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Posted

Well James I can assure you that the other Double Reeded Concertinas in this set are still in England in the possession of the other family members for whom they were originally made. I have owned this Red one for about eight years and bought it from the original owner. It plays like a new concertina in every way. Everyone who has had the pleasure to play it has been very impressed by the tone, the sound and the condition of the instruement. It is a testament to the skill of the Crabb family. If anyone would like to sample the delights of this amazing machine please contact me through C.Net. It lives just South of Leicester at the moment.

I am trying to remedy the results of C.A.D by culling the herd. In other words I have far too many Concertinas and can only play one at a time

Posted

Well James I can assure you that the other Double Reeded Concertinas in this set are still in England in the possession of the other family members for whom they were originally made. I have owned this Red one for about eight years and bought it from the original owner. It plays like a new concertina in every way. Everyone who has had the pleasure to play it has been very impressed by the tone, the sound and the condition of the instruement. It is a testament to the skill of the Crabb family. If anyone would like to sample the delights of this amazing machine please contact me through C.Net. It lives just South of Leicester at the moment.

I am trying to remedy the results of C.A.D by culling the herd. In other words I have far too many Concertinas and can only play one at a time

 

To clarify the question/answer on ebay, is it actually a baritone?

 

- John Wild

Posted

I will consult the "Delphic Oracle" or Geoff Crabb as he is more normally known as to its Tenor or Baritone status. As it has a similar range to my Holmwood Tenor that is why I so described it

Posted

 

To clarify the question/answer on ebay, is it actually a baritone?

 

- John Wild

A keyboard layout diagram indicating the position of middle C should resolve the matter.

Nic, and chance you can prepare such a diagram?

Steve

Posted

Beautiful. I can imagine the sound of this from the sound of our triple-reeded English concertina (AKA the Accordeophone). I'm sure it would cut through sessions!

 

Chris

Posted

Beautiful. I can imagine the sound of this from the sound of our triple-reeded English concertina (AKA the Accordeophone). I'm sure it would cut through sessions!

 

Chris

 

 

Have you any sound samples or pictures of your "Accordeophone" Chris ? I am sure many here would like to know more.

Posted (edited)

Pictures are here. Unfortunately the instrument is with that nice Mr Dipper, so I can't do sound right now.

 

Chris

 

Edited to add PS: since I wrote the page we've found the location of one other Accordeophone. It's in the custody of Brian Bibby. The whereabouts of the rest is still unknown.

Edited by Chris Timson
Posted

Pictures are here. Unfortunately the instrument is with that nice Mr Dipper, so I can't do sound right now.

 

Chris

 

Edited to add PS: since I wrote the page we've found the location of one other Accordeophone. It's in the custody of Brian Bibby. The whereabouts of the rest is still unknown.

 

 

Many thanks Chris.... all very interesting.

Geoff.

Posted (edited)

I will consult the "Delphic Oracle" or Geoff Crabb as he is more normally known as to its Tenor or Baritone status. As it has a similar range to my Holmwood Tenor that is why I so described it

 

First, to be honest and to avoid confusion, I was not involved in the making of this instrument but I was fully aware of it's construction. At that time, just prior to the first concertina 'revival', there was little demand for new instruments so the business could not support another Crabb family member. Also, to provide sufficient income, what may be called non-conventional instruments appeared, built to customer requirement.

 

 

From the records and the note frame sizes indicated on the plans for this instrument and it's 'siblings', this instrument appears to be and termed:

 

"41 Button, double reeded, English Treble."

To support 'Treble', on the following attached layout it will be seen that the range, G3- F#6, falls within the compass of the standard 48 English Treble.

 

If however, the instrument is pitched a full octave lower then it would be termed:

 

"41 Button, double reeded, English Baritone."

If this be the case, the next attachment shows the layout where the range, G2 - F#5 falls within the compass of the standard 48 English Baritone.

 

 

In this second case I would think that the range would disadvantage anyone wishing to play solo pieces.

 

 

If neither of the above provide the answer, I will post a relevant Tenor layout.

 

 

 

 

Elsewhere at some time, comment was made that the addition of second reeds did not dramatically increase the ultimate loudness of an instrument. Whilst not in agreement at that time, I think this instrument proves the benefit of double reeding for volume gain.

 

 

As an aside, Duets which often attract comment regarding left hand heavy chording drowning the right hand, can be overcome to some extent by double reeding on the right side only. Although, a few Crabb instruments have been made like this, the increased physical size of the instrument to accommodate the extra reeds, the additional weight and cost would, I suspect, make these an unattractive proposition today.

 

 

I do not think I could be persuaded to make a double reeded instrument now.

 

Geoff

 

PS See also my next following comment

 

 

Edited by Geoffrey Crabb
Posted (edited)

Previous content removed due to complete revert to gobbledegook following simple edit.???????

 

Re-reading the Answer to the Question posed on EBay, it appears the instrument is a Transposed Baritone, the lowest note on the right being G below C below mid C. i.e. 1 whole octave lower than a Treble.

 

Geoff

Edited by Geoffrey Crabb
Posted

Oh Dear , Sorry for the confusion. This machine goes down to the G below Middle C. The G being on the Right. Not as I replied on E Bay It is not an easy concertina to assess as I took a very bad tumble on the tarmac and this has affected my hearing to some extent. Thank you Geoff for your help

Posted

Oh Dear , Sorry for the confusion. This machine goes down to the G below Middle C. The G being on the Right. Not as I replied on E Bay It is not an easy concertina to assess as I took a very bad tumble on the tarmac and this has affected my hearing to some extent. Thank you Geoff for your help

 

No Problem Nic.

 

Hopefully, in conclusion, can we now safely say that it is a '41 Treble'?

 

Geoff

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