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  1. I've been reviewing previous discussions on miking the concertina for stage use. They have often been quite spirited, but don't ever quite seem to come to a conclusion. Some advocate the "small electret microphones on the ends" approach, but concede that they sound a bit bright, and are prone to feedback, wind and handling noise. Others prefer the richer sound from the "pair of stand mics" approach, but concede that they clutter up the stage and can present balance issues between the ends. I feel I'm hearing attempts, rather than solutions. I wondered if things had moved on from there
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