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Found 5 results

  1. Lewes Saturday Folk Club Workshop No 269 SANDRA KERR CONCERTINA & SONG WORKSHOP (any system) www.sandrakerr.net Places £35 (2 under-25-year-olds £17) Sunday 23rd. June 2019 10.45 a.m. - 4.45 p.m. Elephant & Castle White Hill Lewes BN7 2DJ Sandra Kerr has long been a brilliant & influential singer & player of the English concertina, since with her days with Ewan MacColl's Critics Group. A versatile musician with a fine, expressive voice, she is also an accomplished songwriter & has been a core tutor on the Newcastle University Traditional Music degree course. Sandra
  2. I keep hearing how versatile the anglo 30 button is and i'm looking for songs you can accompany. with the problem of chords in one direction i'm having trouble finding this versatility everyone talks of. could you please give me some songs that you can play with accompaniment. I recently found "what shall we do with a drunken sailor" and that was pretty fun to play cheers. oh and I bought garry coovers book about songs with accompaniment thanks for the suggestion
  3. what i'm asking is it possible to play 2 parts rather than just one eg. a waltz but not within 1 chord eg. C CM CM I like the look of the Anglo however with what i've seen so far on the layout trying to play a polka is a nightmare. or at least say a polka using say a Bb chord and I know about transposing however that being said is it only possible to play chords in 1 range eg. c cm g cm c cm g cm or can you also a other chords and it's limitation being skill. I ask because I don't one but would like to however I like to play two pieces of the song eg. the waltz part or the polka
  4. I apologize if this topic has been covered elsewhere. I didn't find much in a cursory glance through the topic titles. I have a C/G anglo on which I primarily play melody (mostly irish session music), but recently have been trying to arrange accompaniments for songs. I realize that the layout of the instrument and the required bellow direction changes are somewhat limiting. For now I have mainly stuck to holding sustained chords, which gives a nice 'drone' effect that fits some select songs. (Actually in most cases I find I prefer the sound of just playing the root note and the fifth, and
  5. Starting with this post and continuing (at least) through this post, the thread for the October 2013 Tune of the Month seems to have morphed into a discussion of tricks, techniques, and further discussion regarding creating arrangements of tunes. I think this is a worthwhile discussion that deserves to be continued under a title less cryptic than "Xotis Romanes", and that this Teaching and Learning subForum is the right place for it. I hope others will agree and continue the discussion here. I've created the topic title, "How WE think music really works" (now why do I think the Forum softw
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