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Chappell's One Hundred Scotch Melodies


Pete Dunk
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X:68

T:Alistair MacAlastair

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Spiritoso "1/4=150

Z:Peter Dunk 2012

K:Ab

!p!Hc2|(A<F) (F<E) (C<F) (F>G)|\

([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>FF>c)|([fA]>c) (c/B/A/G/) F3||

%

!mf!c|(c>f)(f>e) (c>f)(f>e)|(c>f)(f>g) (a>gf>g)|\

(a>f)(g>=e) (f>c)H[_ecA]>c|(B>E)(E>G) [b2G2E2] (cB)|

%

(A<F)(F>E) (C<F) (F>G)|([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>F)(F>c)|([fA]>c) (c/B/A/G/) HF z||

Edited by tallship
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X:69

T:My Jo Janet

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=130

Z:Peter Dunk 2012

K:C

!p!([GE][cE])[cE][cE] [bFG,]>c[dB]f|\

([ec]c)([cE][GE]) ([E2C2]G2)|\

([AF]>BcA) [bFG,]>c[dB]f|\

([ec]c)([cE][GE]) ([E2C2]G2)||

%

([cE][AF][GE][EC]) ([FD]>[EC]) [D2B,2]|\

C2 ([G/D/B,/]A/G/F/) [E2C2]G>G|\

([AF]c[GE]E) (F>E) D2|\

(E<C) (F>E) (E2 G)z||

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X:68

T:Alistair MacAlastair

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Spiritoso "1/4=150

Z:Peter Dunk 2012

K:Ab

!p!Hc2|(A<F) (F<E) (C<F) (F>G)|\

([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>FF>c)|([fA]>c) (c/B/A/G/) F3||

%

!mf!c2|(c>f)(f>e) (c>f)(f>e)|(c>f)(f>g) (a>gf>g)|\

(a>f)(g>=e) (f>c)H[_ecA]>c|(B>E)(E>G) [b2G2E2] (cB)|

%

(A<F)(F>E) (C<F) (F>G)|([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>F)(F>c)|([fA]>c) (c/B/A/G/) HF z||

 

Another one suffering from the messed up rhythm between sections.

 

I'd change

 

!mf!c2|

 

to

 

!mf!c|

 

but you might want to drop the dot off the last note of the first line instead. I'm not that familiar with the tune so am not sure.

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Another one suffering from the messed up rhythm between sections.

 

I'd change

 

!mf!c2|

 

to

 

!mf!c|

Sorted! See what you think of this one . . .

 

X:70

T:Wilt Thou Be My Dearie

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andantino "1/4=100

Z:Peter Dunk 2012

K:G

!p!(G>DE>D)|L([G2B,2] [DB,]z/D/)|(G>A c/B/A/G/)|\

([bG][AF]) ([A/F/][c/A/][b/G/][A/F/])|\

(G>DE>D)|(L[G2B,2] [DB,])z|

%

[GB,]>[GC][bD][dB,])|([cE][bD]) [b2D2]|\

([AC]>[GB,]) ([AFD][b/G/][d/B/])|[e3G3c3] [gcE]|\

([dBG]>e) (e/d/c/B/)|([eGC][AG^C]) ([AFD][b/D/][A/=C/])|

%

([GB,]>[DB,][EC]>[DB,])|L([G2B,2] D) z|\

([eGC]>d) ([dGB,][b/D/][G/B,/])|([bEC]A) \

([A/F/D/]=c/B/A/)|[GB,]>[DB,][EC]>[DB,]|L([G2B,2] D) z|

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Erm . . .

 

X:71

T:Comin' Through the Broom

T:or Gala Water

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Slow "1/4=90

Z:Peter Dunk 2012

K:D

!p!F2 (E>D) D3 F|([A3F3D3]B AF[EB,G,]D)|\

([F2D2A,2][E2C2A,2])[E2C2A,2]([FD]A)|\

([bGD][AF][dB][cA]){[cA]}([b2G2] [AF])Hz/ A/|

%

([A2F2D2] [bG][cE] [d3F3] [eAC])|([fAD]>e[dBG]B)\

([d3A3F3] F)|([F2D2B,2]E>F) ([E2C2A,2] [FD][AF])|\

([d3B3] [cA]){[cA]}([b2G2] [AF])Hz|F2 E>D HD3 z||

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X:72

T:Bessie Bell and Mary Gray

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "3/8=100

Z:Peter Dunk 2012

K:C

!p!G|([EC]>[FD][GE]) ([GE]>[AF][_BG])|([AF]>GA) F2 F|\

([EC]>[FD][GE]) ([GE]>[AF][GE])|[c3E3]{cd}[e2G2] G|

%

([EC]>[FD][GE]) ([GE]>[AF][_BG])|\

([AF]>GF) f2 ([e/c/][f/d/])|\

([ge][fd][ec]) ([fd][ec][dG])|[c3E3]{cd}[e2G2]||

%

g|(e>de) (cde)|(fd_B) (def)|\

(gec) (cdc)|[e3c3G3] ([g2c2A2] e/f/)|

%

(gec) (ege)|(fd_B) (def)|(gfe) (fed)|c3 {cd}e2||

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X:73

T:Bonnie House o' Airlie, The

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andantino "1/4=140

Z:Peter Dunk 2012

K:F

!p!F2|([F2D2] [G_E]A) [b3D3] A|\

([GDB,]>F[GEC]>A) [F2A,2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2]) zF|

