Jump to content

Dating A Lachenal From The Serial Number


johnconstable

Recommended Posts

51 minutes ago, Mike Acott said:

... the end boxes are not split in half like a normal  Lachenal but more like some cheaper continental made instruments. ... I will see if I can get a couple of photos off to you

 

Thanks Mike, I've only ever seen that continental style of construction on early examples of the mahogany-ended Lachenal People's Concertina, and on (the very closely numbered) #9952 that had what appeared to be "Killarney Ware" inlaid marquetry ends.

Link to comment
Share on other sites

I am looking at a Lachenal English baritone, 44 keys, slightly raised key areas, number 55209 on metal escutcheon, that has been through Chris Algar's hands so it may already be in your records. I would be interested in knowing its date. Thanks for your sterling work!

Edited by iconstab
missed word
Link to comment
Share on other sites

iconstab,

 

Raised ends = 'a new model' design, 44 keys would indicate that the lower octave or so of reeds are not radially mounted but are parallel, and of a much larger design than the rest of the range, I always think of these as being a 'band design' giving more volume and punch than a 48k fully radial design. The top end of the 48k range being sacrificed to create sufficient space. 

 

55209 serial would be around 1912/ perhaps early 1913.  (based upon research by others) 

Link to comment
Share on other sites

43 minutes ago, d.elliott said:

iconstab,

 

Raised ends = 'a new model' design, 44 keys would indicate that the lower octave or so of reeds are not radially mounted but are parallel, and of a much larger design than the rest of the range, I always think of these as being a 'band design' giving more volume and punch than a 48k fully radial design. The top end of the 48k range being sacrificed to create sufficient space. 

 

55209 serial would be around 1912/ perhaps early 1913.  (based upon research by others) 

Thanks for this. Yes, it's a great box - the sound is not only rich but loud, but still plays reasonably fast. I won't miss the upper notes - I never stray that far on the treble either (bat territory).

Link to comment
Share on other sites

On 11/22/2023 at 3:10 PM, d.elliott said:

Raised ends = 'a new model' design, 44 keys would indicate that the lower octave or so of reeds are not radially mounted but are parallel, and of a much larger design than the rest of the range, I always think of these as being a 'band design' giving more volume and punch than a 48k fully radial design. The top end of the 48k range being sacrificed to create sufficient space. 

 

I'd think of them as being intended to be "band instruments" Dave, and a strong influence on Colin Dipper's bass/baritone Anglos - like the ones Cormac Begley has.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...