Chappell's One Hundred Scotch Melodies

[Pete Dunk]

X:68

T:Alistair MacAlastair

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Spiritoso "1/4=150

Z:Peter Dunk 2012

K:Ab

!p!Hc2|(A<F) (F<E) (C<F) (F>G)|\

([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>FF>c)|([fA]>c) (c/B/A/G/) F3||

%

!mf!c|(c>f)(f>e) (c>f)(f>e)|(c>f)(f>g) (a>gf>g)|\

(a>f)(g>=e) (f>c)H[_ecA]>c|(B>E)(E>G) [b2G2E2] (cB)|

%

(A<F)(F>E) (C<F) (F>G)|([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>F)(F>c)|([fA]>c) (c/B/A/G/) HF z||

Edited December 19, 2012 by tallship

[Pete Dunk]

X:69

T:My Jo Janet

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=130

Z:Peter Dunk 2012

K:C

!p!([GE][cE])[cE][cE] [bFG,]>c[dB]f|\

([ec]c)([cE][GE]) ([E2C2]G2)|\

([AF]>BcA) [bFG,]>c[dB]f|\

([ec]c)([cE][GE]) ([E2C2]G2)||

%

([cE][AF][GE][EC]) ([FD]>[EC]) [D2B,2]|\

C2 ([G/D/B,/]A/G/F/) [E2C2]G>G|\

([AF]c[GE]E) (F>E) D2|\

(E<C) (F>E) (E2 G)z||

[cboody]

X:68

T:Alistair MacAlastair

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Spiritoso "1/4=150

Z:Peter Dunk 2012

K:Ab

!p!Hc2|(A<F) (F<E) (C<F) (F>G)|\

([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>FF>c)|([fA]>c) (c/B/A/G/) F3||

%

!mf!c2|(c>f)(f>e) (c>f)(f>e)|(c>f)(f>g) (a>gf>g)|\

(a>f)(g>=e) (f>c)H[_ecA]>c|(B>E)(E>G) [b2G2E2] (cB)|

%

(A<F)(F>E) (C<F) (F>G)|([AF]>GF>[G=E]) ([AF]>[bG][cA]>[bG])|\

([AF]>F)(F>E) (C>F)(F>c)|([fA]>c) (c/B/A/G/) HF z||

 

Another one suffering from the messed up rhythm between sections.

 

I'd change

 

!mf!c2|

 

to

 

!mf!c|

 

but you might want to drop the dot off the last note of the first line instead. I'm not that familiar with the tune so am not sure.

[Pete Dunk]

Another one suffering from the messed up rhythm between sections.

 

I'd change

 

!mf!c2|

 

to

 

!mf!c|

Sorted! See what you think of this one . . .

 

X:70

T:Wilt Thou Be My Dearie

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andantino "1/4=100

Z:Peter Dunk 2012

K:G

!p!(G>DE>D)|L([G2B,2] [DB,]z/D/)|(G>A c/B/A/G/)|\

([bG][AF]) ([A/F/][c/A/][b/G/][A/F/])|\

(G>DE>D)|(L[G2B,2] [DB,])z|

%

[GB,]>[GC][bD][dB,])|([cE][bD]) [b2D2]|\

([AC]>[GB,]) ([AFD][b/G/][d/B/])|[e3G3c3] [gcE]|\

([dBG]>e) (e/d/c/B/)|([eGC][AG^C]) ([AFD][b/D/][A/=C/])|

%

([GB,]>[DB,][EC]>[DB,])|L([G2B,2] D) z|\

([eGC]>d) ([dGB,][b/D/][G/B,/])|([bEC]A) \

([A/F/D/]=c/B/A/)|[GB,]>[DB,][EC]>[DB,]|L([G2B,2] D) z|

[Pete Dunk]

Erm . . .