%

([F2D2] [G_E]A) [b3D3] A|([GDB,]>F[GEC]>A) [F2A,2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2])||

%

FG|[A2F2] ([AF]>[bG]) [c3A3][cA]|\

[dB]>[dB][dB][cA] [c2A2] (cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2]) zF|

%

([AF][GE][AF][bG]) [c2A2] [cA][cA]|\

[d2B2] ([dB]>[cA]) [c2A2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2])||

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X:74

T:Campbells are Comin', The

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Spiritoso "3/8=100

Z:Peter Dunk 2012

K:D

!mf!D|(FAB) (AFD)|LF2 F F2 E|\

(FAB) (AFD)|L[E2C2A,2] [ECA,] [E2C2A,2] D|

%

FAB) (AFD)|(F>GF) ([dF][eA][fd])|(dBd) (AFD)|LF2 F F2||

%

A|[d2F2] [dF] ([dF]>[eA][fd])|[A2F2] [AF] ([AF]FD)|\

[d2F2] [dF] ([dF]>[eA][fd])|[b2G2] [bG] [b2G2] [AF]|

%

([AF]>[bG][cE]) ([dF]>[cA][bG])|\

([AF]>[bG][cE]) ([dF][eA][fd])|\

([dB][bG][dB]) ([AF]FD)|LF2 F F2||

%

D|(FAB) (AFD)|LF2 F F2 E|\

(FAB) (AFD)|L[E2C2A,2] [ECA,] [E2C2A,2] D|

%

FAB) (AFD)|(F>GF) ([dF][eA][fd])|\

([dB][bG][dB]) ([AF]FD)|LF2 F F2||

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No. 75, three quarters finished, roll on the day.

 

X:75

T:My Heart's in the Highlands

C:arr. Carlo Minasi

M:3/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=110

Z:Peter Dunk 2012

K:F

!p!([FA,]>[GC])|[A2F2] ([GE][AF][cA][AF])|\

([G2C2][F2A,2]) ([FA,]>[GC])|[A2F2][c2A2] ([fd]>[ec])|\

{[d2B2]} [c4A4] (d>c)|{B}([b2E2][A2F2]) (G>F)|

%

(FA) C2 (c>B)|(A2F2[G2E2C2])|[F4A,4]||\

[F2A,2]|([G2C2][A2F2]) [f2A2]|(F2E2F2)|

%

([G2E2C2][A2F2])[f2A2]|([c2A2][A2F2][F2A,2])|\

([G2C2][A2F2][c2F2A,2])|([F2C2A,2][E2C2B,2][d2F2B,2])|\

([c2F2A,2][A2C2][G2B,2])|[F4A,4]||

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X:76

T:My Nannie O

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=140

Z:Peter Dunk 2012

K:Eb

!p!(EF)|(G2C2)([G3=B,3]F)|[E2C2] ([D=B,]>C) C2 (C>D)|\

[E3C3] F (GFGB)|[c2E2A,2]([F=A,]>G) [E2B,2] (E>F)|

%

[G2E2][b2G2] ([AF][GE]FE)|([F2D2][G2E2]) L([e3G3C3] d)|\

([c3A3E3] [bGE]) (GFG[=BF])|[c2E2] (C>D) C2||

%

([GE][AF])|([b3G3] [cA]) ([cA][bG][AF][GE])|\

[e2G2] ([bG]>[cA]) [b2G2] (ed)|([c3A3] d) ([eG]de[fcA])|\

[g2=B2G2] [cE]>[dF] [c2E2] (_BA) &x6 D2|

%

[G2E2]e2 (BGFE)|[F2C2A,2][G2B,2G,2] L([e3G3C3]d)|\

([c3A3E3] [bGE]) (G>FG[=BF])|[c2E2] C>D C2||

 

Edited to correct typo.

