.  I would love to go back in time and hear Regondi, Blagrove, Case.  What an experience that would be!

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