Bill Crossland Posted October 24, 2019 Share Posted October 24, 2019 (edited) A little while ago I acquired a large 40 key English concertina, which apperared to have been originally pitched somewhere between bass and baritone. A previous owner had started some dastardly modifications to the reedpan which rendered it unlikely to ever be reinstated in its original form. In the fullness of time I intend to make new ends and reedpan in anglo format. In all there were 80 reeds, some in the reedpan, others separately bagged. In the upper register, they are all conventional concertina style reeds to fit into dovetailed slots. The rest of them are surface mount. Some of these appear to be standard larger surface mount concertina reeds, steel tongues and conventionally stamped as you would expect to find in a traditionally made bass/baritone instrument. Others are brass reeded with stamping that suggests they are probably taken from an old harmonium - some have continental stampings on to indicate the notes. They are quite a size but I will probably have enough space to accomodate them - they sound quite good on a tuning rig. Picture attached showing both brass and steel reeded versions, the two on the left I would suggest are made by an English concertina maker. 1. Does anyone out there have any experience of using harmonium reeds in a conventional concertina? What are the drawbacks? 2. I'm short of a good few bass reeds in the lowest register, two octaves below middle C - anyone out there have any available? Edited October 24, 2019 by Bill Crossland Typo Quote Link to comment Share on other sites More sharing options...
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.