 

X:71

T:Comin' Through the Broom

T:or Gala Water

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Slow "1/4=90

Z:Peter Dunk 2012

K:D

!p!F2 (E>D) D3 F|([A3F3D3]B AF[EB,G,]D)|\

([F2D2A,2][E2C2A,2])[E2C2A,2]([FD]A)|\

([bGD][AF][dB][cA]){[cA]}([b2G2] [AF])Hz/ A/|

%

([A2F2D2] [bG][cE] [d3F3] [eAC])|([fAD]>e[dBG]\

([d3A3F3] F)|([F2D2B,2]E>F) ([E2C2A,2] [FD][AF])|\

([d3B3] [cA]){[cA]}([b2G2] [AF])Hz|F2 E>D HD3 z||

[Pete Dunk]

X:72

T:Bessie Bell and Mary Gray

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "3/8=100

Z:Peter Dunk 2012

K:C

!p!G|([EC]>[FD][GE]) ([GE]>[AF][_BG])|([AF]>GA) F2 F|\

([EC]>[FD][GE]) ([GE]>[AF][GE])|[c3E3]{cd}[e2G2] G|

%

([EC]>[FD][GE]) ([GE]>[AF][_BG])|\

([AF]>GF) f2 ([e/c/][f/d/])|\

([ge][fd][ec]) ([fd][ec][dG])|[c3E3]{cd}[e2G2]||

%

g|(e>de) (cde)|(fd_ (def)|\

(gec) (cdc)|[e3c3G3] ([g2c2A2] e/f/)|

%

(gec) (ege)|(fd_ (def)|(gfe) (fed)|c3 {cd}e2||

[Pete Dunk]

X:73

T:Bonnie House o' Airlie, The

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andantino "1/4=140

Z:Peter Dunk 2012

K:F

!p!F2|([F2D2] [G_E]A) [b3D3] A|\

([GDB,]>F[GEC]>A) [F2A,2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2]) zF|

%

([F2D2] [G_E]A) [b3D3] A|([GDB,]>F[GEC]>A) [F2A,2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2])||

%

FG|[A2F2] ([AF]>[bG]) [c3A3][cA]|\

[dB]>[dB][dB][cA] [c2A2] (cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2]) zF|

%

([AF][GE][AF][bG]) [c2A2] [cA][cA]|\

[d2B2] ([dB]>[cA]) [c2A2](cA)|\

(F2 GA) ([bFD]d[cAF]A)|L([A2C2][G2B,2][F2A,2])||

[Pete Dunk]

X:74

T:Campbells are Comin', The

C:arr. Carlo Minasi

M:6/8

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Spiritoso "3/8=100

Z:Peter Dunk 2012

K:D

!mf!D|(FAB) (AFD)|LF2 F F2 E|\

(FAB) (AFD)|L[E2C2A,2] [ECA,] [E2C2A,2] D|

%

FAB) (AFD)|(F>GF) ([dF][eA][fd])|(dBd) (AFD)|LF2 F F2||

%

A|[d2F2] [dF] ([dF]>[eA][fd])|[A2F2] [AF] ([AF]FD)|\

[d2F2] [dF] ([dF]>[eA][fd])|[b2G2] [bG] [b2G2] [AF]|

%

([AF]>[bG][cE]) ([dF]>[cA][bG])|\

([AF]>[bG][cE]) ([dF][eA][fd])|\

([dB][bG][dB]) ([AF]FD)|LF2 F F2||

%

D|(FAB) (AFD)|LF2 F F2 E|\

(FAB) (AFD)|L[E2C2A,2] [ECA,] [E2C2A,2] D|

%

FAB) (AFD)|(F>GF) ([dF][eA][fd])|\

([dB][bG][dB]) ([AF]FD)|LF2 F F2||

[Pete Dunk]

No. 75, three quarters finished, roll on the day.

