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Found 3 results

  1. Long time lurker here, hope to post more in the future. I've been playing a C/G hybrid for about a year now and have come to the tentative conclusion that for my primary use case (Morris), I'd be better off with a G/D since I want to be able to play harmonies and chords with other morris musicians. I've gotten to a point where it's easy enough to play our repertoire tunes in C or F harmonically, but if I stay in G my options are much more limited and I tend to end up playing melody only, which isn't terribly interesting for me. Opinions on this conclusion are welcome, of course, but onto the main question: Sometimes I'll see a used G/D for sale, but half the time it's got a Jeffries layout. I'm much more comfortable with Wheatstone, but I don't want to always be passing up a good deal if it would be easy/affordable to have it converted. So... would it be? I'm mainly talking about hybrids here since they're affordable and readily available; I understand the reed pans are a different beast from those in "nice" concertinas. But since I also want to invest in a nice one at some point, the question applies there, too. Much obliged for any advice from all you sages on the forum. Luke
  2. Hello I’m new to this so I fear this may be a dumb question but in any case... Does anyone know why some of the key positions on my Wheatstone Duet (serial 26008) were changed? I’ve attached a drawing showing the changes vs. the standard keyboard lay out shown for a 56 key Wheatstone in Ernest Rutterford’s Tutor for the Duet... 1) the C# and C on the left hand 1st and 2nd columns, bottom row are switched 2) the B flat and G# on the right hand, 1st and 4th columns, top row are switched. 3) the left hand D# has been moved from the bottom of column 3 to column 4 and 4) an extra F was added to the right hand bottom of column 5 along with a Whistle key near the air key. Would all these changes have been ordered to accommodate the buyer’s personal preference to make it easier to play a particular type of music, or am I using the wrong chart? For quite a while I kept thinking I hadn’t found the right keyboard chart but after reading Jim Lucas’ posting on October 24, 2014 about the Macann Duet keyboards I’m now wondering if the placement wasn’t customized. My thanks for any help you can give me. - Wes filename-1-3.pdf
  3. I have a Wheatstone Aeola duet, 65 keys that had the keyboard layout modified in the 1940's by a Mr R G Cheeseman who entertained in South Australia during the war. The quickest way of describing the layout is that to play a natural scale 3 adjacent keys are played in order starting from the tonic, move up a row and play 4 adjacent keys, move up and play 3 to continue. This pattern is repeated for most major keys starting from the tonic. It is similar to the 5 row continental system in accordians (I think) and is easy to pick up and play tunes you already know. My question is would it be preferable to revert to a standard layout because since many of the reeds have been moved the voicing of individual notes maynot be optimal. Some of the reed frames were too long for the slot so they were filed to clear the bellows frame (shudder!). I've had it too long and want to start playing it again. Thanks for any suggestions. Also Happy birthday, Geoff. Long time since we talked.
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