reenact12321 Posted February 17, 2019 Share Posted February 17, 2019 I've been researching a lot of different concertinas and going through reviews, and one shorthand I've seen used regularly to describe the general sound of a concertina is confusing to me. Frequently you'll see, "It is bright and fairly loud. Not a singer's instrument, but it will make itself heard in a session without being obtrusive." or a similar description. My question is, what are the traits that make for a singer's instrument? Volume? brightness? Link to comment Share on other sites More sharing options...
Wolf Molkentin Posted February 17, 2019 Share Posted February 17, 2019 3 hours ago, reenact12321 said: My question is, what are the traits that make for a singer's instrument? Volume? brightness? Rather the lack of both - what you‘re quoting should be read along the lines of: if you‘d want an instrument to accompany your or sb. else‘s singing avoid this one because it will overpower the voice - which appartently had rather been meant to praise the instrument for its power here... ? Link to comment Share on other sites More sharing options...
Anglo-Irishman Posted February 17, 2019 Share Posted February 17, 2019 Exactly what Wolf said. But if you are a singer looking for a concertina, it doesn't mean you have to look for one that lacks all volume and brightness. The first criterion is a pleasant tone - however you define that. Most accompaniments are interspersed with intros, outros, bridges and instrumental breaks, so the accompanying instrument - in this case, the concertina - must be able to hold its own in the area of audibility and expressiveness. And while you're singing the verses, a good concertina can be played quietly. If you have a good voice, the concertina should be good enough to match it. And if you haven't got a good voice, at least the concertina should have, so that there'll be at least something worth hearing! Cheers, John Link to comment Share on other sites More sharing options...
Steve Wilson Posted February 17, 2019 Share Posted February 17, 2019 Exactly what John said. Just about any concertina can be a singers concertina if it is played in a manner to suit the song and the voice. My E-concer is loud and bright, it's taught me to play quietly when required. Can I suggest the EC and Duet have an edge in offering the full range of keys which can be useful for finding a key to suit ones voice for a particular song. But of course the Anglo in the hands of a proficient player can handle a good range of keys, enough for most singers to be able to adjust to. With my limited ability on the Anglo I'm stuck in C for songs. The Anglo, I think, is actually better for some types of songs, bouncy songs, than the other systems. But forty something years ago I was advised the EC was the one for singing. I've never regretted heading that advice. Link to comment Share on other sites More sharing options...
Syncopepper Posted February 21, 2019 Share Posted February 21, 2019 I have played the EC for many years and use it strictly for accompaniment. Starting out with an Anglo many many years ago, I then had dinner with Alistair Anderson before a performance at my local folk club. I was smitten and bought a good learner EC. Recently I had an opportunity to play about eight metal-ended Aeolas. My own current New Model has solid rosewood ends and I thought the difference between the brightness and volume was very noticeable. I seems to me that both attributes make the metal-ended Aeola shine in instrumental or vocal grouping but for personal accompaniment I will stick with the more mellow New Model. Link to comment Share on other sites More sharing options...
Robin Harrison Posted February 22, 2019 Share Posted February 22, 2019 Quote any concertina can be a singers concertina ..............this is from Steve's post. The trick (and it is a learned skill,) is to learn to play quietly. Robin Link to comment Share on other sites More sharing options...
Wolf Molkentin Posted February 22, 2019 Share Posted February 22, 2019 9 hours ago, Robin Harrison said: ..............this is from Steve's post. The trick (and it is a learned skill,) is to learn to play quietly. Robin I would tend to object - as to the skill of playing quietly I completely agree, but doing so with my (very loud) model 24 is producing a thin sound, which is quite nice in some cases but not for accompanying the human voice IMO. I would much prefer a rounder and more sonorous sound at a modest volume for that. Best wishes - ? Link to comment Share on other sites More sharing options...
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