Edited by tallship
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X:77

T:Souters O' Selkirk, The

C:arr. Carlo Minasi

M:3/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegro "1/4=160

Z:Peter Dunk 2012

K:D

!p!E2|([FD]>[GE]) [A2F2][b2G2]|[A2F2]F2[d2F2]|\

(BAGFED)|([FD]>[GE]) [A2F2][b2G2]|\

[A2F2]F2[d2F2]|L[c4G4E4A,4] E2|

%

([FD]>[GE]) [A2F2][b2G2]|[A2F2]F2[d2F2]|\

(BAGFED)|(G3 A B2)|A2F2d2|L[c4G4A,4]||

%

!mf!D2|d2D2 (FA)|([d3B3] [cA] [b2G2])|(BAGFED)|\

d2D2A2|(d3 c [b2G2E2])| L[c4A4E4A,4] D2|

%

d2D2 (FA)|d2 (edcB)|(BAGFED)|\

(G3 A B2)|[A2F2][F2D2][d2F2]|L[c4A4E4A,4]||

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X:76

T:My Nannie O

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=140

Z:Peter Dunk 2012

K:Eb

!p!(EF)|(G2C2)([G3=B,3]F)|[E2C2] ([D=B,]>C) C2 (C>D)|\

[E3C3] F (GFGB)|[c2E2A,2]([F=A,]>G) [E2B,2] (E>F)|

%

[G2E2][b2G2] ([AF][GE]FE)|([FD][GE]) L([e3G3C3] d)|\

([c3A3E3] [bGE]) (GFG[=BF])|[c2E2] (C>D) C2||

%

([GE][AF])|([b3G3] [cA]) ([cA][bG][AF][GE])|\

[e2G2] ([bG]>[cA]) [b2G2] (ed)|([c3A3] d) ([eG]de[fcA])|\

[g2=B2G2] [cE]>[dF] [c2E2] (_BA) &x6 D2|

%

[G2E2]e2 (BGFE)|[F2C2A,2][G2B,2G,2] L([e3G3C3]d)|\

([c3A3E3] [bGE]) (G>FG[=BF])|[c2E2] C>D C2||

 

Second bar of the second line is short one beat. I suspect it should be the same as the second bar of the fourth line.

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Here we go with the fermatas making the tune feel lumpy again!

 

X:78

T:Get Up and Bar the Door

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=120

Z:Peter Dunk 2012

K:F

!p!C|[FCA,]>F[FCA,]>F|[FCA,]>F [FB,G,]F/F/|\

([FCA,]f) ([gcA]e)|L[d2B2F2] [cAF]>c|\

([cA]>[dB][fA]>[dB])|

%

([d/B/][c/A/][AF]) H[GEC](F/D/)|\

([FCA,]G/A/) GF|L([D2B,2] [FA,]) C|\

[FCA,]>F[FCA,]>F|[FCA,]>F [FB,G,]F/F/|

%

([FCA,]f) ([gcA]e)|L[d2B2F2] [cAF]>c|\

([cA]>[dB][fA]>[dB])|([d/B/][c/A/][AF]) H[GEC](F/D/)|\

([FCA,]G/A/) GF|L([D2B,2] [FA,])||

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Well, well, well. The Blue-Eyed Stranger by any other name I do believe!

 

X:79

T:Mill O, The

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Moderato "1/4=140

Z:Peter Dunk 2012

K:Bb

!p!(B>c)|[d2F2] (F>G) F3 B|(G>FGB) L[c2A2F2] ([bD]>[cF])|\

[d2B2][F2D2] (edcB)|([G3E3] A [b2D2]) (B>c)|

%

[d2B2F2] ([FE]>G) [F2D2] (BA)|(G>FGB) L[c2A2F2] ([bD]>[cF])|\

[d2B2][F2D2](edcB)|L([G3E3] A [b2D2])||

%

!mf!zF|(Bcde [f3d3][ge])|([ge][fd][ec][dB] [c3A3F3] F)|\

(Bcde [fd]>[ge][fd][ec])|L([d3B3] [ec] [f2d2]) zF|

%

([bD][cF][dB][ec]) [f2d2] ([eG][fF])|\

([gE]fe[dB=E]) [c2A2F2] B>c|d2F2 (edcB)|L([G3E3] A [b2D2])||

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From the Woodchurch Morris Men tune book (and the Morris Ring website just so's you understand who you're messin' with) ;) :

 

X:39

T:Blue-Eyed Stranger (Headington), The

M:4/4

L:1/8

Q:1/4=170

A:Headington

P:A2(A2B2)4

K:G

P:A

|:GF|G2 D2 D2 GF | EDEF G2 GA | Bcd2 cBAG | E2 F2 G2 :|

P:B

|: z2 | GABc d2 d2| edcB A2A2 | GABc d2 d2 |B4 d4|

GABc d2 d2|edcB A3 z | B2 d2 cBAG | E2 EF G2 :|

 

Chicken and egg perhaps?

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From the Woodchurch Morris Men tune book (and the Morris Ring website just so's you understand who you're messin' with) ;) :

 

X:39

T:Blue-Eyed Stranger (Headington), The

M:4/4

L:1/8

Q:1/4=170

A:Headington

P:A2(A2B2)4

K:G

P:A

|:GF|G2 D2 D2 GF | EDEF G2 GA | Bcd2 cBAG | E2 F2 G2 :|

P:B

|: z2 | GABc d2 d2| edcB A2A2 | GABc d2 d2 |B4 d4|

GABc d2 d2|edcB A3 z | B2 d2 cBAG | E2 EF G2 :|

 

Chicken and egg perhaps?

 

So, a player for Contradances who has called square dances and danced Scottish Country dances should bow to Morris dancers? :lol:

 

Seriously, chicken and egg indeed. The Blue Eyed Stranger version is clearly adapted to the up tempo of dancing, whereas the Mill version is intended as a march or perhaps an air. Certainly in the same tune family though, maybe even closer than kissin' cousins...

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