David Barnert Posted November 28, 2015 Share Posted November 28, 2015 I've set aside some time this weekend to do this, and now I've done it. Coilsfield House Quote Link to comment Share on other sites More sharing options...
Patrick Scannell Posted November 29, 2015 Share Posted November 29, 2015 I've set aside some time this weekend to do this, and now I've done it. Very nice! Some inspirational stuff for me there. Quote Link to comment Share on other sites More sharing options...
David Barnert Posted November 29, 2015 Author Share Posted November 29, 2015 Thank you, Patrick. And what's happening in measures 4 and 12 (or the latter halves of 2 and 6, depending on whether you hear it in 2 or in 4) of the B section? Quote Link to comment Share on other sites More sharing options...
cboody Posted November 29, 2015 Share Posted November 29, 2015 Lovely playing with a nice lilt and good choice of chord notes. I "hear" the tune much slower and have found at the tempo I hear it doesn't seem to be very suited to concertina. But you make a strong case for both the tempo and the fit with the instrument. Thanks for stretching me. Quote Link to comment Share on other sites More sharing options...
JimLucas Posted November 29, 2015 Share Posted November 29, 2015 What month? Next month... I hope. I'll be travelling today and tomorrow, and then this month is over. (And still more travelling before I can attempt to record anything.) Good on you, David, for starting (continuing?) this. Quote Link to comment Share on other sites More sharing options...
Jim Besser Posted November 29, 2015 Share Posted November 29, 2015 I've set aside some time this weekend to do this, and now I've done it. Coilsfield House Really nice. Shows off the capabilities of the duet. More of a bounce than most versions I"ve heard - I like that a lot. Quote Link to comment Share on other sites More sharing options...
Patrick Scannell Posted December 1, 2015 Share Posted December 1, 2015 And what's happening in measures 4 and 12 (or the latter halves of 2 and 6, depending on whether you hear it in 2 or in 4) of the B section? Well, in 4 and 12 there is a run from the 2nd down to the preceding 5th followed by a jump up to the 4th. The latter half of 2 also starts on a 2nd and ends on a 4th, but that does not echo in 6... I seem to be missing whatever you are trying to help me see. Enlightenment please? Quote Link to comment Share on other sites More sharing options...
David Barnert Posted December 1, 2015 Author Share Posted December 1, 2015 And what's happening in measures 4 and 12 (or the latter halves of 2 and 6, depending on whether you hear it in 2 or in 4) of the B section? Well, in 4 and 12 there is a run from the 2nd down to the preceding 5th followed by a jump up to the 4th. The latter half of 2 also starts on a 2nd and ends on a 4th, but that does not echo in 6... I seem to be missing whatever you are trying to help me see. Enlightenment please? It's the runs from 2 to 5. In music, 2 is to 5 as 5 is to 1. So what am I doing with my left hand? Playing an A major chord (with a C# that's not in the key of G). Secondary dominant, 5 of 5. We've been here before... Quote Link to comment Share on other sites More sharing options...
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