 

X:75

T:My Heart's in the Highlands

C:arr. Carlo Minasi

M:3/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=110

Z:Peter Dunk 2012

K:F

!p!([FA,]>[GC])|[A2F2] ([GE][AF][cA][AF])|\

([G2C2][F2A,2]) ([FA,]>[GC])|[A2F2][c2A2] ([fd]>[ec])|\

{[d2B2]} [c4A4] (d>c)|{B}([b2E2][A2F2]) (G>F)|

%

(FA) C2 (c>|(A2F2[G2E2C2])|[F4A,4]||\

[F2A,2]|([G2C2][A2F2]) [f2A2]|(F2E2F2)|

%

([G2E2C2][A2F2])[f2A2]|([c2A2][A2F2][F2A,2])|\

([G2C2][A2F2][c2F2A,2])|([F2C2A,2][E2C2B,2][d2F2B,2])|\

([c2F2A,2][A2C2][G2B,2])|[F4A,4]||

[Pete Dunk]

X:76

T:My Nannie O

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=140

Z:Peter Dunk 2012

K:Eb

!p!(EF)|(G2C2)([G3=B,3]F)|[E2C2] ([D=B,]>C) C2 (C>D)|\

[E3C3] F (GFGB)|[c2E2A,2]([F=A,]>G) [E2B,2] (E>F)|

%

[G2E2][b2G2] ([AF][GE]FE)|([F2D2][G2E2]) L([e3G3C3] d)|\

([c3A3E3] [bGE]) (GFG[=BF])|[c2E2] (C>D) C2||

%

([GE][AF])|([b3G3] [cA]) ([cA][bG][AF][GE])|\

[e2G2] ([bG]>[cA]) [b2G2] (ed)|([c3A3] d) ([eG]de[fcA])|\

[g2=B2G2] [cE]>[dF] [c2E2] (_BA) &x6 D2|

%

[G2E2]e2 (BGFE)|[F2C2A,2][G2B,2G,2] L([e3G3C3]d)|\

([c3A3E3] [bGE]) (G>FG[=BF])|[c2E2] C>D C2||

 

Edited to correct typo.

Edited December 22, 2012 by tallship

[Pete Dunk]

X:77

T:Souters O' Selkirk, The

C:arr. Carlo Minasi

M:3/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegro "1/4=160

Z:Peter Dunk 2012

K:D

!p!E2|([FD]>[GE]) [A2F2][b2G2]|[A2F2]F2[d2F2]|\

(BAGFED)|([FD]>[GE]) [A2F2][b2G2]|\

[A2F2]F2[d2F2]|L[c4G4E4A,4] E2|

%

([FD]>[GE]) [A2F2][b2G2]|[A2F2]F2[d2F2]|\

(BAGFED)|(G3 A B2)|A2F2d2|L[c4G4A,4]||

%

!mf!D2|d2D2 (FA)|([d3B3] [cA] [b2G2])|(BAGFED)|\

d2D2A2|(d3 c [b2G2E2])| L[c4A4E4A,4] D2|

%

d2D2 (FA)|d2 (edcB)|(BAGFED)|\

(G3 A B2)|[A2F2][F2D2][d2F2]|L[c4A4E4A,4]||

[cboody]

X:76

T:My Nannie O

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Andante "1/4=140

Z:Peter Dunk 2012

K:Eb

!p!(EF)|(G2C2)([G3=B,3]F)|[E2C2] ([D=B,]>C) C2 (C>D)|\

[E3C3] F (GFGB)|[c2E2A,2]([F=A,]>G) [E2B,2] (E>F)|

%

[G2E2][b2G2] ([AF][GE]FE)|([FD][GE]) L([e3G3C3] d)|\

([c3A3E3] [bGE]) (GFG[=BF])|[c2E2] (C>D) C2||

%

([GE][AF])|([b3G3] [cA]) ([cA][bG][AF][GE])|\

[e2G2] ([bG]>[cA]) [b2G2] (ed)|([c3A3] d) ([eG]de[fcA])|\

[g2=B2G2] [cE]>[dF] [c2E2] (_BA) &x6 D2|

%

[G2E2]e2 (BGFE)|[F2C2A,2][G2B,2G,2] L([e3G3C3]d)|\

([c3A3E3] [bGE]) (G>FG[=BF])|[c2E2] C>D C2||

 

Second bar of the second line is short one beat. I suspect it should be the same as the second bar of the fourth line.

[Pete Dunk]

Second bar of the second line is short one beat. I suspect it should be the same as the second bar of the fourth line.

 

Not exactly but now corrected.

[Pete Dunk]

Here we go with the fermatas making the tune feel lumpy again!

