Alan Day Posted May 2 Posted May 2 Observation One I play the Anglo with mainly fingers dedicated to certain buttons, but I was interested to see another player who throws that technique out of the window and moves his hands and and fingers all over the place. I found this a useful method when I broke my finger and by using this method I carried on playing, not to performance levels but I was still playing tunes. Observation Two Dome button playing _ I have found that by sliding my little finger over buttons to create base runs is a useful practice. I have not tried this on flat top buttons but I would think that a domed button may make it easier to do. Your thoughts on both of these observations are welcome. Al 1
SIMON GABRIELOW Posted May 2 Posted May 2 I certainly find that little finger is essential for the very high end notes ( particularly. Right side) most of the time, which leaves the others ready to fill in below the higher notes. And of course I do not hold my instrument in the usual manner ( as often commented)! So my fingers are free to work all kinds of ways🌝
Mikefule Posted May 2 Posted May 2 My left little finger is my busiest. It works the basses on at least 4 buttons. My right hand has about 4 basic positions: buttons 1 to 4 and buttons 2 to 5 on each of the home rows.
Jody Kruskal Posted May 3 Posted May 3 Hi Alan, In response to your query: Observation One I also dedicate fingers to buttons but sometimes I find the the only way to play what I want is to shift my whole hand up or down and for a bit, play in that shifted position, then I quickly return to home position where I am more comfortable. 1
Alan Day Posted May 3 Author Posted May 3 By experimentation it shows that all is not lost if you lose control of a couple of fingers, or have a stroke that the concertina can still be played. It will also help you play tunes that previously you thought were impossible ,just by a different approach. Al 1
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