Kelteglow Posted June 28, 2016 Share Posted June 28, 2016 Hi All The day will come soon when I am asked what layout I want for my new G/D Anglo .Outside of a standard 30 Key Anglo G/D (Wheatstone) do any of you have any suggestions for extra notes that you think I may find useful .I use my G/D to accompany my singing and some times for Morris I dont want to add notes that I will never use ,It may also keep the weight down .It would be nice to hear if you have any ideas on the subject. Bob Link to comment Share on other sites More sharing options...
Mikefule Posted June 29, 2016 Share Posted June 29, 2016 I find the Wheatstone layout preferable to the Jeffries because I find that (on a G/D) the D pull on the accidental row falls to hand more naturally - although that may be just because it's what I'm used to. On the D row, the lowest note (little finger, left hand) on the pull: I prefer the note A which then gives you an easily accessible A major and A7 with adjacent fingers. This is a touch easier than relying on the A pull that is on the G row. However, 1 of my boxes has an E instead, and that increases the options for playing E minor on the pull on the D row. It's all compromises. Don't try to reinvent the wheel - any standard layout will work. Half the fun of the Anglo is finding ways around its limitations. Link to comment Share on other sites More sharing options...
Chris Timson Posted July 1, 2016 Share Posted July 1, 2016 If you can have one extra button I'd suggest a button to the left of the G/F# button that duplicates the D/E button on the left hand, also on the G row. If you're playing "English" fashion, melody on the right hand, accompaniment on the left (either chords or parallel octave) this helps keep the melody on your hand if you want it. I find it a very useful button altogether. Chris Link to comment Share on other sites More sharing options...
Jody Kruskal Posted July 3, 2016 Share Posted July 3, 2016 I find the Wheatstone layout preferable to the Jeffries because I find that (on a G/D) the D pull on the accidental row falls to hand more naturally - although that may be just because it's what I'm used to. On the D row, the lowest note (little finger, left hand) on the pull: I prefer the note A which then gives you an easily accessible A major and A7 with adjacent fingers. This is a touch easier than relying on the A pull that is on the G row. However, 1 of my boxes has an E instead, and that increases the options for playing E minor on the pull on the D row. It's all compromises. Don't try to reinvent the wheel - any standard layout will work. Half the fun of the Anglo is finding ways around its limitations. I prefer the Jefferies layout. Mike, while I can see the pleasures of "On the D row, the lowest note (little finger, left hand) on the pull: I prefer the note A which then gives you an easily accessible A major and A7 with adjacent fingers. This is a touch easier than relying on the A pull that is on the G row. However, 1 of my boxes has an E instead, and that increases the options for playing E minor on the pull on the D row."... still, I would never give up my low E for a duplicated A in the near row. Especially as my modification gives me the very low A in the accidental row, a very satisfying note to be sure. Here are my G/D 30 button Jefferies Anglo modifications. I actually own a Morse C/G in this (transposed) configuration. http://jodykruskal.com/GD-Anglo-Layout.html Link to comment Share on other sites More sharing options...
Jody Kruskal Posted July 4, 2016 Share Posted July 4, 2016 (edited) A bit of explanation: My Jefferies G/D modifications lose the left hand low F draw. This is a note that some Irish players have reported to use with some regularity, but I hardly ever use it. Perhaps if I was playing in “C” on the G/D I would want it more, but when I play in “C” I use my C/G. What I gain is a low “A” just a whole step above the lowest note on the instrument. The lack of this note is a great design flaw of the Anglo system for those who play harmonic accompaniment as I do. Now that I have this Low “A” I use it in almost every tune I play and it sounds great. My Jefferies G/D modifications also lose the right hand high “C” natural. I guess there might be a few tunes where I might miss that note if I was playing melody up the octave, but this would be rarely. What I gain is an "F", a button/note that I have come to love in my Jefferies 38 button instruments as they all have it. Almost exclusively, I use it to slur from the f’’ to the f#’’ (the right hand second button in the D row) when playing a push D chord. I do that in almost all of the D tunes I play at one point or another, so if it’s not there I really miss it often. Fiddlers are well known to slide into the high f#' from below and by using this button I'm able to join them. Edited July 4, 2016 by Jody Kruskal Link to comment Share on other sites More sharing options...
Kelteglow Posted July 4, 2016 Author Share Posted July 4, 2016 (edited) Hi Jody Thanks for showing your layout. So your F Gain note is the same pitch as the pull F R/H accidental row fourth key for you (3rd Key on my Wheatstone) ? Bob Edited July 4, 2016 by KelTekgolow Link to comment Share on other sites More sharing options...
Chris Timson Posted July 4, 2016 Share Posted July 4, 2016 My Jefferies G/D modifications lose the left hand low F draw. A small caveat. If you play a lot of French music the key D minor seems to come up a lot, and for that you really need that low F. Not really relevant otherwise. Chris Link to comment Share on other sites More sharing options...
Jody Kruskal Posted July 4, 2016 Share Posted July 4, 2016 (edited) Hi Jody Thanks for showing your layout. So your F Gain note is the same pitch as the pull F R/H accidental row fourth key for you (3rd Key on my Wheatstone) ? Bob That is true Bob. For my purpose though, I need the useful F to be a push to pair with the F# push for a slide. Edited July 4, 2016 by Jody Kruskal Link to comment Share on other sites More sharing options...
Jody Kruskal Posted July 4, 2016 Share Posted July 4, 2016 My Jefferies G/D modifications lose the left hand low F draw. A small caveat. If you play a lot of French music the key D minor seems to come up a lot, and for that you really need that low F. Not really relevant otherwise. Chris Hi Chris, you may well be right about that. I don't play many French tunes. Here among American tune players we stick to G, D, A, Amodal with very few exceptions. I do remember an F session once that I could not join but mostly I find that the G/D is the box in hand. C sessions are a bit more common though still rare. If I want to play in C or in Dm for that matter, I reach for the C/G box. Link to comment Share on other sites More sharing options...
Kelteglow Posted July 8, 2016 Author Share Posted July 8, 2016 Thanks for all your ideas and suggestions.I was thinking on baseing my new layout on my 36 Key G/D but Jodys blog has made me think that (why did'nt I think of it) , base my new G/D layout on my 35 button C/G.If I do that I will take note of the alterations suggested .I will try to post my C/G layout for further scrutiny.Bob Link to comment Share on other sites More sharing options...
Kelteglow Posted July 9, 2016 Author Share Posted July 9, 2016 (edited) Sorry cant post photo Edited July 9, 2016 by KelTekgolow Link to comment Share on other sites More sharing options...
David S Posted July 13, 2016 Share Posted July 13, 2016 (edited) . Edited July 20, 2016 by David S Link to comment Share on other sites More sharing options...
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