 

X:78

T:Get Up and Bar the Door

C:arr. Carlo Minasi

M:2/4

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Allegretto "1/4=120

Z:Peter Dunk 2012

K:F

!p!C|[FCA,]>F[FCA,]>F|[FCA,]>F [FB,G,]F/F/|\

([FCA,]f) ([gcA]e)|L[d2B2F2] [cAF]>c|\

([cA]>[dB][fA]>[dB])|

%

([d/B/][c/A/][AF]) H[GEC](F/D/)|\

([FCA,]G/A/) GF|L([D2B,2] [FA,]) C|\

[FCA,]>F[FCA,]>F|[FCA,]>F [FB,G,]F/F/|

%

([FCA,]f) ([gcA]e)|L[d2B2F2] [cAF]>c|\

([cA]>[dB][fA]>[dB])|([d/B/][c/A/][AF]) H[GEC](F/D/)|\

([FCA,]G/A/) GF|L([D2B,2] [FA,])||

[Pete Dunk]

Well, well, well. The Blue-Eyed Stranger by any other name I do believe!

 

X:79

T:Mill O, The

C:arr. Carlo Minasi

M:C

L:1/8

B:Chappell's One Hundred Scotch Melodies

B:Arranged for the Concertina by Carlo Minasi

Q:"Moderato "1/4=140

Z:Peter Dunk 2012

K:Bb

!p!(B>c)|[d2F2] (F>G) F3 B|(G>FGB) L[c2A2F2] ([bD]>[cF])|\

[d2B2][F2D2] (edcB)|([G3E3] A [b2D2]) (B>c)|

%

[d2B2F2] ([FE]>G) [F2D2] (BA)|(G>FGB) L[c2A2F2] ([bD]>[cF])|\

[d2B2][F2D2](edcB)|L([G3E3] A [b2D2])||

%

!mf!zF|(Bcde [f3d3][ge])|([ge][fd][ec][dB] [c3A3F3] F)|\

(Bcde [fd]>[ge][fd][ec])|L([d3B3] [ec] [f2d2]) zF|

%

([bD][cF][dB][ec]) [f2d2] ([eG][fF])|\

([gE]fe[dB=E]) [c2A2F2] B>c|d2F2 (edcB)|L([G3E3] A [b2D2])||

[cboody]

Interesting. I know it as "The Mill"

 

All those "lumpy" holds are for singers. The probably (or at least should) make sense with the test of the song.

[Pete Dunk]

From the Woodchurch Morris Men tune book (and the Morris Ring website just so's you understand who you're messin' with) :

 

X:39

T:Blue-Eyed Stranger (Headington), The

M:4/4

L:1/8

Q:1/4=170

A:Headington

P:A2(A2B2)4

K:G

P:A

|:GF|G2 D2 D2 GF | EDEF G2 GA | Bcd2 cBAG | E2 F2 G2 :|

P:B

|: z2 | GABc d2 d2| edcB A2A2 | GABc d2 d2 |B4 d4|

GABc d2 d2|edcB A3 z | B2 d2 cBAG | E2 EF G2 :|

 

Chicken and egg perhaps?

[cboody]

From the Woodchurch Morris Men tune book (and the Morris Ring website just so's you understand who you're messin' with) :

 

X:39

T:Blue-Eyed Stranger (Headington), The

M:4/4

L:1/8

Q:1/4=170

A:Headington

P:A2(A2B2)4

K:G

P:A

|:GF|G2 D2 D2 GF | EDEF G2 GA | Bcd2 cBAG | E2 F2 G2 :|

P:B

|: z2 | GABc d2 d2| edcB A2A2 | GABc d2 d2 |B4 d4|

GABc d2 d2|edcB A3 z | B2 d2 cBAG | E2 EF G2 :|

 

Chicken and egg perhaps?

 

So, a player for Contradances who has called square dances and danced Scottish Country dances should bow to Morris dancers?

 

Seriously, chicken and egg indeed. The Blue Eyed Stranger version is clearly adapted to the up tempo of dancing, whereas the Mill version is intended as a march or perhaps an air. Certainly in the same tune family though, maybe even closer than kissin' cousins...