Theo Posted August 29, 2018 Posted August 29, 2018 This Shakespeare anglo is in my workshop at the moment and I got quite a surprise when my initial inspection found this unconventional style of valves. Has anyone seen these before? There is no repairers signature inside. The helper springs fitted to the valves are made of a clear plastic film and the resulting valve assembly is far to stiff for all but the lowest reeds so the reeds are muffled and unable to speak freely. I'm planning to replace all with conventional valves, and that will entail a retune too. I think that this is the work of an inexperienced repairer without access to the right materials, but I'm interested to hear if there is a reason for this kind of valve.
mdarnton Posted August 29, 2018 Posted August 29, 2018 (edited) That's a type of accordion valve. For instance, the right picture halfway down the page in the "Reeds" section, here: http://www.accordion.co.uk/accordion-repairs.html You can buy the springs here: http://www.stringsandboxes.de/epages/es117831.sf/en_US/?ObjectPath=/Shops/es117831_stringsandboxes/Categories/"Akkordeon Werkstoffe"/"Federstahl Ventile" in the "accordion materials" section, for instance. Edited August 29, 2018 by mdarnton
Theo Posted August 29, 2018 Author Posted August 29, 2018 Its similar to an accordion valve, but home made. Accordion valves are rectangular, not tapered, and the helper springs are almost always steel, not plastic. These have a very "home made" look.
Wolf Molkentin Posted August 29, 2018 Posted August 29, 2018 they look very much like an attempt to "help" poorly-working valves which would curl otherwise to me
RAc Posted August 29, 2018 Posted August 29, 2018 Interesting. The tops of the "valve heads" appear to have been produced by a hole puncher. The fragments that can be deciphered there almost awakens the amateur sleuth in me. For example, one of the text fragments appear to read "MP3" (although it might also be a longer string containing MP3) which would imply it hasn't happened too long ago... Do you also have pictures of the other 3 reed pan faces?
RogerT Posted August 30, 2018 Posted August 30, 2018 Having observed how sensitive the valves on a concertina need to be (by working the reed pan on a tuning table where I can see the behaviour) those springs must really hamper how it plays. Even valves made from proper accordion reed leather can be too stiff, which is why (I’ve concluded) you need the purpose made ones.
Theo Posted August 30, 2018 Author Posted August 30, 2018 That’s what is happening with this concertina, the valves are so stiff that they hardly lift at all. The result is a muted sound.
d.elliott Posted August 30, 2018 Posted August 30, 2018 I have had two or three concertinas with doctored valves in this way, plus one recently with only say 25% of the low end valves 'helped' in this manner. I have also seen some of the accordion reeded instruments also decked out with accordion valves, which sort of sounds not unreasonable. On big reed instruments I have seen matched valves glued together 'fluffy' side to 'fluffy' side, others with two, even three valves glued together in a stepped arrangement, my own baritone was fitted with valves cut from a tyre inner tube. Nothing would surprise me when it comes to valves and the tricks some people get up to/
OLDNICKILBY Posted August 30, 2018 Posted August 30, 2018 Come on Dave "Tricks" they are Bodges. Or may be they are Prostitutes "Tricks" and they "F====d" the Concertina. At least it is not as bad as the lovely Wheatstone Duet 60 odd keys that had been glued together with Araldite that I was offered
Theo Posted August 30, 2018 Author Posted August 30, 2018 I can understand sometimes the very low pitch reeds need special valve treatment, but this poor anglo has extra stiff valves even on the very highest reeds that would normally be better off without any valves at all. I think Nick is correct though I would describe it as a botched job. Budging is or was an honourable trade of making simple furniture from green wood.
d.elliott Posted September 1, 2018 Posted September 1, 2018 Theo, I would not do any of this even on the most recalcitrant of big reed valves, but I have turned green wood and made simple furniture, it is actually quite difficult, hence the artfull bodger??
OLDNICKILBY Posted September 4, 2018 Posted September 4, 2018 I once went to see a Chair Bodger in the woods around High Wycombe. He made Windsor Chair Legs on a Pole Lathe in less than 2 minutes
SteveS Posted September 4, 2018 Posted September 4, 2018 (edited) On 8/30/2018 at 1:56 PM, OLDNICKILBY said: At least it is not as bad as the lovely Wheatstone Duet 60 odd keys that had been glued together with Araldite that I was offered I have a concertina with glued in reed pans in the resto pile ☹️ Edited September 4, 2018 by SteveS
SteveS Posted September 4, 2018 Posted September 4, 2018 On 8/30/2018 at 1:56 PM, OLDNICKILBY said: At least it is not as bad as the lovely Wheatstone Duet 60 odd keys that had been glued together with Araldite that I was offered I have a concertina with glued in reed pans in the resto pile ☹️
Steve_freereeder Posted September 21, 2018 Posted September 21, 2018 My Dipper G/D anglo has the larger valves similar to such as Theo has described: leather with a thin vinyl 'spring' held in place by a thin leather 'dot', just like you see on larger accordion/melodeon valves which have the thin steel spring. I cannot imagine for one moment that Colin Dipper, being such a superb maker and craftsman, would use this type of valve as a botch or a trick. Admittedly, his vinyl springs are generally shorter and lighter weight than those in Theo's photos and the valve construction is neater too. One advantage of the vinyl spring and leather dot is that the valve resistance can easily be adjusted by carefully trimming the length of the vinyl spring to make it lighter, or if more resistance is needed, by removing the 'dot', substituting a longer spring and regluing or replacing the dot. No need to remove the entire valve. Photo of the LH reed pan of my Dipper anglo attached. You can see the vinyl springs and dots on the larger valves. 1
Theo Posted September 21, 2018 Author Posted September 21, 2018 (edited) I knew that the Dippers sometimes used valve helper springs on larger reeds, and I've sometimes done the same myself. The concertina I'm posting about has them on every valve right up to the highest pitches, even the top few that probably don't need any valves. A quick experiment shows that if I lift a valve while the reed is sounding there is an obvious increase in volume. Edited September 21, 2018 by Theo
RogerT Posted September 21, 2018 Posted September 21, 2018 Theo ... 'if I left a valve while the Reed is sounding'.... do you mean left a valve off or a helper spring off?
alex_holden Posted September 21, 2018 Posted September 21, 2018 12 minutes ago, RogerT said: Theo ... 'if I left a valve while the Reed is sounding'.... do you mean left a valve off or a helper spring off? Or maybe "if I lift a valve"?
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